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Chooka

In 1973, the Shah of Iran commissioned the construction of a paper factory in the lush northern province of Gilan. The arrival of heavy industry in a predominately agricultural region brought with it a series of interventions into this landscape, including the construction of modernist apartment blocks and purpose-built villas to house foreign engineers from Canada and the United States and their families. Their stay, however, came to a sudden halt in 1979 with the Iranian revolution forcing them to flee the site overnight. Chooka unfolds around the site of this factory, returning to the location 40 years after it mysteriously appeared in Jacques Madvo’s 1978 footage. Treating his archival material as a guide, the film moves through a landscape altered by industry, technology and revolution, bringing silent images from the past forward to a location caught within a perpetually uncertain present.

Chooka

NR 2018
The Price of the Prize

First Nations fight to end grizzly bear trophy hunting in the Great Bear Rainforest in British Columbia. The Heiltsuk, Kitasoo Xai'xais and Gitga'at First Nations enforce a ban by using Coastal Guardian Watchmen, while the Raincoast Conservation Foundation purchases trophy hunting licenses in the area to prevent a hunt from taking place. The film offers unique access to Canada's First Nations and a breathtaking view of the majestic animals inhabiting the Great Bear Rainforest, including the elusive Spirit Bear.

The Price of the Prize

NR 2016
BIRTHMARK

Inspired by a flashback about his birthmark, filmmaker Lester Alfonso is convinced that making a film will help confront a distant trauma rooted in cultural superstition. A follow-up to his award-winning film Twelve (2009), BIRTHMARK is a wry, sensitive, and candidly confessional exercise in creative anthropology. Soliciting fellow mark-bearers to add their testimonies to his own, Lester documents his journey to find peace and forgiveness, and to quiet the voice in his head. “It’s not only about the marks we are born with but the marks we imagine for ourselves.”

BIRTHMARK

NR 2019
Goodbye

Incorporating meditations on male sexuality and personal exchanges, "Goodbye" travels through physical memory to reveal the marrow that grows beneath. Placed in a surreal yet pastoral surrounding, "Goodbye" is a letter explored through the journey of agarwood, or jin-koh, a rare oil created by a genus of tree infected with a fungal spore. The piece examines how an intangible object can impress greatly on personal history by relating perfume to memory. Experimenting with the abilities of the Bolex H16 and sound print film stock, this 16mm film was shot and hand-processed at Phil Hoffman's Independent Imaging Retreat.

Goodbye

3.0 2010
Beautiful Accidents

With its unique blend of romance, satire, and playful blurring of fact and fiction, Beautiful Accidents is about a madcap indie film crew shooting a cheesy rom-com. The film-within-a-film concerns Henry, a young man who invites his girlfriend Charlotte to his family cottage for the winter holidays. As a surprise for Charlotte, Henry also invites his eccentric mother Sally and Charlotte's overbearing father Gordon. The surprise, however, is the truth about Sally and Gordon. Hilarity, the occasional tender moment, and the promises and pitfalls of filmmaking ensue as all try to keep their various secrets from being spilled.

Beautiful Accidents

NR 2017
15 to Life: Kenneth's Story

Does sentencing a teenager to life without parole serve our society well? The United States is the only country in the world that routinely condemns children to die in prison. This is the story of one of those children, now a young man, seeking a second chance in Florida. At age 15, Kenneth Young received four consecutive life sentences for a series of armed robberies. Imprisoned for more than a decade, he believed he would die behind bars. Now a U.S. Supreme Court decision could set him free. 15 to Life: Kenneth's Story follows Young's struggle for redemption, revealing a justice system with thousands of young people serving sentences intended for society's most dangerous criminals.

15 to Life: Kenneth's Story

NR 2014
Misleading Innocence (Tracing What a Bridge Can Do)

This film, produced by the Canadian Centre for Architecture, explores the controversial story of the planning and politics of a series of overpasses on the parkways of Long Island, commissioned in the 1920s and 1930s by the influential American public administrator Robert Moses. The story suggests that these bridges were designed to prevent the passage of buses, thereby only allowing people who could afford to own a car to access Long Island’s leisure spaces. The film investigates the story and the ongoing academic debate that it spurred through interviews with four scholars who in the 1980s and 1990s discussed interpretations of the design. The questions that the film raises engage with issues of secrecy and control, the morals of power and the effects of technology.

Misleading Innocence (Tracing What a Bridge Can Do)

NR 2014
Domestic Bees

Usually it’s not a good sign when a film opens with death walking in the door; however, in this wry short, the appearance of the Grim Reaper (who exits again as quickly as he arrived) is just one of several intersecting stories that unfold within the hive-like confines of the film’s tranquil universe. Deftly playing with narrative structure – while challenging the viewer to keep up – “Les Abeilles domestiques” is a masterful exercise in “deconstruction” that’s both extremely clever and highly entertaining.

Domestic Bees

4.0 2017
Tracing Arthur

André Montpetit, known as Arthur, passed like a shooting star through the Quebec artistic landscape. An outstanding artist with a boundless imagination, he ignited the world of posters and comics in the late 1960s before disappearing completely. While the "Arthur" myth is alive and well today, a complete mystery surrounds the fate of André Montpetit, the man. Is he still alive? Does he still draw? Through a mosaic of previously unseen works, original animated sequences, and firsthand accounts, filmmaker Saël Lacroix lifts the veil on this emblematic figure of an era now forgotten by history.

Tracing Arthur

NR 2016
CHICK FLICK

CHICK FLICK (2017) is a site-specific installation by collaborating artists: Lisa g Nielsen, Cheryl Hamilton & Rose Casella. The three artists created the work while in residence at the Falaise Fieldhouse over the entire month of July 2017 - and then share their finished installation on Saturday July 29th from 9:00pm-1am at 3434 Falaise Avenue, Vancouver BC Canada. This is part of the Iris Film Collective IN HOUSE series. Using found 16mm footage that has women as subject (unsurprisingly limited on ebay) this collaborative team transformed the footage (and fieldhouse) into something that speaks more authentically to the female experience. Titles such as: Jobs for Women - 1942, Volleyball Technique for Girls - 1957 & Correctol Women's Laxative Commercial - 1960's will experience a mash-up as the artists explore the woman’s place.

CHICK FLICK

NR 2017
VI.SION

Vi.sion is the product of an encounter between an expanding ballet troupe and an abandoned school with a marvelous theater, which was to be demolished to make way for a parking lot. It is the home of a place, imbued with memories of a rich and proud past, by the footsteps of a young troop. The time is getting confused. The present and the past blend together and it is the old school that dances with the passion and passion of young dancers. Ghosts, shadows, specters ... They bewitch.

VI.SION

NR 2017