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1917: The Real October

St. Petersburg 1917. The frontline of the global war is coming closer everyday; people are hungry, wor-ried, angry. In February the tsar is overthrown. Many artists are euphoric: Revolution! Freedom, finally? No. Starting in October, the Bolsheviks rule by themselves. What were poets, thinkers, and avant-gardists like Maxim Gorky and Kazimir Malevich doing during this drastic change of power? In the film, five of them alight from the director’s piles of books as animated cut-out figures. With their own recorded words in their mouths, they participate in salons, committees, and street riots.

1917: The Real October

3.3 2017
My Gift

A successful architect, Yi Zhong, learned the bad news that he was suffering from bone cancer while receiving the good news of his wife's pregnancy. Facing a painful turning point in life, physical and psychological suffering, Yi Zhong made a wish to let his child see the most handsome figure of a positive cancer-fighting father. Yi Zhong confronts the disease with humor and head-on while sharing his life through video recordings. However, as the disease deteriorates rapidly, how will he face the people around him and the child he may never meet?

My Gift

NR 2017
The Opera House

In this documentary, award-winning filmmaker Susan Froemke explores the creation of the Metropolitan Opera’s storied home of the last five decades. Drawing on rarely seen archival footage, stills, and recent interviews, The Opera House looks at an important period of the Met’s history and delves into some of the untold stories of the artists, architects, and politicians who shaped the cultural life of New York City in the ’50s and ’60s. Among the notable figures in the film are famed soprano Leontyne Price, who opened the new Met in 1966 in Samuel Barber’s Antony and Cleopatra; Rudolf Bing, the Met’s imperious General Manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

The Opera House

8.2 2017
Dina

Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.

Dina

6.6 2017