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The Beatles Sing for Shell

Cameras from the Australian Channel 9 recorded the sixth and final show of the Melbourne leg of The Beatles' world tour on 17 June 1964. It was screened on 1 July 1964 as an hour-long special, The Beatles Sing For Shell, named after the oil company which sponsored the broadcast. Nine of The Beatles' Melbourne performances were included in the show (the others edited out and discarded at the insistence of Beatles manager Brian Epstein): I Saw Her Standing There, You Can't Do That, All My Loving, She Loves You, Till There Was You, Roll Over Beethoven, Can't Buy Me Love, Twist And Shout and Long Tall Sally. The complete unedited concert (from an alternate audio feed) was also aired on Australian radio.

The Beatles Sing for Shell

NR 1964
Here at the Water's Edge

Leo Hurwitz’s film, Here At The Water’s Edge, features the 1960 New York City’s waterfront. Made with photographer Charles Pratt, the film is a cinematic poem to the people who work on the water. Pratt, who largely financed the film, made it possible for Leo to use his vision as an artist and filmmaker while the blacklist still over-shadowed his life and ability to work in other areas. Here At The Water’s Edge, a film without narration, draws our attention to the often-neglected life in, on and around water – as well as bringing into view what workers on the water give us. Leo, in his own work, was always concerned with seeing what is happening in spaces in the world where others fail to look.

Here at the Water's Edge

NR 1961
The Path

"My first film, THE PATH, was based on a dream about a group of people on an ‘outing’ or a picnic. The people in the dream meet and greet one another and then walk around and through old houses, barns, and buildings. Inside these structures they pass by other people involved in various activities. A woman is folding clothes. A man is making paintings. A young girl is sitting in front of a mirror trying on different necklaces." - Richard Myers. Preserved by the Academy Film Archive in 2007.

The Path

4.9 1960
Polaris Action

Since June 1, 1960, the Committee for Nonviolent Action (CNVA) had been in New London and Groton, CT for Polaris Action, a summer-long campaign to disrupt the production of nuclear-armed submarines at General Dynamics: Electric Boat and to educate the public about the dangers of the nuclear arms race. Most participants traveled in from other places and, according to the Hilary Harris documentary Polaris Action (1960), included “men and women, old persons and the very young, ministers and atheists, ex-servicemen and conscientious objectors.”

Polaris Action

NR 1960
Project XX: The Real West

Silver-screen legend Gary Cooper narrates this insightful documentary, which aims to subvert the idealized notions of the Western frontier posited by Hollywood and unveil what life was really like in the rough-and-tumble Old West. Originally aired as an installment of the NBC News series "Project Twenty," the program uses vintage photographs, archival accounts and historical reenactments to paint a vivid portrait of the Wild West of the 19th century. (Note: This film was also distributed separately on 16mm for schools and libraries, qualifying it as a standalone documentary.)

Project XX: The Real West

NR 1961
Freight Flow

Traces the development of the Freightliner services and introduces customers with differing freight problems, who describe the advantages the system has for them over other forms of transport. The story of the Ford Company train which daily links factories at Liverpool and Genk, in Belgium, and examples of the growing influence of the Freightliner system and the company train in the export field. Produced for Freightliners Limited and British Rail Shipping & International Services Division.

Freight Flow

NR 1969
Queen of China (Hanoi Hanna)

Queen of China (Hanoi Hanna), based on Ronald Tavel’s scenario, loosely refers to the real-life radio show host who broadcast antiwar propaganda to American soldiers in Vietnam. It is Mary Woronov’s showcase piece, in which she metes out physical and psychological abuse to Susan Bottomly, Angelina “Pepper” Davis, and Ingrid Superstar in a room at the Chelsea Hotel. At first, the cast tries to accurately adhere to Tavel’s scenario, but by reel two it all falls apart—the performers begin to use their real names and exhibit a sort of residual stress disorder that permeates the rest of the film.

Queen of China (Hanoi Hanna)

NR 1966