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Out of Blue

Mike Hoolihan is an unconventional New Orleans cop investigating the murder of renowned astrophysicist Jennifer Rockwell, a black hole expert found shot to death in her observatory. As Mike tumbles down the rabbit hole of the disturbing, labyrinthine case, she finds herself grappling with increasingly existential questions of quantum mechanics, parallel universes, and exploding stars. The hunt for a killer draws a detective into an even larger mystery: the nature of the universe itself.

Out of Blue

5.1 2019
Winter Solstice

When Elfrida Philips abandons London for a country village, she settles in quickly. She is very poor, but has a tiny cottage, her four-legged friend Horace, and friendships of good neighbors. Tragedy upsets her newfound tranquillity, and she takes refuge in a rambling house with a new gentleman friend in Corrydale. But the group proves to be greater than the sum of its ill-fitting parts, and as the solstice passes, and as Christmas approaches, the healing power of love, begins to work its magic. (Filmed at Dunrobin Castle, Golspie, Sutherland)

Winter Solstice

7.2 2003
Clarkson: Shoot-Out

2003 has been the best year for new cars ever. But I’m not interested in reliability, fuel consumption or even cup holders. This is all about finding the car of the year that put the biggest smile on my face.....It’s all about excitement... So I put the Bentley Continental GT head to head against the Rolls Royce Phantom in a heavy metal drag race. I pitch the Mitsubishi Evo VIII against its old enemy the Subaru Imprezza Sti. I choose the best road car you can use on a track and the contenders are the Lotus Elise, the Vauxhall VX220 Turbo and the new TVR350C. There's a supercar showdown between the Pagani Zonda and the Koenigsegg. And I throw down the gauntlet to the Lamborghini Gallardo, the Aston Martin DB7 GT, the Porsche GT3 and many, many more. I also found time to put a new spin on the art of caravan towing - flipping one on to its roof and hooking it up to a super fast Overfinch Range Rover. In fact, I had so much fun...I’m still smiling now. I'm sure you will too.

Clarkson: Shoot-Out

4.0 2003
Jesus Christ Superstar

Tim Rice and Andrew Lloyd Webber's Jesus Christ Superstar first exploded onto the West End stage in 1971 and it was clear that the musical world would never be the same again. For the first time ever, Jesus Christ Superstar has been specially filmed for video. Shot at Pinewood Studios, this brand new filmed stage version starring Glenn Carter and Rik Mayall captures one of the best score Andrew Lloyd Webber has ever written and is packed with hit songs including, 'I Don't Know How To Love Him', 'Gethsemane' and 'Superstar'.

Jesus Christ Superstar

7.0 2000
Dick Barton at Bay

David Phillips (Patrick Macnee) is running down the darkened streets of London's Limehouse district, pursued by two men with guns. He finds a public phone and puts a call through to Dick Barton (Don Stannard), but before he can report, a shot rings out. Barton must piece together what Phillips found out that got him killed. Phillips had been assigned to protect Professor Mitchell (Percy Walsh) and his new development, a ray capable of exploding any unstable element aboard an aircraft in flight. Mitchell has been targeted for kidnapping by Serge Volkoff (Meinhart Maur), a foreign agent from Eastern Europe, as part of a larger, much more sinister plot to destroy England and cripple Western Europe. Complicating matters further is that Mitchell's daughter (Joyce Linden) has also been kidnapped, and Barton must contend with Volkoff's crafty female companion Anna (Tamara Desni).

Dick Barton at Bay

4.3 1950
The Marriage of Figaro

Live from Glyndebourne 1994. The first production to be filmed Live in Glyndebourne´s new opera house May 1994. The Marriage of Figaro is a continuation of the plot of The Barber of Seville several years later, and recounts a single “day of madness” in the palace of the Count Almaviva near Seville, Spain. Rosina is now the Countess; Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself; and Count Almaviva has degenerated from the romantic youth of Barber into a scheming, bullying, skirt-chasing baritone. This follows the Count trying to obtain favours from Susanna, Figaro’s bride to be, under the nose of the Countess.

The Marriage of Figaro

8.5 1994