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You, Me & Marley

A group of bored Roman Catholic teens from Belfast, Northern Ireland, United Kingdom steal cars and joyride around the city, causing havoc among the nearby Protestants and local Irish Republican Army members, all of who are outraged by the youths' nihilism. The gang, led by ace thief Sean (Marc O'Shea), is connected with the IRA but couldn't care less about the group's politics. But things turn serious when an IRA member captures one of the boys, Marley (Michael Liebmann), in an effort to end the mayhem.

You, Me & Marley

6.2 1992
François Truffaut: Stolen Portraits

Twenty-six people - including two daughters, an ex-wife, his last lover, actors, fellow directors and writers, a neighbor, and boyhood friends - talk about François Truffaut. They discuss his attitudes toward wealth, his early writings about cinema, the undercurrent of violence in his films and his personality, the way he used and altered events in his life when making films, his search for a father (both artistic and biological), his relationship with his mother, the scenes in his films that cause a squirm of embarrassment, and his ultimate mysticism. Clips from a dozen of his films are included.

François Truffaut: Stolen Portraits

5.6 1993
It's Not About Love

Raoul Peck directed this French-German-Haitian drama set in Manhattan where medical examiner Chase Dellal (Geno Lechner) isn't happy with the diminishing aspects of her life: Not only does she face political pressures to soft-pedal her testimony, her marriage to a judge (Bob Meyer) is collapsing. Suddenly, new options appear after deposed Haitian politician Dimitri (Jean-Michel Martial) re-enters her life. Playwright Israel Horowitz has a role in this film as morgue cop Timothy.

It's Not About Love

10.0 1998
The Judge and the Girl

Dr. Maximilian Pfeiffer, in his early 40s, divorced, is a judge. He is valued by his colleagues as a correct official and above all as a relentless pursuer of sex offenders. But he himself has a preference for underage girls. Schadewald couple, who has a marriage institute for clients with very special sex wishes plays him a videotape to please him. The video belongs to Marion, their lawyer and one of their clients. On the video her 13-year-old daughter Sandra can also be seen. He begins to take an interest in the teenage girl and steals the love of the mother to approach her. Sandra is pretty, intelligent and self-confident. Of course she likes her mother's new friend. She is fascinated by his dazzling manners, his looks and the authority. During a holiday in Spain, the repressed tendencies of the judge are increasingly gaining the upper hand.

The Judge and the Girl

4.0 1995
Johnny Stecchino

Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria's stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.

Johnny Stecchino

7.3 1991
The Yellow Mercedes

The film is based on 'Fikrimin Ince Gulu', a novel by Adalet Agaoglu, which depicts a first generation gurbetci/guest-worker returning home. It covers his land journey in short bursts from Germany to the Turkey's west border - and extensively from thereon to his village close to Ankara - capital of Turkey. He begins his journey purchasing a second hand yellow Mercedes - possibly his first car - using his meager savings working as a laborer. Offering deep insight into the mind of a manual laborer Bayram (Ilyas Salman) making his first trip back home, resorting to flashbacks in highlighting Bayram's motivation and experiences from his childhood right up to the events leading to his first departure from Turkey to Germany.

The Yellow Mercedes

7.7 1993
On the Edge

A man. A woman. A single night in Paris. Such is the basic framework of this French romance that begins when middle-aged middle-class housewife Clara, happily drives to the airport to meet her husband who was supposed to come in on the evening flight and is devastated to learn that he has remained at his hotel and is having an affair. Clara sees a younger man eating a sandwich and asks him to have a drink. Later, she and he, an amiable baggage handler, spend the evening talking and exploring the nightlife on the outskirts of Paris. There they meet many people from other countries who come to Paris and work as laborers.

On the Edge

4.0 1995