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Underscan

In Underscan, time and the visual image are compressed. A series of photographs of my Aunt Ethel's home in New Bedford, MA had been videotaped, and re-videotaped while being underscanned. (The underscanning device is a structural framework particular only to video; it compresses the picture so that the edges can be seen precisely; it does away with the variation that occurs between monitors in the amount of the image which is visible.) Because of this underscanning process, each static photo image, as it appears, changes from regular to elongated to compressed or vice versa. Excerpts from letters from my aunt spanning 10 years are condensed into 8 minutes of my voice-over audio. Certain yearly occurrences repeat in an auditory rhythm, coinciding with the cycle of yearly changes.

Underscan

6.0 1974
Between

Between is a highly-wrought piece of structuralism which makes no concessions to its audience…it implicates viewers in what is happening on the ‘other side’ of the screen… and one is fully conscious of the role of the photographer. The camera is made to approach a lit screen in a viewing theatre before turning full circle to approach the projector… the trip was made only once, but the sequence is repeated by an intricate process using successive generations of prints – a print from a print etc… Here there is a progressive deterioration of ‘quality’ and the image breaks up into signs and symbols and finally into abstract fragments. What we have then is a clear case of art as truth through fabrication, with the imperative that the fabrication, the contrivance, must be revealed…

Between

NR 1972
Kid City

Documentarian Jon Boorstin follows architect Frank Gehry and his sister, Doreen Gehry Nelson, as they attempt a new method of teaching elementary school children in Los Angeles. With funding from the National Endowment for the Arts, the siblings work together on a pilot program of “design-based learning” that would restructure the typical classroom curriculum, replacing rote math or civics lessons with an imaginary city designed and built entirely by the students themselves. Restored in 2018 by the Academy Film Archive.

Kid City

NR 1972
Hell's Bloody Devils

Bikers, Nazis, Mafiosi, and the FBI all clash in this wild and wooly exploitation picture from director Al Adamson. Mark Adams (John Gabriel) is an FBI agent who has been assigned to infiltrate an organized crime ring that has obtained a set of printing plates that will allow them to produce nearly perfect counterfeit 20-dollar bills. The plates were made in Germany during World War II, and were discovered by a radical right-wing group hoping to restore the Nazi Party to power. The American gangsters are in cahoots with a group of wealthy American neo-Nazis sympathetic to the new German cause, led by fugitive war criminal Count von Delberg (Kent Taylor); the count has in turn recruited a vicious motorcycle gang, the Bloody Devils, to do his dirty work.

Hell's Bloody Devils

4.2 1970
The Widowing of Mrs. Holroyd

Mrs. Holroyd is married to a loutish miner, who drinks, patronizes prostitutes, and apparently brutalizes her. When a gentlemanly neighbor makes romantic advances to her, she wishes her husband dead. Sooner than she hoped, her wish comes true—when her husband dies in a mining accident. When Charles Holroyd's body is brought home from the mine, and his wife and mother must wash him and lay him out for his funeral, we see for the first time the other side of the relationship between Mr. and Mrs. Holroyd—now, when it's too late.

The Widowing of Mrs. Holroyd

NR 1974
The Cloning of Clifford Swimmer

Clifford Swimmer, an angry and abusive man cruel to his wife and son, wants out if his marriage. With the help of a scientist he clones a replacement who takes over as head of the family while the real Clifford travels the world. The clone turns out to be a gentle and sensitive husband and father, a complete opposite of the original, and the wife and son come to love him. When the real Clifford comes back and finds his family happy with the clone he becomes angry and jealous and things take a deadly turn.

The Cloning of Clifford Swimmer

7.0 1974
The Great McGonagall

In this high-camp farce, Goons legend Spike Milligan stars as William Topaz McGonagall, an unemployed Scottish weaver and aspiring poet laureate who falls in love with Queen Victoria - a brilliant cameo by Peter Sellers - and thereafter devotes his banal poetry to her. Though McGonagall's solicitations are rejected by the Queen, it doesn't stop the turgid prose, and pathos, from overflowing as McGonagall hilariously attempts to become the greatest poet in the land. The image of the bad poet, trapped by his romanticism and inspired by a muse with a tin ear, appealed mightily to Spike Milligan, and this cult British spoof features the Goons show maestro at his ridiculous, genre-defying best.

The Great McGonagall

5.6 1975
Little Mother

Marina Pinares, the wife of the president of a South American country, insists on being his vice-presidential running mate in the next election. She's no stranger to assassination to get what she wants, so some suspect she'll kill her own husband after the election to become president. In a series of flashbacks we see her rise to power: a party girl willing to sacrifice a friend's virtue to gain favor; the lover of a soldier she later tortures; the mistress of the military man she soon marries.

Little Mother

4.4 1973
Chromatic

Experimental short contrasting the grey interior of a house with the vibrant colour of its garden. Sunlight shines through leafy trees. The camera zooms in until the image is out of focus. When it zooms out again, it reveals sunlight through leaves reflected in the window of a house. From inside the house, we see a woman, in colour and fully dressed, walk by a window. Outside, the camera and photographer are seen in a mirror. The woman, in black & white now and inside the house nude, walks around a large room, trapped. Further images of the naked woman are interspersed with colour images of the garden outside: pond, lilies, etc. Eventually, the image of the cameraman and his mirror returns and the reflection in the window and the sunshine through trees are repeated.

Chromatic

NR 1972