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M.B. MOVIE

At the beginning of the film, the filmmaker begins to talk to the camera. I don't know what kind of film I'm going to make, but I'm going to make it. The camera is set up in a room. He moves into a bigger room and tries to capture more of his everyday life, but eventually, he gets tired of playing with the camera alone and enlists three of his friends to join him in making three dramas. The filmmaker insists on showing a naked woman in the film, but before he can make up his mind, the camera returns to his room, where he struggles to make a film, and, unable to process it as his own expression, he calmly accepts his awkwardness. In this way, the audience can see the growth of the artist. In this two-hour film, the audience experiences unique complicity with the artist's growth.

M.B. MOVIE

5.0 1987
Nu River, a Lost Canyon

The Nu River Canyon is located in the northwest of Yunnan Province, China, bordering Myanmar and Tibet. The valley is inhabited by Lisu, Nu, Dulong, Yi, Bai, Tibetan and Jingpo ethnic minorities. This documentary film, filmed in 1986 and edited in 1989, describes in detail the holiday life and religious ceremonies of the inhabitants of the canyon. After the film was screened, it was highly praised by Jean Rouch, director of the French Film Archive. Awarded the Paris Anthropology Film Festival in 1990.

Nu River, a Lost Canyon

NR 1989
Hard Scandal Performance

A woman who runs a prosperous oden shop by herself. A report writer who is a regular there senses something is wrong with her, and becomes interested in the landlady, so he decides to interview her. Then, it turns out that the husband of the landlady, who was an employee of a top-class trading company, was murdered by a certain man. Moreover, the man is the older brother of the tigress-like woman who lives with him, and it seems that he will be released on parole soon. Using this information as bait, the report writer forcibly presses the landlady into having a relationship with her, but... A work depicting the negotiations between a woman who hides her past and a man who reveals it.

Hard Scandal Performance

2.0 1985
Wind. 1′40″

Impressionistic silent short film (also known as ‘Kaze. Ippun yonjûbyô’) created by 17-year-old high school student Shinozuka Tsutomu. The animation, which won the Debut Prize at the inaugural Hiroshima International Animation Festival in 1985, shows a group of samurai racing at breathtaking speed across golden meadows. The film stands out for its visceral sense of motion and extraordinary dynamism, as has been confirmed by jury member Kawamoto Kihachirō, who noted that you can almost feel the force of the wind. The focus on ‘wind’, speed and warriors elegantly evokes a famous military maxim by Sun Tzu: ‘Your swiftness shall resemble the wind’. It is the first of four tenets of Fūrinkazan (風林火山, lit. ‘Wind, Forest, Fire, Mountain’), a legendary Japanese battle standard drawn from Sun Tzu’s ‘The Art of War’. Warriors should also be ‘as calm and orderly as forests, as fierce as fire, and as steadfast as mountains’.

Wind. 1′40″

NR 1985
Yo-saek Yu-hi

The death toll is very high at the construction site of a villa. The villa's owner and on-site construction manager also meet their deaths. The reason for their deaths is that the refuge and freedom of their spirits are being infringed upon so they start taking their revenge on the people. The house becomes abandoned and haunted. A scientist couple from the U. S. comes to live in the house. The spirits start making trouble for them so the couple asks a powerful Buddhist monk to help them. The Buddhist monk talks with the spirits and finds out their demands. The couple ends up moving elsewhere.

Yo-saek Yu-hi

NR 1986
Sarushima Island with a Fort: Ruins and Graffiti

Sarushima Island lies off the coast of Yokosuka Port. In the late Edo Period the island was outfitted with artillery and in the Meiji period a fort was constructed by the Army. After Japan’s defeat in the war, it was opened as a sea park and young people began to make it a destination. Noda visited it to shoot in black and white in 1968, and in color in 1983. In excluding human figures from the screen and filming ruins and graffiti in their materiality, he experiments at creating a visual poem.

Sarushima Island with a Fort: Ruins and Graffiti

NR 1987
The Chinese

Originally produced in 1988 and 1989, but blocked from being released after June 4th. A large-scale Chinese documentary series that spanned 100s of interviews in nearly 20 provinces, cities, and autonomous regions. It was completed in early 1989, and each of its parts run roughly 50 minutes. The titles of each part: Family, Fertility, Farmers, Youth, Minority, Women, Artists, Kung Fu, and Mission. The series, according to production notes written by screenwriter Zhu Xiaoyang, "reflects the life and fate of contemporary Chinese people, their behaviors, concepts, and customs; explores the influence of traditional culture and foreign cultures on modern Chinese people; and describes the joy and hard work, hardship, and perseverance, as well as exploration and yearning, of the Chinese people." Youth, Kung Fu, Artists, and Minority are the only surviving parts of this series.

The Chinese

NR 1989