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The Immortality of the Crab

"The Immortality of the crab" is an experimental animated short film shot on super 8 film, made with in-camera editing and no post production. In this movie, the synaesthetic research between sound and image is accomplished by connecting the animations, made on 1125 cardboard frames, with an original soundtrack produced using only sounds sampled by handling pieces of cardboard. The title refers to the time spent between the birth of the embryonal idea and the production of the short. "The Immortality of the crab" is a south american expression, almost no longer used, which indicates the act of daydreaming. This film symbolizes the director's release from the spectre of procrastination, a condition he sistematically faced when daydreaming about possible ways to give shape to his idea.

The Immortality of the Crab

NR 2019
Look Away

Europe, the rule of law and host countries? Look elsewhere denounces what is happening in many European cities by taking the example of Calais. From the expulsion from the "jungle" in October 2016 to the situation there a year later, Arthur shared moments of life with men and women of Sudanese, Afghan, Ethiopian, Eritrean and local descent of Calais. By highlighting the gap between the field and the official speeches, this film shows us the strategy put in place to dissuade the exiles from staying. With original filming methods and his civic gaze, the director has managed to film the state harassment, the media staging, but also the strength and humor of the exiles.

Look Away

7.0 2019
Adam and Steve

Adam and Mary, two gay siblings, decide to bring their partners home for Christmas dinner. They really don't want to come out though, so they come up with a plan; they'll swap partners and pretend to be two straight couples. After a tragic first encounter with Grandma, who has a lot of opinions about children out of wedlock, foreigners and - bread, Steve can't take it anymore and threatens to leave. Adam has his way of persuading him, but that may involve the two of them, a tiny cupboard under the stairs, and a very high chance of Grandma walking in.

Adam and Steve

1.0 2019
Touching Feeling

Aykan Safoğlu takes his artistic friendship with Nihad Nino Pušija as the point of departure for Touching Feeling. Their friendship began in 2014 in the nGbK, an artists’ association in Berlin, where Pušija has been active since the 1990s as an artist, curator, activist, and photographer. Pušija has been recording the world around him for years with his camera: queer life in Kreuzberg, the life of the Romani in the former Yugoslavia and in German refugee shelters; everyday occurrences, but also scenes of flight and migration. Pušija’s photographs form the basis for the film; mark by mark, Safoğlu uncovers them on the black screen. The scratches on the picture’s surface turn into contours and fragments: prompting Safoğlu’s reflection on his role as observer, the defiant beauty of everyday life, and the terrible rupture that war and destruction left in their trail in the 1990s across the Balkans.

Touching Feeling

NR 2019
Frisky and Mannish: PopLab

Ten years since they burst onto the scene with their wildly popular brand of musical infotainment, Frisky & Mannish are officially Pop PhDs, fully qualified to conduct scientific analyses of the molecular intersections between every pop song ever. For the first time, you are invited into their PopLab to peek down the microscope at all their latest research projects. Have they found an effective vaccine for the contagious virus sweeping through the pop world? Who is the latest to benefit from their 80s Dance-Pop Conservation Program? Brush up on your Pop Periodic Table with the mad scientists themselves, and you’ll be able to answer academic questions yourself, like just how can Coldplay be so popular even though everyone you ask says they hate them?

Frisky and Mannish: PopLab

NR 2019
Olafur Eliasson: Miracles of Rare Device

Olafur Eliasson has been pushing the limits of the sublime and the spectacular in his art for almost 30 years. From his monumental installation, The Weather Project, in Tate Modern's Turbine Hall in 2003 to his recent interventions in climate change and global migration, his is an art which strives to change the world every step of the way. In 2019, the Danish-Icelandic artist returns to Tate Modern with his landmark exhibition, In Real Life, surveying the breadth of his career from his beginnings as an art student in Copenhagen through to the latest pieces created in his vast studio laboratory in Berlin. Much of his work is shaped by his response to his parents' home country of Iceland and the interplay of water and light showcased in its natural phenomena.

Olafur Eliasson: Miracles of Rare Device

NR 2019
A Tree Is Like A Man

A tree is like a man is an attempt to touch the otherworld through its edges. Shot on 16 mm in the Colombian Amazon, the film serves as personal witness to shaman Don William's lifetime relationship to Ayahuasca and other plant medicines that are native to the jungle. With the rainforest a rich labyrinthine background, this portrait is at once intimate and spare, opening up to alternate realities as dense as the jungle itself, with kaleidoscopic multiplicities in both the natural and the spiritual realms.

A Tree Is Like A Man

NR 2019
Mullah's Daughter

An unusual and personal story about a Muslim mullah and his family in Iran – filmed by his own daughter, Mahdieh. She makes a living as a photographer, but due to political restrictions, the government has banned her from working. Her father, the highly conservative mullah, is a radical supporter of the Iranian clergy, but is himself fighting to control his defiant children with their conflicting attitudes and religious beliefs. At the same time, Mahdieh is struggling to keep a secret: she is planning the escape from the country with her boyfriend. But as time goes by, the family situation grows even more complicated.

Mullah's Daughter

NR 2019