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Emilie Busquant, an Algerian passion

Emilie Busquant, a woman with an exceptional destiny, was born on March 3, 1901, in Neuves-Maisons, Lorraine. In 1923, she moved to Paris to find work and met Messali Hadj, who had also come seeking employment. A beautiful love story began; she fell in love with both a man and a cause: the independence of Algeria. Together, in 1926, they founded the first Algerian independence party, the North African Star (Étoile Nord-Africaine). She would support the Algerian people's struggle throughout her life.

Emilie Busquant, an Algerian passion

10.0 2015
Annette's Life

At just 19 years old, in 1942, Anne Beaumanoir had already experienced so much: involved in the clandestine communist youth movement, she had begun medical studies, secretly distributed parcels, saved Jewish children, changed her identity, lost her first love, and narrowly escaped death several times. Twelve years later, as a courier for the FLN (National Liberation Front), she was sentenced by France to 10 years in prison for terrorism, but fled to Algeria where she became the principal advisor to the Minister of Health under Ben Bella. Until the military coup, she went to Switzerland where she would head the neurophysiology and epileptology division of the Geneva University Hospital for 26 years. Through the eyes of Annette, witnesses, and rediscovered friends, this film recounts Algeria, France and its litany of buried tragedies, racism, and the fight for freedom and independence. Annette ultimately instills in us a necessary and difficult-to-define virtue: courage.

Annette's Life

10.0 2018
Les Enfants Terribles du Cinéma

The documentary "Les Enfants terribles du cinéma" (The Terrible Children of Cinema) tells the little-known story of one of the crossroads of cinephilia, *OBJECTIF 49*, which culminated in the organization of the Biarritz Festival of Cursed Films during the summer of 1949. This festival was initiated by Jean Cocteau, then at the height of his cinematic career. In Biarritz, films deemed "cursed" were screened because they had not yet found an audience or had been banned by censors. This selection offered a radically different vision of cinema from that of other festivals, such as Cannes. An entire generation of active filmmakers was celebrated: René Clément, Robert Bresson, Jacques Doniol-Valcroze, Eric Rohmer...

Les Enfants Terribles du Cinéma

10.0 2011
Waiting for Godot

“[…] ‘There are several common notions surrounding *Waiting for Godot*. It is often described as an absurd text, but to me, it seems lucid and coherent; what it seeks to convey is that human beings are absurd—irrational, eccentric, contradictory, arbitrary, and nonsensical. For Sanzol, humor is one of the fundamental elements of *Waiting for Godot*. ‘It is one of the reasons I wanted to stage this play. Beckett’s humor conveys compassion for the human being, yet it makes no compromises. It is stark. It is up to the audience to decide whether or not to laugh. It does not pander. Yet it is not an arrogant humor. It is a humor that fights for human dignity, doing so by revealing the indignity in human behavior. It is a multifaceted humor,’ concludes [Sanzol]. […]” (Julio Bravo, *ABC*, April 19, 2013)

Waiting for Godot

10.0 2013
When Pigs Have Wings

After a tempest, fishermen do not find only fish in their nets. That is what happens to Jafaar, a poor fisherman who lives poorly in Gaza. And what he hauls in is really upsetting: imagine that, a pig! An unclean animal judged impure not only by the Faith of Islam but also by the Jewish religion. Determined to get rid of the animal, Jafaar tries desperately to sell it, first to a United Nations official, then to a Jewish colony where Yelena raises pigs not for their meat but for security reasons. Of course, going unnoticed in the company of a "forbidden" animal, among his Palestinian brothers, past Israeli soldiers and under the scrutiny of Islamic fundamentalists is no bed of roses and a series of misadventures await Jafaar.

When Pigs Have Wings

7.0 2011