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A film inspired by one of Germany's most visited blogs. The author of the site www.notesofberlin.com, Joab Nist, posts pictures of real announcements, notes, information that people leave in the streets of Berlin. The film follows 15 genuine notes and protagonists. The result is 15 funny, tragic, fascinating episodes about people and the city they live in. Twenty-four hours from the life of the city. The story begins with a note attached to a street lamp, with the message “For one minute please just stand here in silence, look at the sky and contemplate how amazing life is”. Is it possible that only a very drunk young man notices the text and looks upwards? An extraordinary mood picture of present-day Berlin and a declaration of love for the city.

What is it like to be a black person in Germany? And what needs to change? DW's Jana Pareigis traveled across the country and met other black people living in Germany, including the artist Robin Rhose, and the rapper Samy Deluxe.

Winter 1968. Historian Dr. Dallow is released from prison. He is still trying to cope with and understand why he was put behind bars for 21 months for defamation of the state. His supposed "crime:" for five minutes he accompanied a cabaret chanson on the piano. The film shows what "ordinary socialism" was like, letting the audience feel the threat under which the people in the GDR had to live over many years.

A serial-killer is murdering the ladies of a night club. Detective Gray is seeking for the killer but can only find a lot of gangsters. And the killer is about to act again...

Loosely based on the notorious Richard Speck murders, this is the grim tale of a disturbed Vietnam vet returning home via Belfast, who invades a house shared by eight nurses and proceeds to terrorize and murder them.

A Dublin student writes a novel about a tavern keeper about the parishioners in his tavern (including the student), who in turn write novels featuring the innkeeper and the student, and other novel composers about other novelists.

A young man of property is engaged to two women at once.

Marketing student Emma Clark is looking forward to her semester break with her boyfriend Robert, which is to begin with a visit to her mother Maggie on the family's beautiful farm.

Consul Werle holds a reception in honour of the homecoming of his son Gregers. At the reception, Gregers meets his childhood friend, Hjalmar Ekdal, who is married to Gina, a former maid of the Werle family. Hjalmar is unaware that Werle had an affair with Gina and that their 14-year-old daughter Hedwig is not his child. Gregers moves in with the Ekdals with the intention of allowing unsuspecting Hjalmar and his family to share in the "happiness of truth". Hedwig is entirely devoted to a wild duck, which lives on a pond outside their house. When Hjalmar learns the truth about his daughter, he wants to leave his family. Gregers advises Hedwig to kill the wild duck so that her father, impressed by this sacrifice, will return home. On the following day, Hedwig's birthday, she doesn't shoot the duck, but shoots herself instead.

Director Miriam Pucitta grew up as the child of Italian migrant workers in Switzerland in the 1960s and 1970s. She herself has only fragmentary memories of this time; her mother and other relatives evade Miriam's questions. Together with her daughter Giulia, she researches her family's living conditions in Switzerland and finds a new understanding of her parents' difficult decisions.

On the eve of his wedding Daniel meets again with his true love-his identical twin brother Jan. For the last five years he's been running away from his feelings. Now, on his stag night he is being tested once more.

Heinrich Zentler is a successful man, both on football and in his legal career.

German-language version of "The Big House" (MGM, 1930), with Heinrich George in Wallace Beery's role, filmed by MGM parallel to the English-speaking version, at a time when good subtitles weren't yet in use.

Travelling between Germany, France, and Tunisia, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archival material. With openness and slight naivety, the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.

Expanded cinema with a real and a projected curtain. (This film is part of the 20 Action and Destruction Films.)

What do the Pope, a suitcase full of baking powder, four naive friends and the organ mafia have to do with each other? They are all part of a macabre and grotesque story with a lot of heart and a good dose of black humor. Sandpit friends Rico, Sigi, Dave and Glotze dream of cashing in big time. However, they hadn't planned on falling into the clutches of a drug baron and shady organ dealer. Their only chance is to play along with their adversaries - at least until they realize which heart really matters...

Darya Khrenova — a documentalist and the granddaughter of Ilya Trauberg, a successful apprentice of the great Sergey Eisenstein — is trying to solve the mystery of her grandfather’s death at DEFA studio, which he headed after WWII. During the process of the investigation she finds her family, gains more confidence, and takes up a challenge from her grandfather by directing feature films.

Based on the childhood memories of actor Michael Degen, the movie deals with the everyday struggle to survive as a Jewish boy in Nazi Germany. As his father had died in 1940 after being released from the Sachsenhausen concentration camp, Michael and his mother fear to be deported themselves. They manage to live in Berlin with false names and faked papers, hidden by several, often broken, people...

A comedy about the rivalry between two men from rather different parts of Germany, Bavaria and Prussia, a rivalry which extends from business to a rifle range when they compete in shooting.

Catherine is a young and sexually liberated girl with a boyish figure who lives with her older boyfriend Carlo, the author of erotic novels, in a seaside villa. There is also a maid there, with whom Catherine dallies on the side, lighting a fire under Carlo's creativity. A photographer named Ian is determined to take provocative nude photos of Catherine and, when Carlo is summoned to Rome on business, it seems his chance has come.

How can the flames of desire be rekindled after 25 years of married life? Izabela Plucinska’s erotic comedy, made entirely through the use of modelling clay, delves into the private lives of Alice and Henry, a couple in their fifties numbed by routine, who are holed up in a rococo-kitsch hotel room…

One year before the Berlin Wall fell, this silent black&white documentary from 1988 is a profile of West-Berlin: places and people, moods and locations; you eventually see "Checkpoint Charlie" still in function.

Weltbrand is the first part of the two-part silent movie Christian Wahnschaffe.

Figures in a side-scrolling landscape.

The lieutenant Fraser is expelled from the army for saving the honor of his Superior. Since this gratefulness uses him as chauffeur in his familiar mansion. There it knows Lady Claire.

When Marie’s boyfriend proposes to her in front of his entire family, she doesn't know what to say and flees to the countryside to think it over alone. But her thoughts accompany her. They sit around her in flesh and blood: Her mother pesters her with baby names, exboyfriends climb down trees and a woman in a sari narrates her life in poems. Her would-be fiancé eventually joins her, clashing his own luggage of thoughts with hers. But what if you show your thoughts to each other? How much honesty can a relationship take? In her first feature, director Zora Rux, an apprentice of Swedish filmmaker Roy Andersson, tells a surrealistic story of the search for one’s true self in poetic tableaus.

This whimsical tragicomedy short film portraits a fragment of an unusual mother-daughter relationship with strong, but somewhat headstrong women and a weird situational comedy.

The first feature film to represent the Holocaust from a Jewish perspective. Shot on location at Landsberg, the largest DP camp in U.S.-occupied Germany, and mixing neorealist and expressionist styles, the film follows a Polish Jew and his family from pre-war Warsaw through Auschwitz and the DP camps.

Ski racer, pioneer of the sports fashion industry, entrepreneur and filmmaker. Willy Bogner provides a very personal insight into his life, which had many glamorous highlights as well as dramatic changes in store for him.

The film comprises a total of six episodes: in each, the authors seek to highlight the personal problems and feelings of three French and three German female filmmakers.

After years of radio silence, Sharon Ryba-Kahn re-established contact with her father. She talks to him about his absence and his family. From the perspective of someone who belongs to the third generation after the Shoah, the director examines herself and her German surroundings.

Todor is in his early thirties and lives with his mother, reliant on her cooking, ironing, washing, and company. The comfort of this co-dependent lifestyle is suddenly altered one night when Todor arrives home late after an office party.

Martin Behrens is a Middle East expert for the German intelligence agency BND. He obtains information leading to a U.S. drone strike on a wanted terrorist in Zahiristan. A few days later, there's a terrorist attack on a restaurant – the video claiming responsibility calls it payback for the drone strike. Freelance journalist Aurice, with whom Martin was having an affair, is among the victims – she was investigating corruption at the heart of the BND. Martin soon has to realize that in a world where big corporations profit from arms deals as well as from homeland security contracts, good and evil are sometimes hard to tell apart.

We accompany a handful of teenagers on their forays into department stores, listen to techno musik, stand on the sidelines as a big kid picks on someone half his size. But the film has nothing of the usual voyeuristic sensationalism à la reality TV; it is rather a patently constructed, analytical montage of reality that opens out into times and spaces, and provides food for thought. Ghetto is divided into six loosely interwoven chapters. Each of the six chapters has its own coloring, its own pace and actors, its own treatment of the raw material. And each has its own distinctive scenery – interspersed shots of the geographical or architectural environment in which the young protagonists live. –First Hand Films

A dusty stretch of desert through which a Bundeswehr tank is struggling. The hungover Martin dozes off inside the vehicle. Suddenly shots ring out, grenades explode, and all of a sudden he is wide awake - and in the middle of a war ... Just a few hours ago, Martin was having a beer with his best friend Maddel, who was actually meant to be a soldier on this foreign assignment. But because Maddel is about to become a father, Martin goes to war for his buddy.

Hanni and Nanni are not only sisters, but also best friends. The twins are inseparable and always up to something. When they cause a wild chase through a department store, their wealthy parents have had it: They send the girls to the posh boarding school Lindenhof in order to teach them some manners. While sweet-tempered Nanni quickly makes new friends, the impulsive Hanni has a hard time accustoming herself.

When a wealthy man dies, his avaricious relatives look forward to inheriting all his money. However, he leaves a provision in his will that they all must spend a week together in his castle before they will be able to inherit anything. At the castle (which is cut off from the outside world), the relatives soon begin to be killed off one by one, each strangled with an Indian scarf.

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.