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Sky Above and Mud Beneath

In September, 1959, six Europeans leave Cook's Bay on the southern coast of Dutch New Guinea, now West Papua or Irian Jaya, to trek north to the far side of the island. The journey (450 miles, as a crow flies) across unmapped territory took seven months; three Muyu porters died. Near both coasts, the expedition met villagers who invited them to observe rituals and live with them. In the interior, all villagers kept them at bay, and they depended on air lifts from Hollandia for food and supplies. They climbed above 10,000 feet, built 14 bridges, and fought leeches and malaria. The narrator focuses on describing Stone Age savages, headhunters, and cannibals.

Sky Above and Mud Beneath

5.7 1961
Schwarz-Weiß-Rot

The film makes fun of the superficial changes in power in their birthplaces. Herbst's painting depicts a society of excited string toys who first march to the strains of the Kaiser's anthem, whose black, white and red flag dominates the swastika, before being incorporated into the colors of a conglomerate of right-wing newspapers. Black, white, red. Three times, the Germans march organized in columns and ranks: under the colors of the Kaiser, the Führer and Axel Springer.

Schwarz-Weiß-Rot

7.0 1964
The Subversives

The film combines actual footage of Communist leader Palmiero Togliatti's funeral with the intermingled stories of four people affected by his death: Ettore, a Venezuelan radical who abandons the wealthy Italian woman he loves to go back to his country and help his cause; Ludovico, an ailing filmmaker who finds out that art alone is not enough; Giulia, a woman who embarks upon a lesbian affair with a former mistress of her husband; and Ermanno, a philosophy graduate who breaks up with his past.

The Subversives

6.4 1967
Till the End of the World

This brave, lonely man who arrives in Corsica, in a poor village, has no idea that he will have to take in this 9-year-old child whose mother has just died and of whom he is undoubtedly the father. His only hope is to find a place for the child, a place where he can get rid of his mother, a place where the child can stay, grow up, eat his fill and become a man. In this long race on foot through the mountains or by hitchhiking, they successively reject all the solutions that are offered, for the taste of freedom, which is more deeply rooted in them than that of security. This common feeling gradually brings them closer together, and after many incidents, they decide to face life and its uncertain future together.

Till the End of the World

5.0 1963
Why is Mrs B. Happy?

The story of a miner's wife in the Ruhr area, and the story of 40 years of a worker's life in Germany. The biographical film acknowledges the proletarian tradition and is considered to be one of the most important documentary films of the late 60s that tried to combine the private sphere with the reality of society. The film's fascination lies, above all, in the personal charisma of the miner's widow from Duisburg. She knows how to tell the story in a vivacious and exciting way.

Why is Mrs B. Happy?

6.0 1968
Geschichten aus dem Wienerwald

Marianne, the charming daughter of the "magic king," is engaged to master butcher Oskar. She meets bon vivant Alfred, who is supported by Valerie and makes a living from betting on horse races and other dubious business deals. During a picnic in the Vienna Woods, Marianne falls in love with Alfred and wants to break off her engagement to Oskar. Her father disowns her, Marianne moves in with Alfred and soon has a child by him. Alfred soon tires of Marianne's clinginess and takes the child to his mother in the Wachau region, while Marianne works as a dancer in a variety show. At the lowest point of her humiliation, Marianne returns to her parents' house. Her father forgives her, and Oskar asks for her hand in marriage, despite her having a child with Alfred. A happy ending seems imminent until Marianne learns what has happened in the Wachau region.

Geschichten aus dem Wienerwald

8.0 1964
Western for the SDS

West­ern for the SDS por­trays the de­vel­op­ment of the left as a learn­ing pro­cess among wo­m­en who shar­p­en their aware­ness in the move­ment but cont­in­ue to have no say. The con­tro­ver­sy sur­round­ing the film is shown in the DFFB week­ly news­reel Re­quiem for a Com­pany. The West­ern was con­fis­cat­ed by the ad­min­is­tra­tion, and eigh­teen stu­dents who sid­ed with Straschek were ex­pelled from the acade­my. The film was considered lost until its rediscovery in 2018.

Western for the SDS

4.6 1968
April, April

Little Max and his friend Tüte want to make the pharmacist into an April fool by asking him for a bottle of mosquito fat. But the pharmacist is clever and sees through the boys’ plan. He labels a bottle “Muscle Power for Cosmonauts, three tablespoons per hour.” Tüte wakes up little Max during the night because he is so excited to share his discovery: One sip from the bottle will turn anybody into a cosmonaut. Little Max drinks some of the tonic and immediately finds himself in full cosmonaut gear. Suddenly, both boys are in outer space, but the tonic has worn off and they are in their pyjamas. They urgently need another sip from the bottle. Or maybe it was all only a dream?

April, April

NR 1967
Because, Because of a Woman

A young man is a collector of feminine conquests. One morning, leaving one of his mistresses he is addressed by one of his past flirts. As revenge, she denounces him later to the police as the murderer of her fiance who was found dead the same morning. With the help of his mistresses and some new ones he makes on the road, the young man goes in search of the man he thinks is the killer, then his blond consort with whom he fell in love at the first sight the evening before.

Because, Because of a Woman

5.1 1963