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Les Sucriers de Colleville

Will close? Won't close? At the small sugar factory in Colleville, we are waiting for the decision with a mixture of anger and resignation. The factory like a monster. The noise of the machines, the dashboards flashing, the smoke from the cookers, the routine of the clock and the night shifts. And the men at work, the confidences in the locker room with the friends, the stolen aperitif on the schedule,... these thousand ways to tame the plant so that it does not devour your life. Everyone here knows that the days of the candy factory are numbered. This year, next year, basically, what difference does it make?

Les Sucriers de Colleville

6.0 2002
Broken windows

"Broken Windows" consists of the last footage shot with a digital camcorder - these are the dying gasps of the camera. On one level, the piece might serve as a de-mystification of the digital image itself; the degradation of the image broadly implies the processes by which the real world is interpreted as video. Video’s constitution of the world as image is laid bare, and it is disconcerting to see the torturous decay of the image as the camera fights to maintain its simulation of the world. On another level, however, the piece implies the impossible mystery of most technology for most viewers. The functioning of the camera, evident in the image only when it fails as here, is something which most of us can’t - or don’t want to - understand. We understand technology so little we must engage with it on a purely aesthetic level as a source of magic or wonder, as we do here.

Broken windows

NR 2009
L'esprit de l'ancre

"Bayini is a great spiritual woman she started to talk, to dance, to sing. She made everything around, all that comes from history. The vision and the dream she was seeing is the Anchor". Murrmurrnga Burarrwanga, his grandmother Gaymala Yunupingu, and their family established at Bawaka, Port Bradshaw, in North Australia, tell a story related to a precolonial (at least several centuries ago) experience of trade between their people, the Yolngu from Arnhem Land, and "fishermen from South-East Asia: the Macassans who used to collect trepang in exchange for rice, tobacco, pipes, knifes and canoes". Body language, paintings, songs and dances accompanied by the didjeridu give us an insight into their system of knowledge based on a very complex network of spiritual connections between people and the environment.

L'esprit de l'ancre

NR 2002
Unknown, Presumed French

After the defeat of Dien Bien Phu in 1954, 4,500 Eurasians from the love affair between colonizers and colonized were repatriated to France. They poignantly evoke their tear as children torn between two cultures. UNKNOWN, PRESUMED FRENCH is the very first film to discuss a subject that has long remained taboo in French society. These Eurasians were born during the Indochina War, to a Vietnamese mother and an “unknown, presumed French” father. Rejected by both the Vietnamese and French communities, their mother entrusted them to FOEFI, an association whose aim is to integrate them into French society. Fifty years later, these men and women tell their painful story. All the testimonies agree, it was their solidarity which helped them to rebuild themselves and live in this world which was not theirs.

Unknown, Presumed French

NR 2009
La Montagne et le Loup

The wolf has returned to the Vercors plateau... A menace to the shepherds and the breeders ? A precious object to be protected by the guards ? A fascinating symbol of authentic nature for ecologists ? As many visions of the mountain, as many projects for the wolf, the sheep, the forest, the prairies... Inspite of all the divisions, everyone can see that a new mountain is begining to come to life. A mountain which erases the traces of history and offers new approaches to nature and the wild.

La Montagne et le Loup

NR 2006