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Dusty Springfield: Live at the Royal Albert Hall

Dusty Springfield is Britain's greatest ever pop diva and the possessor of one of the finest and most soulful voices of all time. She dominated both the UK and US charts throughout the sixties with a string of hit singles that have stood the test of time as true classics. Originally a member of the folk trio The Springfields, from whom she took her stage name, she became a solo artist in 1963 after being exposed to the magic of Motown whilst playing in America and became probably the finest ever white soul singer. Diagnosed with breast cancer in the mid-nineties she died in 1999 at the age of just 59. This concert, recorded at the Royal Albert Hall in 1979 in the presence of HRH Princess Margaret, captures Dusty at the height of her career. The show is packed with hits (including 9 UK top 10 singles), which are delivered with all the glitz and panache that were Dusty's trademark and have made her a major gay icon as well as beloved of music fans everywhere.

Dusty Springfield: Live at the Royal Albert Hall

8.7 1979
Neil Diamond : Live At the Greek Theatre 1976

Neil Diamond gives a powerful and memorable performance at the packed Greek Theatre in Los Angeles in 1976, perhaps one of Neil’s great years. The show takes us back to a memorable time in pop music and in Neil Diamond’s career - while also giving us music that is as fresh and timeless today as it was then. The early hits are here, in rousing and intimate interpretations: ‘Cherry, Cherry,’ ‘Song Sung Blue,’ ‘Sweet Caroline,’ ‘I Am...I Said,’ ‘Cracklin’ Rosie,’ and more. But Neil also introduces songs from what was then his new album - and is now considered a classic - the benchmark ‘Beautiful Noise,’ produced by rocker Robbie Robertson. And Neil gets across the footlights, bringing the big audience to its feet, inciting clapping and singing along, and pulling two of the best-known stars of the era, singer Helen Reddy and the actor Henry Winkler (then an icon as TV’s ‘Fonzie’) up on stage to sing with him. An amazing trip back in time with one of our most enduring singers.

Neil Diamond : Live At the Greek Theatre 1976

10.0 1977
Serial Metaphysics

“Serial Metaphysics — a thirteen-minute experimental 16mm film which has been described as 'an examination of the American commercial lifestyle, recut entirely from existing television advertisements' — was edited by Dixon himself, on a single night, New Year’s Eve 1972, culled down from 72 hours of American TV commercials. The film is a fever dream as seen through our existing television advertisements, foreshadowing for hopeful future generations a promised future life of happiness and security in the land of plenty.

Serial Metaphysics

7.0 1972
The Secretary

A contemporary comedy-drama set against the background of rich southern elegance and the permissive swinging singles society of today. A successful young stockbroker, whose business is financed by his father-in-law, is frustrated by his wife's coldness. When an old friend from college, who teaches tennis to attractive young women and bored housewives, suggests that the stockbroker seek solace outside his marriage, the stockbroker begins an affair with his secretary. Meanwhile, the stockbroker's wife has an affair with her husband's old college friend.

The Secretary

10.0 1972
The Woman's Film

Produced collectively by women, this documentary is a valuable historical document of the origins of the modern women's movement in the United States. The film delves into the lives of ordinary women from different races, educational levels and social classes. Filmed mostly in small consciousness-raising groups, from which the women's movement grew, the women talk about the daily realities of their lives as wives, home-makers, and workers. They speak, sometimes with hesitancy, often with passion, about the oppression of women as they see it.

The Woman's Film

4.3 1971
Fourth Wall

The film attempts to construct a space (as all films do), to construct a time (as all films do), to construct a process (as all films do) of and for viewing, of and for the viewer to constantly re-process, re-memorate, re-produce it (him/her) self in attempted (but impossible) arrestation. Thus the impossibility, through such a practice as this film, 4th Wall, of a seamlessness, a linear narrative flow, a pleasure of the sort so sought for as in its delirium it reestablishes in all its power the ideology of meaning making. The secure place for the finding of meaning in representation is that secure place: of sexist power, of the ideology of transparency, meaning/consumption in the guise of 'meaning making', the catatonic hysterical statis of/for the viewer, given more and more as the 'position of the subject', etc, a new ideology of freedom, which must be countered (again, a defence) with another ideology; this.

Fourth Wall

NR 1978
Tannhäuser and the Singers' Contest at Wartburg Castle

TANNHÄUSER UND DER SÄNGERKRIEG AUF WARTBURG is a grand opera by Richard Wagner in three acts. After experiencing boundless sensuality and freedom with the fun-loving Venus (soprano), the singer Tannhäuser (Tenor) finds it impossible to conform to the cultured setting of his betrothed Elizabeth (soprano), who loves him. During a singing contest, Tannhäuser describes the affair with Venus as the ultimate love experience and because of that, he is cast out from the established society. Thanks to Elizabeth's intervention, he is allowed to undertake a pilgrimage to the Pope to ask for the Holy Father's pardon. If the Pope accepts to forgive him, he would be allowed to take back his place in society. Tannhäuser accepts. But fate will not allow him to meet with his beloved Elizabeth again in this life. This is a recording of the legendary staging by Götz Friedrich for the 1978 Bayreuth Festival conducted by Sir Colin Davis.

Tannhäuser and the Singers' Contest at Wartburg Castle

8.7 1978
Guyana: Crime of the Century

This horrific dramatization of the Guyana tragedy traces the steps of Reverend Jim Jones, a highly charismatic, but profoundly paranoid clergyman, who after years of evangelism and good deeds, begins his own church in the mid-western United States. When Jim Jones becomes increasingly obsessed with the belief that the CIA is "a wicked enemy" who is out to get him, he emigrates with his congregation to Guyana, where he plans to create a utopia. But Jim Jones' utopia consists of a society where he demands his followers turn their minds, bodies and possessions over to him, one that is rife with orgies, physical violence, mental torture, and sexual abuse of children and adults. Ultimately, Jim Jones' paranoia reaches a fevered pitch that culminates in him taking savage action against his own congregation. (VCI Home Video)

Guyana: Crime of the Century

5.0 1979
Dance 5

While related in technique and effect to its predecessor DANCE NINE, it serves as more of a summation of Doris Chase's varied involvements with dance and the arts. The artist employs fully the most sophisticated video technology available to manipulate forms, patterns and colors . At the same time, choreographer/dancer Kei Takei has designed her movements to blend with one of Chase's large kinetic sculptures. The delighting opening sequence shows Kei Takei actively exploring the arch-like forms which, through video feedback techniques, take on a rainbow appearance of multi-hued images.

Dance 5

NR 1976
Annapurna South Face

This entertaining film documents the first ascent of the very difficult South Face of Annapurna, a huge Himalayan wall that the right team could achieve the seemingly impossible. The ascent of the South Face of Annapurna in 1970 was one of those breakthrough ascents - both technically and psychologically. Chris Bonington assembled the cream of British mountaineering and American Tom Frost for the attempt. The documentary is punctuated by wry observation, understatement and cutting humor from a by-gone age when the game of taking huge risks was matched by a determination not to take it too seriously.

Annapurna South Face

7.5 1971
Carry On Christmas (or Carry On Stuffing)

Two unforeseen problems meant that many fans consider this the weakest Christmas special. Firstly, Talbot Rothwell became ill whilst writing the script, and was unable to finish it. Dave Freeman had to be brought in to complete the script, but the two men did not work together. As a result, the script does not flow as easily as the earlier offerings. Secondly, Charles Hawtrey pulled out of the special at short notice. Having taken third billing to Sid James and Terry Scott in the previous two shows, and knowing they would both be absent, Hawtrey demanded top billing. But Carry On producer Peter Rogers refused, giving top billing to Hattie Jacques instead. Hawtrey's role had hastily to be recast, and was split between Norman Rossington and Brian Oulton, both of whom had played cameo roles in several Carry On films. The special featured a collection of historical sketches, loosely linked around an 18th-century banquet.

Carry On Christmas (or Carry On Stuffing)

7.1 1972
Lifespan

Cult icon Klaus Kinski features in this dark and intriguing existential thriller. He plays the mysterious "Swiss Man" - ruthless industrialist Nicolas Ulrich - who is obsessed with a search for the elixir of life. He tricks a young American scientist into joining him on his demonic quest. A quest that ends in suicide, death and madness. The story takes place in the atmospheric European city of Amsterdam. Its winding alleys and ancient canals trap the characters in a labyrinthine maze as they find themselves manipulated like figures on a giant chess board.

Lifespan

5.0 1975