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Bored In Heaven

“Bored in Heaven” follows New Years celebrations in Putian, Fujian, Southeast China. An experiential project based on 20 years of research by Kenneth Dean and Zheng Zhenman, this film illustrates the growing intensity of local traditions, as rural villages and their temples transition into a new century. Villages in this part of China are undergoing radical transformations. As land that was once public and agricultural is rebuilt and changes hands, the intricate temple system has responded. During the Cultural Revolution temples were torn down—now they are being built up into ritual alliances.

Bored In Heaven

NR 2010
Ghostly

Inspired by Japanese experimental cinema, Ghostly is an audiovisual composition that uses traditional techniques, such as long exposure photography and stop-motion animation, and pushes them to their limits through digital media. Using the frame rate as a way to create rhythmic interconnections between sound and image, the stop-motion animation oscillates between 6 and 48 frames per seconds. The sounds of this work were created and edited in direct relation to the flow of the image.

Ghostly

NR 2013
Terroir

Roughly translated terroir can mean a sense of place and coming from a place. This piece is an image/sound portrait of a personal geography as well as formal investigation of digital media. Captured entirely on a cell phone, the camera records a landscape in constant motion and disintegration. This fluctuating image is married to a sound-scape that grasps for connection that reaches over distance. It is generated from the messages left by friends and loved ones on my cellphone over the course of several years. The raw material of both image and sound come from the same place, the cell phone, which I use to record the environment around me as I move across the Canadian landscape. Rarely does one stay where one is born, we move, modern life almost necessitates it. This piece explores notions of communication and distance, technology and intimacy.

Terroir

NR 2012
Caroline Leaf Out on a Limb, Handcrafted Cinema

Caroline Leaf’s films are renowned for their emotional content and graphic style, which evolves from the innovative hand-crafted animation techniques she invented: beach sand and painting on glass and scratching in the emulsion of film stock. The medium is always at the service of a dark and brooding storytelling touched by flashes of humour. This box set celebrating the talents of a master animator comprises all her classics: The Owl Who Married a Goose, The Street, The Metamorphosis of Mr. Samsa and Two Sisters, as well as Interview, made with Veronika Soul. The DVD includes a student film, an animated video done for MTV, a comprehensive biofilmography and a brand-new director’s commentary on Two Sisters.

Caroline Leaf Out on a Limb, Handcrafted Cinema

10.0 2010
I Was Here

These images were captured during a long afternoon spent sitting in front of the Pantheon in Rome, paced by the sound of a shutter regularly opening and closing for long exposures whose duration was counted off in a whisper. At precise intervals, the photosensitive surface recorded the constant flow of tourists, people-watchers, cars and animals as they moved, stopped, gathered, and took photos. The historic building thus reveals itself as a magnet whose pull on people has lasted for centuries. "I Was Here" is a reference to the common phrase often found scratched on public walls, marks left as visible proof of a person’s visit to a place. Like that age-old practice, travel photography is an attempt to record a person’s presence in a particular place – a photographed place taken home as proof.

I Was Here

NR 2012
Mulch

In Mulch, a young man named Lance (Joel Corriveau) is suffering from repressed memories relating to the violent death of his parents and then the traumatic murders of his friends. Dr. Darnell (Darren Toderick), his doctor and the world's most irresponsible psychiatrist, decides to force Lance to confront his fears by returning to the rural scene of his friends' deaths. Along for the ride on this ill-advised field trip are two other of the doctor's patients, a whimpering agoraphobic (Justin Peeler) and a busty paranoid narcissist (Lindsey Queen). But waiting for them, in the woods, are a trio of backwoods psychopaths with a gruesome passion for gardening. And these twisted green thumbs traffic in a fertilizer that's decidedly more red. Part gross-out comedy, part exploitation gore-fest, Mulch is chockablock with disgustingly over the top blood, guts, boobs, and dark comedy.

Mulch

NR 2013
Y2o{Distillé}

Y2o navigates troubled water, between suffocation and exaltation, between consummation and relinquishment, between yes and no, from both under the ski and on its surface. This work allows us to see a love on the verge of drifting. Each of the scenes pummels emotional nodes, which are made and unmade by daily abrasions, observing the crossed polarities from which relentless loves are composed. In this elastic space-time, suspended outside the real, two inner worlds start to collide.

Y2o{Distillé}

NR 2013
Collective Unconsciousness: The Not Dead Yet Story

"Collective Unconsciousness: The Not Dead Yet Story" explores the annual Not Dead Yet festival that takes place in Toronto. This documentary dives into what makes the festival great and the impact it makes on the city's hardcore/punk scene. "Collective Unconsciousness: The Not Dead Yet Story" also features performances from bands that played in 2015, shot up close to give the viewer the feel that they are there. Features performances by S.H.I.T., V.C.R., Power Trip, Title Fight, Career Suicide and more alongside interviews with members of Dress Code, Title Fight, I.C.E. and more.

Collective Unconsciousness: The Not Dead Yet Story

NR 2016
Amazon Voices

Amazon, Ecuador — From Sarayaku to Yasuni and Lago Agrio - a region devastated by the Chevron Texaco corporation -, several Indigenous communities are still trying to make their voices heard. Denouncing the social, cultural, environmental and human damage caused by oil extraction, these communities propose different alternatives. How does one rethink development? What solutions are to be found through education? Dialogue with those who resist and bringing forth other frameworks of society.

Amazon Voices

6.0 2015
The Resurrection of a Nation

The 20th century was the roughest in history for the Carpatho-Rusyns of Central Europe. After World War II, when they were declared Ukrainians by the new Communist regimes in every country where they live, Carpatho-Rusyns in Czechoslovakia and elsewhere became extinct overnight -- and this was their existence for more than 50 years. But with the 1989 Velvet Revolution, led by the playwright and former dissident Václav Havel, Carpatho-Rusyn ethnicity revived in every country - including the United States. This is the story of that revival.

The Resurrection of a Nation

NR 2018
Springhammer 2

Springhammer 2 was created based on popular demand and the reception of Springhammer. This documentary gets into the nitty-gritty of knife-making and follows the blacksmiths from start to finish as they craft high-performance kitchen knives. Each blacksmith brings different opinions and techniques to the table that form the bigger picture of modern Japanese knife-making. Springhammer II will teach you about the steels, tools, steps and finishing touches that these folks follow to make the best kitchen knives in the world.

Springhammer 2

NR 2015
Water Over Glass

In "Water Over Glass," the tension of a mind adrift and in conflict with itself is captured and bookended visually by the vast mutability of sea and sky, where water and air surfaces suggest both static and the dissolution of the individual. A doppelganger, a crime scene and the tidal erasure of what might have taken place: discomfiting moments in a bright, almost psychedelic, arc. Assembled from 16mm, Super 8, and digital video, stop motion collage and digital compositing animation, "Water Over Glass" works backwards from an original story by Jason Zumpano and its musical articulation—Vancouver outfit The Cyrillic Typewriter’s 2018 album of the same name—to suspend a visual form over a sonic narrative.

Water Over Glass

NR 2019
How Flowers Never Became A Food Group

A poetic and fragmented construction of images and text suggests failure and disillusion about romanticism. Intense psychedelic colours characterize images of flowers, as if they were struggling while maintaining a playful tone. Feelings of ambiguity are evoked, oscillating between the notions of the possible and the impossible, as well as attraction and repulsion. The project is an audiovisual collaboration with experimental musician Alain Lefebvre.

How Flowers Never Became A Food Group

NR 2017