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"1969 period. In the beginning of this experimental film a figure in white ascends spiral staircases and escalators and moves away from the camera down endless tunnels and corridors. A model in a black leotard is painted white, turned into art. Another is filmed as she ascends to a rooftop, then confronts herself in a mirror in a corner of a room. As Alice went through the glass, so in the last section there are two women reflecting each other instead of just the one." - Penny Slinger

Tom Thumb ends up in the court of King Arthur.

Bettie de Jong performs the same dance nine times, starting and ending in a reclined position. As the film proceeds the camera becomes more and more adventurous.

Student film by Jack Graves, David Hanson, and Hal Barwood @ USC School of Cinema-Television.

"Bump City is a colour film about the symbolic destruction of Los Angeles. It was never a very finished film, but it was about signs and advertising, redundant communications and manufacturing, waste and monotony." —Pat O'Neill. Preserved by the Academy Film Archive in partnership with Pat O'Neill in 2007.

In Cineblatz, the viewer is subjected to a high-impact barrage of evolving images, at once comic and terrifying. Glossy magazines are cut up and reconfigured, newspaper pages are defaced with animated squiggles, comic-book superheroes fly out, over and through at superspeed. Pictures appear only to burn up or be torn apart, toys dance in ferocious stop-motion before melting into pools of plastic decay, a hammer plunges down on an image of the assembled House of Commons - all to a crackly soundtrack of treated shortwave static. It is a hyperkinetic panorama of 1960s popular culture in meltdown, where seemingly nothing stays still for more than a single frame, as the artist ejaculates ideas onto the screen faster than the eye can properly register. Lasting just three minutes, Cineblatz is exhilarating, orgasmic even--but also thoroughly exhausting.

A series of vignettes are tied together by a story involving a carnivorous entity which masquerades as a bedcover. The creature absorbs evil and greedy people into its body, but leaves the innocent unharmed.

As the scene opens, window washer Woody washes the window of Pierre's bakery. His first mishap is to cause Pierre to mess up a cake that he's decorating, and Pierre tells him off. Since this job is finished, Woody gets on a bus with his automatic extension ladder, which keeps hitting the bus driver in the head every time that the bus stops. The driver finally throws Woody off, but Woody manages to get back on. The comedy with the ladder continues, finally involving a traffic cop, a motorcycle policeman and Pierre, as well as Woody and the driver. The story ends with all the participants, on the motorcycle, crashing into a brick wall.

The story of the attempted kidnapping of the son of a visiting African potentate.

Iconoclast Lenny Bruce appears at San Francisco's Basin Street West in what was his next-to-last live appearance. His act that night consisted of reading allegations and transcripts from one of his several obscenity trials and then commenting on what he'd actually done or said. While there are some "bits" in the performance (including the prison riot with Dutch, the Warden, Father Flotski, and Sabu, the prison doctor), this is much more a social commentary on government intrusion and censorship than it is a comedy routine.

This pilot looked to be a welcome addition to TV animation, a series of skits with oddball characters doing their own things, with Joey Jingle (a boy with a bell on his head) being used as a framing device.

Presenting the world's greatest jazz singer accompanied by The Tommy Flanagan Trio.

A comedy set in "a mythical Communist country, no more mythical than the picture of the United States..."

20 years after a Second World War court-martial, a vet pulls a gun on the ruthless attorney who defended him, when the cynical mouthpiece, who doesn't even remember his former client, refuses to see him. So the shaken gunman recounts the story of accidentally fragging his commanding officer.

Dream-like confessional concerning the fantasies of an English public schoolboy, created by an English public schoolboy

We meet Abner propped upon a pillow in the Baseball Hall of Fame in Cooperstown, New York. With an annoyingly twee voice emerging from his anthropomorphised face, Abner reveals the events leading up to his arrival in this hallowed hall. It seems that Abner is the baseball that got whacked by Mickey Mantle for a home run against the Detroit Tigers, on 10 September 1960 ... sailing for an astonishing 634 feet (193 metres).

In South Africa, a talking Pink Panther is the owner of a diamond mine and has unearthed a large gem. He puts it in his safe, which has a combination lock that functions like a telephone dial, and a man tunnels into the safe and filches the jewel. The Pink Panther suspects gophers of perpetrating the theft, but a dastardly pair of rival miners, operating the neighboring DeBoors mine, have taken the diamond and claim it and the diamond-yielding territory as their own. The pair of men ineptly try to eliminate the panther, and the debonaire Pink Panther defeats them, obtaining an even larger diamond and removing it from the DeBoors camp.

A new recruit rises through the ranks of Pancho Villa's army as his leadership skills become apparent.

Inspired by the accomplishments of Mary McCleod Bethune, who made and sold so many sweet potato pies that, with her earnings, she established many schools for the under-privileged.

To create his “Poemfields” (1965-71) series, VanDerBeek worked closely with computer scientist Ken Knowlton and the staff at Bell Labs. Each “Poemfield” was adapted from poems by VanDerBeek, programmed on an IBM 7094 computer in black and white using a custom language known as BEFLIX, and colored after the fact by artists Robert Brown and Frank Olvey. Poemfield No. 2 features a soundtrack by jazz percussionist Paul Motian, known for his collaborations with Bill Evans.

A British short film about Scotland Yard investigating a group of bank robbers who take normal sedan cars and transform them into race cars.

A sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude the law. But he's his own worst enemy.

"Brooks edited this footage but never printed it in his lifetime. While we cannot know for sure the true origins of, or intentions for, this material, it is a stunning document of the legendary jazz musician." - Anthology Film Archives

Monique is so anxious to become a movie star that she gets naked for a producer, watches other naked girls in the producer’s other naked movies, and finally ends up starring in a naked skinflick where she’s tied up by a fetish freak. All of which is dutifully chronicled by her obsessed roommate Rita.

“There is a TV screen superimposed over his face, his face being the screen and the screen being the image.The image of a TV screen can be an image in a movie. On television, the movie is the television image.This seems logical.” (George Landow, letter to Sheldon Renan, 1967) “A study for Fleming Faloon. Kraft is the actor in Fleming.” (Owen Land, letter to Mark Webber, 2004)

In this film, Nauman applies black makeup to his testicles. The action was recorded with an industrial high-speed camera capable of shooting between one thousand and four thousand frames per second.

When Ted gets amnesia after a car wreck, he assumes the life of an evangelist with the help of of a preacher. After his newfound success, however, his old girlfriend and her new boyfriend decide to blackmail Ted for a search of the money. His problems intensify as memories start returning -- and he thinks he killed the other driver.

When Julie escapes from a mental institution, she seeks refuge with her boss and friend, a nightclub owner. However, they all have to fight for their lives when a group of jewel thieves come after them.

A pathetic Joe pays a bitter prostitute, Margo to have sex with him, and is abused endlessly. A woman sculptor and her live model try to suppress their lesbian longings for each other. Lonely, bespectacled middle-aged Nick goes to the House of Fetish - the local brothel - after watching a buxom stripper do her exotic dance on stage. His wife catches him in bed with another woman, and whips her silly.

A documentary based largely on images of violence, abuses, crimes and genocide that occurred in the world, accompanied by the poems of Dylan Thomas ( “Hands have no tears to shed”)

Documentary/performance-film hybrid about the famed music scene in Nashville. Features performances from many stars of the day.

A classical music concert can't go on while neighboring Luigi the village blacksmith works his noisy trade. Eventually, the problem is worked out.

A woman's therapy session turns into a musical review of men's clothing.

Members of a school expedition in Tunisia become accidentally involved in industrial espionage.

Follows a crusading lawyer as he embarks on a campaign to save an African-American man, Paul Crump, from the electric chair. Preserved by the Academy Film Archive in partnership with The Film Foundation in 2007.

A nude woman dances in front of a wall of balloons.

A man talks about his addiction to amphetamines and illustrates his struggle by his sudden inability to fix a radio.

For the whole of his long life Emil Nolde, the leading German Expressionist, luxuriated in colour. Before the First World War in Berlin he made many paintings of the theater, music-hall and opera; he loved flowers and even coaxed a garden out of the salty soil of the Baltic coast, where he had built himself an isolated house. His parents were Frisian peasants and he loved the landscape of North Friesland: it was the theme of many of his pictures. But the Nazis disapproved of his work and finally forbade him to paint at all. Although Nolde was already in his seventies when this happened, no political regime could stifle his vision. At great danger to himself he continued to work, making watercolour sketches the size of postcards, which he called 'unpainted pictures,' meaning them to serve as sketches for the large oils he would paint when he was free. And he did outlive the Nazi regime, marrying a twenty-eight-year-old woman in 1948 and painting up until the year before he died.

Travel agent Emrys Jones and tourist Patricia Dainton fall in love in sunny Italy. Jones has led Dainton to believe that he's fabulously wealthy, and she has likewise deceived him. When the truth inevitably outs, it hardly matters, since hero and heroine now love each other for themselves rather than their bank accounts.

Documentary about young pop and rock musicians producing music as "a symptom and generator" of social unrest and generation gaps.

Naomi Levine film from 1968

Critical documentary about urban planning in the city of Stockholm. Made by students at the Swedish Film Institute's film school. The film created a great debate in Swedish media and especially between the film institute's CEO Harry Schein and the filmmakers.

On the Maria reserve in the Baie des Chaleurs region of Québec, Mi’kmaq children make birds and dolls of brightly coloured paper, which they hang in trees. But they are reluctant to have visitors see them, claiming, 'People might laugh at us.' The film is without comment except for the background music.

Astronut arrives on Earth, insists on trading his spaceship for the Sheriff's car, and wont take no for an answer.

Jean-Luc Godard visits NYU in order to discuss his latest feature "La chinoise" with graduate students on filmmaking and politics.

While I Run This Race is a 1967 American short documentary film about poverty in the United States directed by Edmond Levy. The film follows VISTA (Volunteers In Service To America) working in two Arizona migrant community groups. It was nominated for an Academy Award for Best Documentary Short.

Cowboy is a 1966 American short documentary film directed by Michael Ahnemann and produced by Ahnemann and Gary Schlosser. At a ranch in Tehachapi, California, a husband and father lives the life of a modern cowboy. The film was nominated for an Academy Award for Best Documentary Short.

Shot in black and white by the Warholian Factory "icon" Gerard Malanga, American actress, author and figurative painter Mary Woronov confronts the camera with a whip.

A photographer discovers two shipwrecked women and a man living as nudists.

A New York theatrical agent pimps out the actresses he represents, with tragic results.

Red Runs the River is the story of two wars—one in the heart of General Richard Stoddert Ewell and the other on the battlefields of Manassas and Bull Run. The film traces the influence of General Stonewall Jackson’s vigorous faith on the profane, unbelieving Ewell. When Ewell meets God on the battlefield, he learns that surrender to God brings true victory. The story of these two men is complemented by the exploits of the flamboyant General Jeb Stuart. Red Runs the River is a saga of history, humor, and excitement, showing that strong convictions change the course of nations—and men.

Visualizes the mood of Buddhism as the oneness of man and nature. Includes commentary by Alan Watts.

Film classic directed by Jamil Sulong. Date of first impression the public: 1963. The style of the film: Black and White. Envy and jelousy in Asmah heart that she is willing to frame her own step sister.

Vice cop infiltrates a jazz club to bust a heroin ring.

Chronicles he police raid and assassination of American activist Fred Hampton.

The Evil Witch had cast a spell on Wendy's house and they ran away. Casper will end the witching hour til everything is back to normal.

Episodic, globe-trotting quasi-mondo focused on women of the East.

Overlooked when the Tennessee legislature reapportioned the state, the 40-acre community of Shagbottom is discovered and notified to elect a state representative. The feud between Pa Culpepper and Uncle Foxey Calhoun resurfaces, with several incidents occurring at Postmaster Amos Quint's general store between Simon Crumb and Uncle Foxey, while at the Culpepper farm Ma Culpepper is trying to persuade Pa not to run for office. Lovers Nancy Calhoun and Del Culpepper are separated by the hostilities until the Smokey Mountain Jamboree arrives to televise the election and their country music revue.

As 85-year-old President Lorenzo Snow struggles to vanquish the two million dollar indebtedness of the Mormon church in 1899, he feels inspired to journey from Salt Lake City by train and carriage to St. George in southern Utah. Along the way he witnesses the effects of severe drought. The next day, in the St. George Tabernacle, he receives inspiration that by paying tithing, the "windows of heaven" will open, pouring out blessings. He promises the people that they can plant crops and rain will come, then continues to preach tithing as he returns home where he awaits favorable weather reports from St. George.