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How to be a ghost in Bangkok?

After being ghosted by a romantic partner during a trip to Bangkok, the artist situates a contemporary act within a timeless Southeast Asian ghost cultural gesture, transforming personal heartbreak into a surreal exploration of ghosthood while reimagining its embodiment through ten playful yet haunting guidelines. Shifting between satire and introspection, the film contemplates the fragility of relationships and the futility and opacity of communication in the hyper-connected digital age.

How to be a ghost in Bangkok?

NR 2025
We Were Left Alone

Raúl records his routine on the high seas with a mini VHS. It's 1991. On board his first ship, the Raúl Primero, he records what words can't explain. On dry land, his son, Adrián, has just been born. Thirty years later, Adrián embarks for the Gran Sol, guided by those old recordings that his father filmed between networks, storms and dawns. In the solitude of the boat, with the engine vibrating in the chest and the wind hitting the deck, he tries to understand the distance that separated them. Recording his own journey, between memories and movement, he finds a way to approach, as if filming he could tell his father what he never dared to pronounce.

We Were Left Alone

NR 2025
Gökotta

After a "dream" about a guardian of the forest, Samuel, a 25-year-old boy unmotivated by adulthood, recalls the story he experienced as a child: One day, he found a small gnome village in the middle of the forest. He always went to play there to try to spot some creature, until one of the times he returned, he found it destroyed. He salvaged a few remaining pieces, and his mother stored them in a trunk in the basement. That morning, after so many years, he decided to go down to the basement in search of the trunk. With it under his arm, he set off on a hike back into the forest to see the ruins of the village, hoping to find at least some sign of a creature living there. When he gave up on everything, he found a door in the trunk of an old tree. Behind it, the rebuilt village appeared, and the lights began to turn on.

Gökotta

NR 2025
Frères de la forêt, des résistants face à l'URSS

Between 1944 and 1953, 170,000 Estonians, Latvians, and Lithuanians put up fierce resistance to the Soviet invasion, hiding deep in the vast Baltic forests. Driven by a dream of freedom, they defied a ruthless empire with few resources but unwavering determination. Through previously unseen archives and the poignant accounts of the last survivors, this documentary reveals their clandestine struggle, their heroic sacrifices, and their legacy, timeless symbols of a desperate fight to escape the Soviet stranglehold and preserve the flame of independence.

Frères de la forêt, des résistants face à l'URSS

9.0 2025
Louise

A huge success when it premiered at the Opéra-Comique in 1900, Gustave Charpentier’s (1860-1956) “musical novel in four acts and five scenes” was panned by the critics, who considered its depiction of female desire and its heroine’s rebellion against her family to be scandalous. In this new reading, Christof Loy (Salomé) – famous for his meticulous productions, precise direction and refined aesthetic – has detected beneath the innovative theme of female emancipation an unspoken aspect of Charpentier’s libretto: the toxic family relationship in which Louise finds herself trapped, and the hold that her possessive – even abusive – father exerts over her with the complicity of her mother. Keen to tell the story without judging the characters, the director draws the audience into Louise’s subconscious, highlighting the darker side of a society that, far from emancipating its daughters, only offers them cheap romance as a deflection from the frustrations of their limited prospects.

Louise

NR 2025
Blessed Are Those Who Grieve

A collective experimental short / essay film—a fragment of a surreal inner landscape. Two performers torment themselves with immense sorrow in sand and slime, while a narrator from Hong Kong, speaking in a dreamlike monologue, attempts to rename a trauma that has been forced into forgetting. Through somatic exercises, the three creators explore the grief buried within their bodies. Gestures of grieving are captured through 3D scanning and transformed into digital copies so the two bodies become one, questioning how we can share our grief. In a third place beyond memory and reality, grief is born as a creature. Shaped by the embodied research of the creators, it transcends the digital/material realm, flesh, and language—transforming into a shared and liberated presence.

Blessed Are Those Who Grieve

NR 2025
Homo Plastic

Homo Plastic is a journey into the heart of the Plastic Age. From the icy waters of Antarctica to the most remote tropical shores, no place is free from pollution. This documentary explores how an invention that transformed the way we live has ultimately altered life itself. Plastic doesn't just float in the oceans—it has infiltrated our bodies, our landscapes, and our history. With both scientific precision and emotional depth, the film maps out a global crisis we can no longer ignore. A portrait as haunting as it is beautiful, reflecting the price of progress... but also the possibility of rewriting our legacy.

Homo Plastic

NR 2025