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The Malatily Bathhouse

The film is an adaptation of a novel by Ismåeel Walieddin. The main character, Ahmad, leaves rural eastern Egypt for the city hoping to become economically self-sufficient, gets an apartment for his parents, and obtains a law degree. He and his family are refugees from a town occupied by the Israeli army, Ismaåilia. Ali, the owner of the Malatily Bathhouse, offers to let him stay there for free. Ahmad encounters several characters there, including Naåeema, a prostitute who he becomes obsessed with, and Raouf, a homosexual man.

The Malatily Bathhouse

5.5 1973
The Windmill

In preparation for a feature-length film about windmills, an assistant director travels through the Vaud region to search for locations with windmills. The research leads to a serious engagement with the meaning and purpose of windmills, which has something Don Quixote-like about it in the age of nuclear power stations. The transitions between document and fiction flow constantly and result in a charming and intellectual mixture of seriousness and fun, determination and coincidence, weightlessness and the weight of meaning.

The Windmill

NR 1975
Der Fliegende Holländer

This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.

Der Fliegende Holländer

7.0 1975
Nona

The beginning of the 20th century. The young Nona comes back to her father's farm from Switzerland. She meets colonel Galchev. The officer expresses his love for her. The teacher Yosif who is in love with Nona organizes a revolt of the villagers with no property. Armed villagers rob the farm. Galchev and his soldiers arrive. During the shooting, the colonel is killed. Nona accuses Yosif of Galchev's death. The carriage of Nona's fiancé, who travels from Switzerland to the village, passes by the coffin with Galchev's body. A second after the fiancé enters her house Nona kills herself.

Nona

6.0 1973
Fighting of Shaolin Monks

The Fighting of Shaolin Monk tells the story of the Famed Monk, Tamo (Chen Sing Hong Kong's most prolific action star) who was one of the original founders of the Shaolin Temple. Monk Tamo travels from India preaching peace and Buddhism. But if they wanted peace they never should have gotten Chen Sing to portray Tamo, as he soon gets involved with a local town that is besieged by a warlord who is trying to control the regions water supply. The final fight is Chen Sing vs. Ko Fei in a battle to the death. this is not to be missed!

Fighting of Shaolin Monks

6.7 1976
Up the Front

In Frankie Howerd's third Up... film it's World War I and he plays Lurk, an absolute cowerd, er coward. He's evading the call-up for all he's worth. But one evening he's hypnotised by a drunken hypnotist (Stanley Holloway) into being brave, but he fails to be released from it. So with his yellow streak gone Lurk is down that army office before you can say "titter ye not." Off to war he goes, mingling with sexy spies like Zsa Zsa Gabor and before long, the spellbound recruit is heading hot-foot back to Blighty with the Germans' plan of attack tattooed on his bum, and the Germans are bringing up the rear...! Full of sauce, knowing real-life references and witty remarks to camera, this is a cheeky incorrigible final instalment.

Up the Front

4.4 1972
Malatesta

Enrico Malatesta (Eddie Constantine) leads a group of Latvian dissidents in the siege of Sidney Street. Chief of police Winston Churchill organizes against the anarchist who threaten to disturb the peace to make their demands known to the British aristocracy. Authorities break up the volatile gang and Malatesta is deported to Italy. Constantine gives a sympathetic portrayal of the agitator that organizes the revolt that shocked the Edwardian sensibilities of London in this historical drama.

Malatesta

6.8 1970
The Long Chase

Yueh Hua stars as an assassin who flees after killing a hated prime minister, with Lo Lieh as the relentless imperial guard who pursues him to a remote village being terrorized by bandits. When Yueh takes over the identity of a county officer newly assigned to the village, his ruse is assisted by a pretty innkeeper's daughter (Li Ching) who insists to Lieh that Yueh is indeed the county officer and happens also to be the cousin who was betrothed to her as a child. The confused innkeeper is persuaded by his daughter to support the ruse, thus delaying Lieh's efforts to arrest the wanted man.

The Long Chase

6.8 1971
Winter Love

In Palm Springs, Penny Crane, young vivacious daughter of Senator Crane and stepdaughter of his wife Lillian all decide to go to Jackson Hole, Wyoming, to enjoy the skiing and also get away from the pressures of the investigation regarding the recall of Senator Crane. Penny, not a ski fan until she meets her ski instructor, young handsome Chris and their relationship grows not only on the ski slopes, but every minute they are able to find to be alone together. Mrs. Crane becomes jealous of her stepdaughter's relationship with Chris and insists they end it immediately.

Winter Love

2.0 1972
The Struggle Continues

A Luta Continua explains the military struggle of the Liberation Front of Mozambique (FRELIMO) against the Portuguese. Produced and narrated by American activists Robert Van Lierop, it details the relationship of the liberation to the wider regional and continental demands for self-determination against minority rule. It notes the complicit roles of foreign governments and companies in supporting Portugal against the African nationalists. Footage from the front lines of the struggle helps contextualize FRELIMO's African socialist ideology, specifically the role of the military in building the new nation, a commitment to education, demands for sexual equality, the introduction of medical aid into the countryside, and the role of culture in creating a single national identity.

The Struggle Continues

NR 1971
Budapest, amiért szeretem

István Szabó reveals a lesser-known side to the public in this work, which strings together eight shorts of Budapest into a single movie. In the piece interpretable as a declaration of love addressed to the capital there are numerous motifs that are also to be found woven through the director’s major features, first and foremost Szerelmesfilm (Love Film), Tűzoltó utca 25. (25 Fireman’s Street) and Budapesti mesék (Budapest Tales). Besides allowing the viewer to marvel at the cityscape from 50 years ago in a series of fast-moving images, the film is still primarily about Szabó’s Budapest: his observations, his impressions, his imagination.

Budapest, amiért szeretem

10.0 1971