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Freedom of Inês Etienne Romeu

August 29, 1979, Talavera Bruce Penal Institute, Bangu, Rio de Janeiro. After serving eight years in prison, Inês Etienne Romeu, the only survivor of the "House of Death" in Petrópolis and the first political prisoner sentenced to life in prison in Brazil, left prison benefiting from Amnesty. Norma Bengell filmed this moment: from the prison door to her home with her family, Inês was welcomed by family, friends and members of the Brazilian Amnesty Committee, in what marked the first act of the historic denunciation that Inês would carry out against her tormentors and the Military Regime.

Freedom of Inês Etienne Romeu

NR 1979
Tô de Graça: O Filme

Graça receives an unexpected financial settlement and decides to take part of her large family on a trip to Araruama. The journey quickly descends into chaos as the group faces a series of misadventures: travel mishaps, unexpected encounters, and escalating comedic situations. Along the way, Graça confronts past relationships and family conflicts, leading to humorous and unpredictable outcomes. The story follows the family’s attempts to navigate these challenges, blending farce, misunderstandings, and coincidences, ultimately highlighting the chaos and unpredictability of a large family vacation.

Tô de Graça: O Filme

5.2 2024
Eu sou Você

"Eu Sou Você" is a short film made in Virtual Reality about sexual harassment in the workplace . The story takes place at a “happy hour" in a firm and shows some situations of harassment. Through Virtual Reality, the film "Eu Sou Você" puts the viewer to live in the body of other people and invites the viewer to experience and understand, as much as possible, how a woman feels when harassed and how the harasser behaves. It is a film that uses entertainment to focus on the positive transformation of the female and male audience.

Eu sou Você

NR 2022
Rosa Tirana

In a sun-drenched land, during the greatest drought that the Northeastern hinterland has ever lived, The girl Rosa dives on a long journey through the arid and fantastical caatinga, in search of an encounter with our lady Immaculate, the queen of the hinterland. With an insightful tone, the plot is enveloped by an amalgamation of factors that, in the dryness of the portrayed landscape, becomes fertilizer for the understanding of human drama, from the perspective of the little protagonist.

Rosa Tirana

NR 2024