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Strawberry Shortcake: Berry Friends Forever

Life in Berry Bitty City is always better when Strawberry and her friends try their berry best! Princess Berrykin decides to bring back an old tradition, and Blueberry spends so much time worrying about manners that she forgets what's really important. When a Good Citizens Club is formed, Plum learns that fitting in with others is fine, as long as she follows her heart. Lemon and Raspberry work together to clean up a playground, and soon see the berrytastic value of teamwork. Strawberry helps out the Postmaster Bee, who shows her the value of honest effort. It's friendship and helping hands to the rescue in these sweet, fun-filled adventures!

Strawberry Shortcake: Berry Friends Forever

7.5 2013
Érection Canada, l’histoire du parti Rhinocéros du Canada de 1963 à 2013

In their new documentary, Mélanie Ladouceur and François "Yo" Gourd explore the 50-year history of the Rhinoceros Party, that mighty nose-thumbing at Canadian federal politics founded in 1963 by Dr. Jacques Ferron. From its auspicious beginnings to the Belgian "peace treaty" of 1980 to the recent proposal to unite Quebec and Cuba, it’s a history of irreverence and poetry, madness and pandemonium that raises the question : without its court jesters, is a democracy really worthy of the name.

Érection Canada, l’histoire du parti Rhinocéros du Canada de 1963 à 2013

NR 2013
Making Ladies

A documentary about maximalist Toronto media artist and sculptor Allyson Mitchell as she preps her Ladies Sasquatch installation – a fake fur creature wonderland. The large-bodied sasquatch ladies are feminist exclamation marks and icons, celebrating their “different bodies,” as the artist explains in a winning voice-over that drives the movie. Thrift store accumulations and found handicrafts are repurposed, blurring ideas of craft and art, high and low. How to turn what is overlooked, discarded and without value, or even feared and despised, and put these bodies at the centre of a new conversation? Mitchell’s work provides a blueprint for how to love our monsters.

Making Ladies

10.0 2010
Phosphene

A suite in four movements performed with two 16mm projectors. Created with a series of film loops rendered individually with sprayed paint, scraped and abraded softened black emulsion, pin and hole punctures, india ink craquelure and meticulous frame by frame application. By manipulating the image, introducing carefully orchestrated lens interference with colour gels, frame-edge masking, vignetting and glass objects, Phosphene Induces a variation on closed-eye vision and non-light hallucination: a subtly immersive and sublime sculpting of light.

Phosphene

NR 2018
Inclinations

Inclinations began as a moment of “crip” play. The ramp becomes a source of creative movement. Dancers can move in ways that they cannot move on flat surfaces and the ramp itself becomes an artistic object, transformed albeit temporarily into an environment that reveals connection, trust, beauty, and desire. Choreographed, directed, and shot from disability perspectives, this dance-on-video delves into the playful connection enabled where disability, community, and ramp meet.

Inclinations

NR 2019
Pepper's Ghost

Pepper's Ghost, by Torontonian Stephen Broomer, transforms an office formerly used for observation studies into a tunnel of performative, transfixing illusionism, creating surprising images using filters, fabric and a combination of sunlight and fluorescents. Recalling Slidelength (1969-71), Michael Snow's slideshow of plastic gels and hand gestures, Pepper's Ghost is a prolonged expression of demystified mystification, whose startling results are bolstered by a bold soundtrack.

Pepper's Ghost

5.0 2013
Little Moccasins

In a windswept grasslands grave yard, elementary students of the Strathcona Tweedsmuir school gather to honor First Nations children that between 1885 and 1922 died while attending the Dunbow Indian Industrial School near Calgary. Subjected to neglect, malnutrition, disease and abuse, many were buried in unmarked graves on the school grounds and largely forgotten. Struggling to come to terms with the dark history of the residential schools in Canada, the students embark on an emotional journey to give voice and an identity to those First Nations children that were buried and forgotten there long ago.

Little Moccasins

NR 2015
you're a plant whisperer and for me, it's enough

you’re a plant whisperer and for me, it’s enough studies the materiality of the analog image and the relationship between the musicality of the image and sound, in an attempt to create an introspective atmosphere. The video consists of two monochromatic shots generated using a VHS video mixer, each combining with a figurative image shot on Super 8 film. Treating colour as a conductor of emotions, all the images evoke inaccessibility, perfection and dream, in parallel with a meditative and transcendent soundtrack.

you're a plant whisperer and for me, it's enough

NR 2019