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The Profession of Arms

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.

The Profession of Arms

6.7 2001
Django Kills Softly

Django arrives in the town of Santa Anna at the behest of a man named Sanders who'd been trying to buy safe passage for his cargo from a Mexican bandit named El Santo. Django finds that Sanders has been killed and that his rival, a man named Thompson, is now trying to deal with El Santo. Django, after a brief involvement with a beautiful young widow named Linda -- who has information on a lost gold mine -- becomes entangled in this situation by agreeing to escort a shipment through El Santo's territory.

Django Kills Softly

5.4 1967
OSN: Pascal Rophé e Mario Brunello per Rai NuovaMusica

From the ‘Arturo Toscanini’ Auditorium in Turin, as part of the Rai NuovaMusica series, conductor Pascal Rophé presents ‘Gli occhi che si fermano’ for orchestra by Francesco Antonioni and the Italian premiere of ‘T.S.D.’ for cello and orchestra by Giya Kancheli, performed by cellist Mario Brunello. The second half of the evening is entirely dedicated to the great Hungarian composer Peter Eötvös with ‘Reading Malevich’ for orchestra and ‘Dialog mit Mozart’, a piece for orchestra.

OSN: Pascal Rophé e Mario Brunello per Rai NuovaMusica

NR N/A
Adriana Lecouvreur

In the present stylised production by Lorenzo Mariani the 'violet-perfumed murderess' is taken by mezzo-soprano Marianne Cornetti, one of the most in-demand representatives of her vocal category. Opposite her, in the role of Adriana, is a soprano who as a Verdi and verismo specialist also appears regularly at all the major international opera houses, Micaela Carosi. The 'cock-of-the-walk' role is sung by the world-class tenor Marcelo Álvarez. His timbre, velvety smooth yet robustly virile, is ideally suited to a vocal characterisation of the idolised Maurizio. Conductor Renato Palumbo is very much at home with Cilea's operatic masterpiece, since the Italian Romantic and verismo periods are at the core of his extensive repertoire.

Adriana Lecouvreur

NR 2009
Open My Heart

Maria lives with her 18-year-old sister, Caterina in a small apartment, tutors her at home, lets her out only for dance classes. Yet Maria sees no reason to hide her work as a prostitute from her sister. Men come in and out of the apartment constantly, and Caterina turns up the volume on her music to drown out the sounds from the next room. The film soon reveals that the sisters are in love with each other, a situation that cannot stand, but exactly what prompts the characters' behavior is rarely clear. Soon after Caterina's belated discovery of her heterosexuality, she is invited into the bedroom with Maria and a client.

Open My Heart

4.6 2002