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TCB

TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".

TCB

8.0 1968
Mondo Keyhole

Howard Thorne is a rapist in Los Angeles: he meets women at work and at parties or he sees them walking down the street, and he follows them, terrifies them, and assaults them. He also dreams about these assaults, and he's unclear how much of what he's done is real and how much is fantasy. He ignores his heroin-using wife, Vicki, who tries everything she can think of to get his sexual attention. Howard and Vicki go separately to a costume party where she learns the full truth about his nature and where he is stalked by one of his recent victims. Individualized versions of Hell await Howard and Vicki.

Mondo Keyhole

4.0 1966
Hamfat Asar

"The strangeness of this film is laced with carefully moulded apocalypses as the filmmaker explores a vision of life beyond death – the Elysian fields of Homer, Dante’s Purgatorio, de Chirico’s stitched plain. A moving single picture. Evolving the structure or script for the film involved a process of controlled hallucination, whereby I sat quietly without moving, looking at the background until the pieces began to move without my inventing things for them to do. I found that, given the chance, they really did have important business to attend to, and my job was to furnish them with the power of motion. I never deviated from this plan." —Canyon Cinema

Hamfat Asar

5.6 1965
Pickwick

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

Pickwick

NR 1969
Carolyn and Me

David and Carolyn Brooks and friends. At Martha’s Vineyard, on NYC bus, shooting at the beach, etc (Part One). Walking in woods, at picnic, in VW bus, etc (Part Two). At Tibetan seminar, prison, Chandler Moore’s house, etc (Part Three). “Was going to tape Carolyn and my first conversation in about 5 months of no contact. Show true love (whatever that is). Couldn’t do it. Chickened out. Didn’t want to get something between us. (Carolyn, what’s come between us?). Film sequence, love: single frame printing, break colors into basic three (in the order of red, green, blue) and A/B roll to create ‘well-known symetry’ and to lighten frame (AB brightens, bi-pack darkens) / Binarius is the devil / ah, love / one flesh / let no man put asunder.” - David Brooks

Carolyn and Me

8.0 1969
Fleming Faloon Screening

“Fleming Faloon Screening does not document filming of Fleming Faloon. It is only a screening, contrasting the movie images with the interior of the room.The people in the room are ‘once removed’ from us.The person in the movie is two (and three) times removed.” (George Landow, letter to Sheldon Renan, 1967) “There was a screening of Fleming Faloon, the 16mm version, in the FilmMakers’ Cooperative office, and I filmed, on 8mm, the screening on the screen in the office. It shows the whole room and the people in the room watching it.” (Owen Land, interviewed by Mark Webber, 2004)

Fleming Faloon Screening

NR 1963
Now

A film by an early British pioneer of computer generated filmmaking, Now foregrounds colour discs and other circular shapes, featuring both abstract and photographic imagery. Denys Irving was a musician – also known as Lucifer – and a member of London’s alternative scene in the late 1960s, early 1970s who collaborated with bands such as The Pink Floyd and Soft Machine and underground publications including the International Times and Oz magazine. It was during his time as a student in Columbia University in New York that he started working with computers. He also pioneered projection systems for psychedelic effects.

Now

NR 1969