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I Have No Memory of My Direction

Ostensibly searching for an emotional connection with her aging father, the woman contemplates her own inherited culture and familial touchstones. Her North American pop culture sensibility fuses with a distorted Japanese perspective to create a surreal interpretation of a “Japan of the imagination.” This fictional landscape is peppered with invented Japanese myths, ruminations on memory loss, the temporal space of digital photography and the ghosts of inherited imagination.

I Have No Memory of My Direction

NR 2005
Remnants: Ruins of Spirit Tales - Unreleased Footage & Infiltration Document

Japan is one of the most advanced countries in the world by anyone's standards, but there are still many mysteries that have been sealed off from the public eye, such as curses that linger in abandoned and forgotten buildings, and esoteric cults that continue to be practiced in secret without the hope of becoming a national phenomenon. In this first installment, we travel to spots rumored to be haunted to find out what they all have in common.

Remnants: Ruins of Spirit Tales - Unreleased Footage & Infiltration Document

NR 2009
Ravex In Tezuka World

As "another story" set after the end of the original manga, this what-if "Return" plot depicts what happens to the title character after his final act to save Earth. After drifting in space, the robot boy is rescued by the three members of ravex, and he is miraculously revived — not by Tezuka's Black Jack surgeon character, but by "Space Jack." The newly evolved robot boy will be named "Ratom." The Princess Knight and other Tezuka characters will appear in this all-new story. Musical artists BoA, Maki Goto, Anna Tsuchiya, Tohoshinki, and TRF are contributing to the album, and an event is planned at Tokyo's National Museum of Emerging Science and Innovation on April 10. The album marks Avex's 20th anniversary and what would have been Tezuka's 80th birthday.

Ravex In Tezuka World

5.0 2009
Shinjuku 1973, 25pm

This 1973 work by photographer Daido Moriyama features footage captured with a portable 8mm film camera mounted on a motorcycle, documenting the nocturnal streetscapes of Shinjuku. The resulting imagery—blurred, shaky, out of focus, high-contrast, and lacking deliberate composition—unfolds as a stream of flickering lights that emerge and vanish amidst the flow of the city at night. Accompanied by the drone of the motorcycle engine and the honking of taxis, the piece lays bare the tedium, darkness, and disorder of the urban environment, while also evoking a deeply nostalgic sentiment for life in Shinjuku.

Shinjuku 1973, 25pm

NR 2006