Van Essa Da Silva, a Brazilian Drag Queen, reminds us of the Universal Declaration of Human Rights, made 70 years ago. Her Accep-Dance is a call to keep on fighting for equal rights. For everyone. Everywhere.
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Van Essa Da Silva, a Brazilian Drag Queen, reminds us of the Universal Declaration of Human Rights, made 70 years ago. Her Accep-Dance is a call to keep on fighting for equal rights. For everyone. Everywhere.
Different artists unite to declare their love to the city and our time, in a re-imagination of the silent film classic 'Berlin - Symphony of a Great City'.
Let's keep it is a cinema documentary (99') about the still problematic attitude of the Republic of Austria towards the restitution of "aryanized" real estate which - for whatever reason - became the property of Austria after 1945. The film is also the director's bow to the victims of the darkest chapter of Austria's recent history. A chapter that seems to have been extended to a certain extent when it comes to restitution of looted property to the descendants of Holocaust victims.
Best friends Beto and Daniel spend most of their time together. Daniel struggles with his gender identity just to hide his feelings for Beto. To be himself, he has to overcome his fear by showing Beto what he truly feels.
In the summer of 1928, the Scottish physician Alexander Fleming discovered penicillin by accident, but it would take two more decades and a world war before he and others succeeded in producing the antibiotic in such large quantities as to eradicate the epidemics of the time: typhus, syphilis, gangrene and tuberculosis.
The film is about a destroyed family. Amy, the youngest member of the family, finds in a park a mysterious wooden box that takes possession of her. Her brother Nick plans with his best friend Kevin a house party and invites Nina, in which he has fallen in love. But the house party becomes a bloody massacre through Amy.
By inventing a fictional alter ego of himself, director Florian Seufert puts himself in the position to be at the same time the observed object and the observer. In his very personal ways, Florian Seufert appears to re-imagine the spiritual teachings of Carlos Castaneda and the otherworldly musings of Alejandro Jodorowski. Thus, this filmic out-of-body experience becomes an allegory for cinema itself and a sensorial voyage towards a new way of self-discovery. While shamans connect with the hidden realms of ghosts and their ancestors, the circle of life and death becomes whole once again, Florian, living with the Huichol, sheds his former self like an old and useless skin. *Pamparios* is a film about (the search for) self-realization. A film like an LSD trip. Like a dream within a dream hidden inside a secret dream. A challenging debut from an extremely promising director. Giona A. Nazzaro
Retelling of the Greek myth. Grada Kilomba's 'Oedipus' tells a story about violence, exploring the role that fate can play for those who live in a system that reproduces cyclical oppression.
Stage director Frank Castorf “might have been born to direct From the House of the Dead” (Opera Today). His gritty, visually striking adaptation brings bold modern and postmodern touches to Janáček’s masterwork without ever overshadowing the intense forward momentum of the music, conducted to dramatic perfection by Simone Young and sung by an all-star cast in Munich. Janáček adapted Dostoevsky for this powerfully compelling opera set in a Siberian prison camp, full of starkly contrasting moods and motifs, unusual in its episodic structure. The last opera Janáček ever composed, its third act was on his desk when he died in 1928; attempts by his students to “complete” his orchestration have largely fallen away over the decades in favor of the original version. Despite the grimness of the setting and the brutality of several characters, the composer’s compassion shines through in tender moments, movingly illustrating his motto for the work: “in every creature, a spark of God.”
A dream where obsession for German as a second language mixes up with an obsession for neatness and cleanliness as a distinctive feature of the national culture in question seen from the perspective of a foreigner. The dream is not a nightmare only because the set it is dreamt into is the seashore of the mare nostrum, where the dreaming subject is perfectly at home. A homeland which she, in turn, in her more secret thus naïf dreams would dream of being cleaner and tidier as in the reality, especially in front of such beauty of nature. As is right and proper.
"Village of the forgetful" (original title: "Das Dorf der Vergesslichen") tells the story of European Alzheimer's disease patients who are being taken care of by natives in a small village in Thailand. The movie illustrates the intercultural encounter of its' protagonists within the traditional thai village athmosphere in a tragicomical way. "Village of the forgetful" is the first feature-length documentary of director Madeleine Dallmeyer.
Elderly residents of the LGBT-friendly Julie Roger Home in Frankfurt enjoy visits from male strippers, baking transgender Christmas cookies and Sunday dance events with an emphasis on spring fever. At the elderly home, seniors of all sexual orientations are welcomed to express their sexuality during the last days of their lives. The short documentary WE WILL SURVIVE observes the funny, heart-warming and at times delicate everyday life at Julie Roger Home.
A woman caught between animus and anima struggles for her Self, which seems in the process of dissolution. The horror of the Self to be without any self-image is at the same time the almost mystical desire for a kind of self-perception before of self-conscience. DUST to DUST traces the stages of a self-dissolution or a metamorphosis, the falling apart and rejection of all images.
Vile Video Productions, in association with Sado Messiah Productions, is proud to announce the first ever North American release of the sex fueled and blood soaked German masterpiece BLOODPORN! With brand new cover art by the legendary Martin Trafford, as well as a behind the scenes making of special feature, this is a must have for anyone with a blood fetish!
Anya and Seryozha, eighteen and nineteen years old, have been close friends since school. They live in Mariupol, an industrial city in southeastern Ukraine. The film shows snapshots from the life of young people searching for who they want to be and how they want to live. They move between autonomy and uncertainty, rebellion and melancholy. They are full of imagination and willpower.
The story of the Bugattis of Milan and Molsheim, the eccentric family behind the brand: Carlo, the patriarch and furniture designer; Rembrandt, the troubled sculptor; Ettore, the gifted engineer; Jean, the unfortunate heir. Art and design. Beauty and luxury. The fastest cars. Races. The need for speed.
Accompanies three soldiers that are trying to find a way back to life with the help of Equine Assisted Psychotherapy for PTSD. Where the conventional medicine is limited, Claudia Swiercek fills the gap with her horses.
Germany, 1971: Erika (Anna Schudt) is actually completely overwhelmed by her work in the butchery of husband Kurt (Christian Erdmann), the education of three common children and additional obligations, which brings the village life, as her doctor also revealed that she is pregnant again. Another baby is the last thing she needs now, and so she decides to drive to her sister Charlotte (Alwara Höfels) to Cologne and let the baby abortively secretly abort. Since there are complications during the surgery and Erika can only be rescued, but her husband still learns from the matter. It comes to a huge dispute, in which another topic is the future of daughter Ulrike (Lene Oderich). Without further ado Erika then packs her things and moves with her children to Charlotte. But at a time when legislation inevitably makes her dependent on her husband, she is denied a self-determined new beginning. Erika decides to do something to change that ..
A Kafkaesque journey through a drug addict's attempts to join the Eurovision song contest.
As Hong Kong increasingly loses its sovereignty under China’s control, Momo leaves home for Berlin, hoping to finally breathe the air of freedom. But life doesn’t look like what he imagined—instead of advancing his fashion career or finding love, he ends up working and living in a Chinese supermarket. Momo soon finds himself straying even further, going on an uncanny journey with other outcasts in the city of Berlin.
Fasciae, hidden connective tissues, are largely unstudied parts of our anatomy. What role do they play in the organism? And could a better understanding of them help in finding a cure for back pain?
The town of Hoyerswerda is emblematic of the demise of the GDR. Everything that this town represented was swallowed up by the fall of communism. The people were left without any market worth. A citizens’ dance project helps them to live with the shame. A sensually choreographed, empathetic film.
For the couples Julia and Knut and Jessi and Steve, artificial insemination finally makes their wish for a child come true. The shock is correspondingly great when their gynecologist tells them that the eggs have been switched. Meanwhile, Liane's desire to have children threatens to come to an end when she is dumped by her boyfriend - now a replacement is needed.
In a veritable firework display of digital self-portraits, hundreds of quaint, embarrassing and dreadfully disturbing selfies were arranged in a unique short film composition. Single photos, artistically reworked, consolidate to form a ghastly grin that outshines the abyss of human existence.
A shell of what he aims to be, this slug has made his own bed. Now he needs to figure out how to lay in it.
On his first day as an apprentice, Erik is assigned to a strange journeyman called Ludger. Together they drive to a mysterious power box in the middle of nowhere, but the tasks that Ludger keeps giving Erik seem to be a waste of time. In his ongoing fight for acceptance, the apprentice makes a far-reaching mistake.
Almost 200 million women are "missing" in Asia - the result of targeted abortion of girls and dubious population policies. An investigative documentary about women who are not allowed to have daughters, about desperate attempts by men to find a wife somewhere, and about the abuse of women as pawns of politics and business.
The filmmaker and artist Mara Mattuschka and the composer and musician Elisabeth Schimana have a rendezvous. Mara Mattuschka hears nothing and Elisabeth Schimana sees nothing. They have, however, agreed on a common line, on a text to be written together that, like a score, will serve as this common line for a 50-minute AV performance. The text is about strings that oscillate in the body, tubes through which the body receives nourishment and air, skins that are made to vibrate like a membrane.
Berlin’s Museum Island, the cultural center of the German capital on the Spree river, houses a large number of art pieces from all over the globe, from the Stone Age to the present day. A walk through their great institutions to marvel at their masterpieces.
This film is a part of a German initiative involving multiple short films by a collective of directors. The series focuses on themes related to migration, human rights, displacement and identity. Each addresses a different facet of existence without a home or family, without friends or toys, and supposedly, without a future.
Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.
Agent Torquemada the Grand Interrogator of the allusive and mysterious 'The Firm' grills the equally strange and bizarre suspect linked to a murder scene. The tense and confusing interrogation begins to degrade into chaotic mindlessness, with Torquemada attempting at his wit's end to get the answers he needs. Where is Raymond? Where is Grey Point? In the end nothing is clear. But then perhaps that is the point. Nothing is what it appears to be.