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Through the eyes of a child, the peace of the countryside is shattered when Burú brings something that should have never entered the house.

Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.

Ayla wakes up in a mountainous landscape, surrounded only by vegetation and a river. Driven by curiosity and a desire to get to know the place, she goes on a journey of discovery and diving. As she discovers where she is, she also discovers herself.

Women find empowerment behind the red nose and makeup, revealing the playful and subversive spirit of female clowning. Through poetic and intimate performances, the clowns share stories that go beyond laughter, exploring their role as manipulators of energy and expression.

In 1985, a spy risks everything to stop a conspiracy that threatens to prolong the dictatorship in Brazil. While facing the military, she becomes involved in a forbidden romance with the heiress of a megacorp.

Lost in the middle of a living and murderous forest, a girl races against time to save her sister with the help of a mysterious stranger.

Six sequences about Fascism and its segments throughout history.

Based on historical facts, the film portrays the largest slave rebellion in Brazilian history, the Malê Revolt. The uprising mobilized the black population in the streets of Salvador against slavery in 1835. After the failure of the revolt, the protesters were harshly punished and repression against black people in Brazil increased.

On the edge of the Transbrasiliana highway, Edna lives in a land in ruins, built on massacres.

The journey of Imo, a helpless and frightened little seed, takes a turn she never imagined when she falls of her tree and get carried away by a powerful storm. She must find the courage to overcome the challenges around her and finally become the large and beautiful tree she was destined to be.

Left in her aunt’s care on a family ranch at the edge of the burning Brazilian wetland, 12-year-old Mia is desperate for the touch of her mother’s love. Amidst the volatile natural world and the looming threat of a deadly jaguar, love manifests in unexpected ways.

Bruna Linzmeyer and Milton Cunha use humor to portray situations in the LGBTQIA+ community, reflecting on diversity in a light and amusing way.

Marcelo was taken to Paris, where he has lived since he was 12. After the sudden death of his mother in 1992, he returns for the first time to the place where he was born. As he walks through the city of his childhood, a series of memories unfolds, revealing a story of friendship torn apart by tragedy and the social tensions that marked Brazil in the 1960s, leading him to question his identity and his place in the world.

The Surgeon of Lazarus tells the symbolic story of a fisherman from a fishing village who becomes corrupt due to power and money, leading his village to misery, death and destruction. A mythical work about resurrection, loneliness and death.

After taking a pill that makes him relive memories, Elias returns to the last moment with his first love, ready to face, years later, the true reason for their breakup.

The end of the holidays has arrived and it's time to go back to Limoeiro! While the gang gets together to organize a welcome party for Milena, Monica tries to deal with the expectation of receiving the perfect dating proposal.

Through rare and striking footage from her own films, Eunice Gutman Has Stories revisits the journey of one of the pioneers of feminist cinema in Brazil. This is a tribute to the director, who will celebrate 50 years of work and 85 years of life in 2026.

A messy home can attract more than just urban pests; it can attract low-resolution digital pests straight from hell... just watch to find out.

Ágatha has just been transferred to a conservative boarding school full of oppressive rules. She befriends Kauã, and together they try to plan an escape and solve the disappearance of another student while being pursued by a mysterious killer.

A striker who challenges the best in the world and sings that the rival fan is a fool. A footvolley duel at night, on the eve of a classic match on the sands of Ipanema. A star player who proclaims himself a god against the kings of Rio and says that his rival is a piece of shit. It all seems so distant, because it is. But those were just a few ordinary days in Rio de Janeiro football in 1995.

In Ipanema, a couple of vampires seduce their victims with promises of sexual encounters through letters. But their lives are turned upside down when a stranger, fascinated by the idea of anthropophagy, replies to one of their letters, leading to an unlikely outcome.

Samba, Popping, and Jazz. Through these dance styles and documentary interviews, Bodies That Tell Stories seeks to discuss the standardization and whitening of dances that had their roots in Black people.

From the encounter between Maria Clara, the filmmaker, and Gil, the character, not only cities but entire cinematic possibilities explode. Dreams and desires collide with the harshness of reality, giving form – through art – to the dilemmas of collective human existence. As in her acclaimed debut feature, “Os Dias Com Ele,” Maria Clara Escobar starts from her immediate surroundings and amplifies the scope of her camera, this time telling a story of women and the passage of time in a country that offers little mercy to either.

A group of friends becomes entangled in a web of suspicion and tension after the brutal murder of a close friend. Distrust grows among them, and in search of answers, the group delves into a tense conversation that quickly spirals out of control. As old grudges and secrets resurface, their friendship is put to the test.

There exists a line between resistance and satisfaction, faith and sin, pleasure and danger. These six short films explore how in all our lives, there exists the temptation to cross that line.

In a black community on the outskirts of Recife, female solidarity ensures the celebration of Jade Nicole’s 8th birthday, even while her mother is away at work. The community, located on a flight path, hears the sound of airplanes as the children imagine wars from old movies. The adults join forces to survive their daily battles.

The documentary revisits the memories of the street cinemas that once existed in Itajubá, in southern Minas Gerais, tracing a journey from the golden era of grand theaters to the 21st century. Through personal accounts, it unveils how these spaces shaped local life and culture, culminating in Cineclub Itajubá, a project led by Ricardo Neves that stands as a symbol of local resistance in cinematic art, especially the projection of films on celluloid.

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

Válter strives to give his daughter the best life while dealing with the insecurity generated by Maira's constant mention of her mother.

Guided by a messiah, cosmonauts take over a planet, transforming its original inhabitants into workers in their work: the construction of a nation. But Ning, a collective consciousness of revolt, emerges, bringing the imminence of a general strike.

Although César, a real estate agent aspiring to be a motivational speaker, and his wife Vanessa are about to move out, he cannot ignore the constant provocations from Emílio, the building superintendent. What once were mere disagreements during condo meetings have escalated into a direct and personal conflict. Everything gets worse when César delivers a mysterious donut.

A video essay that seeks to represent, study and pay homage to the North American filmmaker Cecelia Condit, covering all of her film work and video installation, portraying her through devices of semiotics, aesthetics and cinematographic language.

Dudu is a genius boy who builds his own time machine to search the past and future for inspiration for his science fair project.

When the flowers of the Mari tree bloom, dreams arise. The words of a great shaman lead to an oneiric experience through the synergy between cinema and the Yanomami dream, presenting poetics and teachings of the peoples of the forest.