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You Shall Not Sleep

In an abandoned psychiatric hospital, a theatre group experiments with insomnia for the preparation of a stage play. With the passage of days without sleep, they reach new thresholds of perception that expose them to the secrets of the place and the energies that inhabit it. When Bianca, a young, promising actress, joins the cast, competing for the lead role, she must survive not only the intensity of the work and her cast mates, but the unknown force that is pulling them towards a tragic outcome.

You Shall Not Sleep

5.6 2018
Los Veganeros

The 94 years old Alma is a passionate environmentalist. She doesn’t like the deforestation of the rain forests at all, that the Germans eat ever more meat, and that animals are fattened in concentrated animal feeding operations across the country. The pensioner looks for equal minded people via adverts in the local papers and gets to know the young kindergarten worker Vicky. Both participate in a group meeting in the restaurant “Los Veganeros”, where they and other environmental activists plan their projects. During one of these meetings Vicky propose to abduct the pig fattening industrialist Heinz Granitzka to force the public to take notice of the horrible conditions the animals are being forced to live in. The group all but jumps at that idea and start to carry it out, with fatal results.

Los Veganeros

5.0 2015
The Soviet Revolution Told Through its Cinema

The two decades following the Russian revolution are marked by a gang of young people who profoundly influenced Russian Cinema. This artistic revolution was led by directors, actors, technicians and poets. They are the characters and voices of our film. The Soviet Actress, Ada Voistik, and its camrades tell us the story of this unique period, through the images of soviet fic-tional works produced between 1917 and 1934. We can thus catch a glimpse of their fight for a new society, where creative freedom was of utmost im-portance. A utopia which will be brought down by an authoritarian power impacting cinema as much as the rest of society.

The Soviet Revolution Told Through its Cinema

6.8 2017
The Invisible Heart

An unorthodox marriage between capitalism and charity, 'The Invisible Heart' tracks a social innovation that promises to solve society's most intractable problems. Social impact bonds are making strange bedfellows — social workers and Wall Street bankers, the homeless and venture capitalists, conservative and liberal politicians. From the halls of power to society's struggling underclass, this film follows an unusual cast of characters as they confront the ethical questions at the heart of an international revolution using profit motivation to rectify social inequality.

The Invisible Heart

NR 2018
Behinderte Ausländer

Emre and Laura are working on a project. They actually only know each other from the bus stop. Emre is a young wheelchair user of Turkish descent. Exactly what Laura was looking for. She wants to write her master's thesis in sociology about him. Emre, on the other hand, wants, above all, to meet the pretty student again. So he agrees. From then on, the two meet regularly. The university project is sometimes difficult to distinguish from flirtation, and Laura's "scientific" questions contribute to this: "Have you ever been in a relationship?" - "I'm a virgin. But I can do it, right?"

Behinderte Ausländer

NR 2014
Dave Allen: God's Own Comedian

Told by family and friends, with rare unseen archive, this documentary reflects on the career of Dave Allen, relative of poet Katharine Tynan, and a natural performer who cut his teeth at Butlins. He became a TV star in Australia in his twenties, before returning home to dominate the schedules here in Britain with his unique blend of sketches and stories in a career that took in films, plays, documentaries and chat shows, alongside award winning comedy series.

Dave Allen: God's Own Comedian

4.5 2013
When They Left

When the colourful ice-cream van rides through the deserted streets of the village, there are no children trailing behind it. In Plazuela, a peaceful hamlet lost in a mountainous region of Ecuador, only a handful of old ladies remain, who are all widows. In the gloom of their houses, photos of those who are gone hang on walls: husbands who have passed away a few years earlier, children gone to work in the big cities or abroad, and grandchildren who have grown up far away from them.

When They Left

NR 2019