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Clarice Niskier: Teatro dos Pés à Cabeça

The documentary is a tribute to Theater based on the trajectory of Clarice Niskier who made her job her own lifestyle. As a central axis, interviews with the three directors with whom Clarice developed long partnerships: Domingos Oliveira, Eduardo Wotzik and Amir Haddad. Through an intimate and sensitive look, the film reveals her passion for the craft, her life experience, her poetic worldview, her spiritual and intellectual search, pains, joys, losses and gains. Clarice makes the black box the more than perfect symbol of her own Universe: the Theater.

Clarice Niskier: Teatro dos Pés à Cabeça

NR 2024
Por Todos Os Lugares Que Já Passei

Set in Goianinha, a small town in the Brazilian countryside, the film follows the journey of young people who feel out of place in their own land. As they question their identity and sense of belonging, they face challenges in an environment where gender, racial, and sexual diversity still encounters resistance. While navigating both internal and external conflicts, they realize that, despite the town’s limitations, certain memories can redefine their connection to it.

Por Todos Os Lugares Que Já Passei

NR 2024
The Neighborhood is Ours!

Started in the 1980s, the successful heritage listing process that preserves the architectural history of the Bixiga neighborhood is constantly at risk, but continues to be defended by the community. When a construction on a subway line reveals material traces of the existence of the first urban quilombo recognized in the state's history, the Afro-descendant community and allies come together in an attempt to avoid yet another erasure of their history. The documentary is a portrait of the various popular resistance initiatives in one of the most diverse and culturally vibrant neighborhoods in the capital of São Paulo.

The Neighborhood is Ours!

NR 2024
I did not come either

Letícia discovers she is pregnant but does not know who the father of her child is. There are four possibilities. Despite being insecure and afraid, she gets in touch with the potential parents. Everyone claims that the child can’t be theirs because they didn’t come. She didn’t come either. The solitary pregnancy takes a turn. When the child is born, her restlessness takes shape: she goes on a quest to find out who her child’s father is. The pressure and overload on her reveal a cycle of violence. In an honest and direct way, the documentary is a trigger of unease, exposing the negligence of parental abandonment.

I did not come either

NR 2024
Silent Alarm

Every year 288 thousand people attempt suicide in Brazil. The film documents the creative process of actors preparing a play about the re-encounter of a girl who has attempted suicide with her friends from a theatre group. The idea is to give a voice to the young people, those who have attempted, the friends and relatives of those who survive and those who die. The documentary proposes a recovery of self-esteem and hope for those who consider suicide, encouraging all to give a new meaning to their existence, indicating the possibility of new choices and pathways.

Silent Alarm

NR 2024