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One Hamlet Less

The Prince of Denmark, Hamlet, is little interested in family affairs and the fate of the kingdom, and not at all attracted by a doll-like Ophelia sucking his finger. Annoyed by his friend Horatio, who tells him of the apparition of his father's spectre that would like to drive him to revenge, and by Polonius, Ophelia's father, who psychoanalyses him by explaining the Oedipus complex, he imagines escaping to Paris with Kate, the leading actress of the company performing in Elsinore, to become a playwright.

One Hamlet Less

7.5 1973
They Call It Love

Paul (William Donald Powell), a former American GI gets by as lead singer of a band in the wake of the 1968 cultural revolution in Munich. Paul’s monotonous life plays out between the hotel bar, his adjacent studio apartment, and the rare night out on the town or a visit to the suburbs. Director King Ampaw's thesis film at the University of Television and Film Munich is the second film by an African filmmaker to be shot in Germany (the first being Ibrahim Shaddad’s “Jagdpartie” in 1964).

They Call It Love

NR 1970
Berlin Fever

In 1973, Wolf Vostell, an artist associated with Fluxus, made a happening in which participants were required to perform a series of ritual, obsessive actions, such as “go to the trunk of your vehicle, there open and close the trunk 750 times and 375 times put a white plate in it and take it out 375 times.” Described by Ottinger as a documentation of what Vostell called “dé-coll/age-happening”, the film is an illustration of her creative method, a surrealist act, a separate work of art, and a strange object. She would later describe her method as “fragments of reality assembled in an unusual manner”.

Berlin Fever

7.0 1973
Chronique Des Années Tristes

Here is a film that is, to say the least, singular. A fiction filmed under Giscard, in two farming families, one in Brittany and the other in Languedoc. One sees the Catholic mass and the mass of the television news, one hears the Benedicite and the Internationale, a rural class struggle is played out, daily peasants against the aristos in the middle of a hunt...Chronicle of the Sad Years tells the story of the new forms of subjection suffered by the workers of the land, discovering the perverse effects of the CAP and the growing influence of agribusiness. A film in which the director, Alain Aubert-Dechartre, stages a historical turning point, the forced conversion of peasants into technicians of farms of which they will be the first to be exploited

Chronique Des Années Tristes

10.0 1977
Somnambulists

Ana works side by side with her mother Maria Rosa in the fight to save the anti-Franco militants from the death penalty during the process of Burgos. Ana's mother is a former actress and Ana, her mother and a few other actors prepare an act of protest in the theater where an international festival on Strinberg is being held. But there are more things in Ana's life. The mother lives with her uncle, the brother of his father, Norman, an old doctor of devious methods. Helped by Fatima, an old nurse who loves her father, the doctor will try to experiment with Ana's ideas and feelings as well

Somnambulists

5.1 1978
Chronicle Of A Group

Produced within the framework of the “Programmi Sperimentali” of Italian public television (structure of the RAI which allowed, in the 1970s, the production of films such as Lutte en Italie by the Dziga Vertov Group, Cancer by Glauber Rocha or Perché pagare per essere felici by Marco Ferreri), Cronaca di un gruppo tells the story of a group of young French revolutionaries who, between Paris and the Pyrenees region, are looking for ways to continue their political activities, through the theater experimental and counter-information, the day after May 68. Produced in collaboration with Gianni Toti, Didier Sandre and the Nanterre experimental theater group.

Chronicle Of A Group

10.0 1970
Demon

DEMON, subtitled „The Translation of Stéphane Mallarmé´s THE DEMON OF ANALOGY“, includes the Mallarmé text, spoken by various performers in its original French version, and in English and German as well. Most of the shots in the film are one word long. In the first scene, three women sit on chairs placed in the foreground of a room and a corps of men stands behind them, spread out over the rest of the space. The woman who is seated in the middle of the three speaks the first word of the Mallarmé text in her particular language with the men arranged behind her; there is a cut, another woman sits in the middle, speaking the first word of the text in her, different language with the men in a new arrangement behind her, cut, another in her language, then back to the first for the next word of the text. From this point on although the poem progresses forward in all three languages the order of shots - French word, English word, German word, doesn´t remain fixed.

Demon

5.0 1977
Mr. Rossi's Dreams

At the end of another week of work Rossi returns home with the intention of enjoying a quiet and peaceful weekend. He lives with Gastone, his dog-friend,who, after a week of loneliness, can't wait to go out, for instance to the movies, and have fun. Gastone as a matter of fact is a passionate fan of movies, television and heroes' books. He always compares Rossi with them and nags with a petulant : "Rossi, Rossi, if you only were...braver, stronger, richer...". His continuous complaints push Rossi to identify himself with those heroes; throughout the film we will meet Rossi-Tarzan, Rossi-Astronaut, Rossi-Sherlock Holmes, Rossi-Zorro, Rossi-Hollywood actor, Rossi-scientist, Rossi-Lancelot, Rossi-Aladdin. Eight fantastic adventures in which Rossi, along with faithful Gastone, relishes the joy of being a hero.

Mr. Rossi's Dreams

6.8 1977