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Graveyard of Brothers: Final Chapter

After the internal split, Kazuma Morisuka (Show Aikawa) charges alone into the Kinshishi-kai and dies in a blaze of glory. A year after his brother’s death, Misao (Kazuki Namioka) no longer appears at the Tenkichi-gumi headquarters. Meanwhile, the now-dominant Kinshishi-kai faces a string of attacks targeting only their executives. The power balance in Yokohama begins to shift— and just then, their sworn enemy Baba is released from prison. Baba rallies the Kinshishi-kai to crush the Towada Family once and for all. But at that moment, the long-hidden Misao finally makes his move.

Graveyard of Brothers: Final Chapter

NR 2010
Hatsune Miku Live Party 2013 (MikuPa)/Kansai

This was the fourth year in a row a VOCALOID concert took place on March 9. The event, titled "初音ミク ライブパーティー 2013 in Kansai(ミクパ♪) (Hatsune Miku Live Party 2013 in Kansai (MikuPa♪) -39's Spring the 3rd Synthesis-", was held in the Wakayama Prefecture, in Kansai, at the Wakayama Big Whale. As this was a collaboration with WOWOW, the show was also broadcast live over WOWOW’s satellite channel. This was the first time an official Miku concert was held in the Kansai region of Japan; previous concerts have been held in Tokyo (which is in the Kantou region of Japan) and Sapporo (which is in Hokkaido). It lasted for three hours.

Hatsune Miku Live Party 2013 (MikuPa)/Kansai

NR 2013
Music as film

When did film and music first encounter one another? In the beginning, film had no voice. Even so, he must have heard the sounds that emanated as he watched. It was late 19th Century Paris that gave birth to both the medium of film and the play “Salome” by Oscar Wilde. In this work, the peculiar connection between the two is articulated through the telling of their stories simultaneously but separately, one in sound and one in images. In the soundtrack (audio), twelve people bombard us with the text of “Salome” in raging billows of songs, chanting, and storytelling, while the video tells the personified history of film dispassionately, in titles.

Music as film

NR 2014
Matsuri

A junior high school teacher named Sachie has been living alone. She is not respected by her students and also has trouble fitting into her workspace. One of her students, Hagiwara, has been winning one writing contest after another due to his eloquence. But, he starts to lose sight of himself after a transfer student from the city joins his class. Sachie, on the other hand has started attending a Japanese Taiko (drum) class offered at a nearby community center to get away from her empty life. Their frustrations collide at the school's festival.

Matsuri

NR 2016
My Lovely Sex Tools

"By the time this video is discovered, I will no longer be in this world..." In a dimly lit room surrounded by concrete walls, a woman sits on a metal chair. Her face is wrapped in bandages like a mummy, making it impossible to see her expression. The woman's name is Sadako (26). Sadako begins to speak quietly into the video camera mounted on a tripod. "In my 26 years of life, I have committed many foolish sins. Now that I have decided to meet my end, I have decided to at least show some repentance by telling the whole story of how I got to this point and recording it on video..."

My Lovely Sex Tools

NR 2010
One Day on Earth

Recording a 24-hour period throughout every country in the world, we explore a greater diversity of perspectives than ever seen before on screen. We follow characters and events that evolve throughout the day, interspersed with expansive global montages that explore the progression of life from birth, to death, to birth again. In the end, despite unprecedented challenges and tragedies throughout the world, we are reminded that every day we are alive there is hope and a choice to see a better future together. Founded in 2008, it set out to explore our planet's identity and challenges in an attempt to answer the question: Who are we?

One Day on Earth

7.5 2012