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Concord Ultimatum

"Originally intended as one scene in a larger work concerned with the metaphorical destruction of the viewer (through demolition of the camera), Concord Ultimatum unexpectedly became the occasion of the larger project’s demise. In addressing the camera mechanism itself as a subject, and even offering to exchange positions with it, this performance dismembered at one stroke most of the aporias of the materialist/structuralist position in film theory. On the other hand, this work revealed no point of access to the visual image; its situationist grounding in a particular structure of events, which placed voice and performance at stage center, simultaneously won me over to the video medium and stripped me of visual tools (until Combat Status Go)."

Concord Ultimatum

NR 1977
Lovey: A Circle of Children, Part II

A sequel to "A Circle of Children" (1977). A teacher of "emotionally disturbed" children takes on a new student who is considered to be "untrainable" by public school authorities, psychiatrists, and medical doctors. Even the child's own mother, who is very loving, does not have the tools to reach her "hopeless" child. This is the further story of a teacher who understood what it was like to be eight years old and hurt and angry and confused; a teacher who saw these children for who they were, rather than who they seemed to be.

Lovey: A Circle of Children, Part II

7.5 1978
Black Sabbath: California Jam

It was this now legendary appearance at California Jam I that would expose Black Sabbath to many mainstream American television viewers via ABC-TV. The band appeared alongside such acts as Deep Purple, Emerson Lake & Palmer, Rare Earth, Seals & Crofts and The Eagles It was originally broadcast on ABC’s ‘Wide World in Concert’ series, which aired three songs from Sabbath on May 24th, 1974 – and later rebroadcast this segment in November ’74. This footage has never been commercially available, aside from one clip of “Children of The Grave”. The entire show was recorded as a soundboard audio, but apparently only these four songs were captured on video. Track Listing: Intro-Footage of the band arriving, Children of the Grave, Post-show interview with Ozzy, War Pigs, Paranoid, Killing Yourself to Live. (Order may differ based on source.)

Black Sabbath: California Jam

NR 1974
Parks and People: Dope

The transcript discusses the prevalent drug culture, particularly marijuana use, among youth in national parks. It highlights the perception that marijuana is less harmful than harder drugs and reflects on the challenges park rangers face in enforcing drug laws. While acknowledging the existence of drug trafficking, the narrative emphasizes that marijuana use is often seen as a minor issue compared to alcohol consumption or harder narcotics. The conversation also touches on the need for a more nuanced understanding of drug use, suggesting that current laws may be overly stringent and not reflective of societal attitudes.

Parks and People: Dope

NR 1970
Some Aspects of Cape Verdean Culture

"Some Aspects Of Cape Verdean Culture" is a re-discovered and restored documentary shot in 1975 in cape verde at the time of independence by pioneering video artist Anthony D. Ramos. This was some of the earliest video work by ramos, who received a 1975 grant from the Rhode Island Council for the Humanities for travel to Cape Verde and a sony color 1/2" reel to reel video camera . Ramos , a cape verdean american, traveled to the islands of Sao Tiago, Fogo and Sao Vicente , and was the only american camera to capture the historic end of 500 years of Portuguese colonial rule. Over eighty hours of video were shot, and efforts are currently underway to raise funds to restore and transfer the rest of videos in this valuable archive.

Some Aspects of Cape Verdean Culture

NR 1975
Dog Duet

"In the piece we see the two dogs staring at the camera in a dark room. Their eyes are intently following something off camera. Sometimes their head movement is pull into the action as they crane to follow the whatever it is in various left right and up down directions. At one point the action seems to stop and the dogs begin to blink in syncopation. At this point Hooka settles down into a lying position but Man Ray remains riveted. Towards the end piece the dogs crane to look behind them and at one miraculous moment their motions counter each other. At the end we see the object of their attention…in my hand, a tennis ball."

Dog Duet

NR 1975
Labyrinthe

Shot during Mary Stephen's time in Canada, Labyrinthe is an experimental spellbinder. Two girls, one Caucasian and the other Asian, are dressed in identical attires, loitering in, bumping along and leaping up and down labyrinth-like cross-cutting corridors where religious and social contexts overlap. Traversing between art and intellectual spheres of East and West, Stephen and her co-directors put their finger on the pulse of the paradoxes that underlie a dual cultural identity.

Labyrinthe

NR 1973
Inside San Quentin

San Quentin State Prison (SQ) is a California Department of Corrections and Rehabilitation state prison for men, located north of San Francisco in the unincorporated town of San Quentin in Marin County. San Quentin opened in July 1852, it is the oldest prison in California. The state's only death row for male inmates, the largest in the United States, is located at the prison. It has a gas chamber, but since 1996, executions at the prison have been carried out by lethal injection, though the prison has not performed an execution since 2006.

Inside San Quentin

NR 1976
Teaching a Plant the Alphabet

“[A] rather perverse exercise in futility,” this tape documents Baldessari’s response to Joseph Beuys’s influential performance, How to Explain Pictures to a Dead Hare. Baldessari’s approach here is characteristically subtle and ironic, involving ordinary objects and a seemingly banal task. The philosophical underpinnings of Baldessari’s exercise are structuralist theories about the opaque and artificial nature of language as a system of signs. Using a common houseplant to represent nature and instructional flashcards to represent the alphabet, Baldessari ironically illustrates this theorem. That language is the structuring element of the tape—the length of the tape was determined by the number of letters in the alphabet—enforces the connection between language and art, a recurrent theme in Baldessari’s work.

Teaching a Plant the Alphabet

NR 1972
The World of Sid & Marty Krofft at the Hollywood Bowl

The special consists of a series of performances and skits based around the shows of Sid and Marty Krofft. Johnny Whitaker hosts the show and performs "Friends," the theme song from Sigmund and the Sea Monsters. Jack Wild appears as Jimmy, who searches high and low for his friend H.R. Pufnstuf (Van Snowden). H.R. Pufnstuf 's resident villain, Wilhelmina W. Witchiepoo (Louise DuArt, substituting for Billie Hayes) and Lidsville 's wacky magician Horatio J. Hoodoo (Paul Gale, substituting for Charles Nelson Reilly) each showcase their unique magic talents. The Brady Bunch Kids perform a medley of songs, though they would not appear in a Sid and Marty Krofft TV production until The Brady Bunch Hour in 1976.

The World of Sid & Marty Krofft at the Hollywood Bowl

8.0 1973
Silent Partner

In effect, it turns the spectator loose in a problematic textual system which includes both narrative and non-narrative clues; the puzzle cannot be resolved because its terms are systematically ambiguous. The actual filmic material related closely to that used by Gidal in previous films: hand-held shooting in domestic interiors, with tight framing, frequent zooms and re-focusing, aspires to a kind of 'pre-predicative' flux, in which full representation is held in abeyance. However, this material is now fragmented by the regular interruption of black leader, so that it appears as a series of discrete segments which are not, in any syntactic sense, shots - single takes clearly extend across more than one segment.

Silent Partner

1.0 1977