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Dirty War

After years of meticulous planning, a terrorist operation is reaching its final stages. The authorities have received no intelligence; they are in a race against time but don't yet know it. As the operation unfolds, we see the working lives of men and women directly affected by terrorism. Among them: a firemen worried about the increasingly dangerous conditions he and his men are expected to work under; the head of the anti-terrorist branch whose responsibility it is to protect London and a female Muslim detective brought into Scotland Yard to investigate another suspected terrorist cell. But it is too late to stop the attack.

Dirty War

6.1 2004
Sharpe's Siege

Winter, 1813. Sharpe marries his sweetheart, Jane Gibbons, but has to leave her immediately to go on a dangerous mission in the Pyrenees, to capture a French fort. While Sharpe is battling with the French, his wife contracts a deadly fever which has swept through the British camp and endangers her life. Sharpe encounters his old enemy, Ducos and is compelled to stay at the fort and fight for his country, knowing that even if he survives he may never see his beloved bride again.

Sharpe's Siege

7.2 1996
Hannibal: Rome's Worst Nightmare

It is 200 years before the birth of Christ and Rome is the new superpower of the ancient world. She believes she is invincible - but one man is destined to change that. He is a man bound by oath to avenge the wrongs inflicted on his home and, in pursuit of revenge, he will stop at nothing. Hannibal explores the man behind the myth, revealing what drove the 26-year-old to mastermind one of the most audacious military moves in history. With 40,000 soldiers and 37 elephants, he marched 1,500 miles to challenge his enemies on their own soil. It was an act so daring that few people believed it possible.

Hannibal: Rome's Worst Nightmare

5.6 2006
Pianowork 2

Pianowork 2 is an animated recording of me playing Jürg Frey’s ‘Klavierstück 2’ at Mimic Productions in Berlin on 22 June 2023. It was a very hot, early summer’s day. Mimic created a ‘digital double’ of me, scanning my head and hands. It was the first time I’d used a computer-generated figure with my own likeness. I played the piece at an upright piano, wearing a sensor-filled Lycra onesie with a head-mounted rig holding an iPhone a short distance from my face. I tried very hard to do what Frey’s score asks. I counted the beats in the vast rests, the 468 instances of the same fourth, the precisely instructed micro-shifts of tempo. I worried about and tried to depress the keys with the correct pianissimo dynamic to follow the previous decayed chord played 40 seconds prior. This agonising pace makes for a terrific mounting of anxiety.

Pianowork 2

NR 2023