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The Faithful City

The Israeli-made Faithful City stars Jamie Smith as an American in Tel Aviv just after World War II. Smith makes the acquaintance of a group of orphans, Jewish refugees of the concentration camps. It takes some doing, but Smith wins the love and trust of these displaced youngsters. Like most government-funded Israeli productions of the early 1950s, Faithful City is designed more to instruct and inform than entertain. That it happens to be entertaining in the bargain is all the more reason to seek out this extremely rare film.

The Faithful City

10.0 1952
Detective Hibari: Secret of the Golden Coin

A princess finds life behind the protection of her brother and the high walls of the mansion to be quite dull, so she takes on another identity and lives in a small house in Edo pretending to be a singer but all the while she is actually a Shogunate Detective. Framed by a crooked magistrate for a crime she did not commit, Oshichi must clear her name of false charges after a woman helps to lead a prison break of the notorious Oshu Remnants. Meanwhile the magistrate, Lord Kai, conspires to be rid of her brother, Clan Elder, Lord Abe Iyo. Her only clue is an ornate dagger with a handle made of golden coins.

Detective Hibari: Secret of the Golden Coin

10.0 1958
1001 Arabian Nights

In this animated retelling of the classic tale, Abdul Aziz Magoo -- an ancestor of Mr. Magoo -- is the lamp-selling uncle of Aladdin. Tired of his nephew's laziness, Abdul insists that Aladdin find a wife. To his uncle's surprise, Aladdin falls in love with the beautiful Princess Yasminda. Before he can make his move, however, Aladdin is whisked away by the evil Wazir on a quest to find a magic lamp that will grant its owner unlimited power in the form of three magic wishes.

1001 Arabian Nights

6.6 1959
Dotanba

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

Dotanba

6.0 1956