In this experimental short is part of Frieda Ekotto’s visual research project Vibrancy of Silence: Archiving the Images and Cultural Production of Sub-Saharan African Women on African women as the unsung heroines of artistic and cultural production.
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In this experimental short is part of Frieda Ekotto’s visual research project Vibrancy of Silence: Archiving the Images and Cultural Production of Sub-Saharan African Women on African women as the unsung heroines of artistic and cultural production.
A young woman walks out of a building. Enter and go down a staircase. There is a knock on the door, a man is waiting for him sitting at the desk of a small and badly lit office. He offers her a coffee. Start asking questions. The woman will discover a bitter truth.
The tomb of Pharaoh Aj-men-Ra has been plundered by his discoverers and now his soul cries out for revenge. Participated in the XXº Festival "Buenos Aires Rojo Sangre", 2019.
Filmmaker Festival Walking Cinema Project.
Triptych in which we meet a transwoman in Honduras, a transman in Vietnam and a transgender non-binary person in the Netherlands. The film is a positive movement towards openness, inclusiveness, dignity and recognition.
Endowed with unmistakable magnetism, boundless energy, leadership and a passion for everything he did, Roberto "Bob" Bissonnette dared to create his life according to his vision, independently. From his hockey career, where he was captain of the Hull Olympics, as well as the 10th most punished player in the history of the Quebec Major Junior Hockey League (QMJHL), to his career as a songwriter and singer he attracted crowds everywhere in Quebec, in French Canada and in several European countries. His tragic death in a helicopter crash at the age of 35 caused a shock wave.
Through the creative and philosophical journey of three steamers, this film offers a fascinating incursion into the heart of an international artistic community, inspired by science fiction and the Industrial Revolution. More than just a portrait, it invites us to reflect on our own modern life and relationship to technology.
Presented on a 3-D immersive interactive projection stage, this bio-digital play is set in a visually charged universe of decadence inspired by Francisco Goya's Los Caprichos paintings. Featuring live actors and digital avatars, the story is about the last day of a blind poet, Max Starpower. The project is a universe where tragedy, sarcasm, and comedy are portrayed as a deformed and apocalyptic mirror of reality; In this world, circumstance is the source of tragedy, and the grimace produced by this tragedy is what rules its form.
Claudia, a trans-Chilean midwife, remembers the hardest and most difficult moments she had to face in order to live her identity. The documentary tells her history, her struggles and the constant abuses she had to live on a society that still excludes those that are considered "different".
This is the sound recording of the interview that Michael Snow, filmmaker, sculptor, photographer and visual artist, gave to Gérard Courant for the magazine Art press, published in February 1979, in its number 25. A great connoisseur of the Canadian artist's work and one of the first to pay tribute to him in 1973 in the magazine Zoom, Noël Simsolo accompanied the two filmmakers at the beginning of the discussion.
Agnes is an old woman, half paralized due to a ictus who lives in her memories: fetishes that are protected by plastic canvas because nothing, even time, can hurt them. Joanna, her caretaker, has arrived in Italy from Russia, the dream of a better life broken by the overwhelming reality that relegated her to the most humble of the works. The two live as strangers, but an unexpected event will break their fragile equilibrium and Agnes will have to face her limits and loneliness.
Today I became a man like my father, I go to meet him to find out what has kept him abroad for so many years without sending us any news, without providing for his children, his wife, without coming home…
Bricomonge is closing down! A son films his father during the last months preceding the closure of his hardware store, giving him an opportunity to question his father about his past and his life choices. The son tries to understand what led his Maoist activist father of the 60s–70s—the intellectual graduate—to sell nails.
A domestic space dissolves into textures, shadows, and tiny apparitions. Shot on a DCR-SR58E digital camcorder.
Moth follows 8-year old Mabil as she escapes the troubles of her family with her vivid daydreams and imaginary moth friend. However, her fantasy is interrupted when she is forced to face her family past and put an end to her fantasies.
The times are fueled by anxiety, and our tweets will not say the opposite. A feeling of the end of the world hangs over our economic model. The frustration, for those who feel it, seems inevitable. The question of meaning has never been so acute. It’s time to talk about it, and who knows, to find answers.
Inès tries to turn her recent break-up with her boyfriend into an opportunity to meet other people. While Pierre Fourchard makes the bodies twirling and the hearts singing.
Luke Tyburski is no stranger to extreme endurance challenges, and the 500 Man triathlon was just that, an extreme challenge but this time he wasn't alone.
A behind-the-scenes look at the development of The Surge 2 - the story of how Frankfurt-based Deck 13 created its own engine - Fledge - and enhanced/refined it for this new release. It's an in-depth look into a modern rendering engine and the new features added for the game.
Short film featuring digital technology about crowds and demonstrations.
When a girl walks out of her house, objects come to life. Some coins are followed by a purse, dices have a fight among themselves, a thirsty glass looks for some water. Those objects try to live their lives dealing with all this "tiny matters".
A jobless young lady has to return to her mother's home, a trailer parked in the forest.
Part one starts with an overview of the prehistory of moving images in the 19th Century: Zoetrope, Phenakistiscope, Chronophotagraphy etc. until the invention of the Cinematograph and Kinetograph/Kinetoscope. The second part will be devoted to the Brothers Lumiere following 20 of their amazing documentaries between 1895 to 1905. The third part is a new interpretation of A TRIP DOWN MARKET STREET, San Francisco 1906.
Enter Shikari Russia Tour Documentary
The heavy metal detox becomes an aesthetic paraphrase on the removal of dental fillings in the latest film by Austrian artist and filmmaker Josef Dabernig.
History and the present converge on Amsterdam's canal belt. Along the canals, the film delves into Amsterdam's heyday in the 17th century and shows how the ingenious canal system continues to shape life in the port city to this day. The documentary looks behind the walls of the magnificent gabled houses, meets one of the last bridge keepers, travels with the floating post office and a flying canal trader, and shows alternative ways of living and working in houseboats and on former shipyard sites. The film portrays Amsterdam as a city that was built by globally active merchants and has not lost its innovative power to this day. Young creatives are conquering old industrial sites and transforming them in innovative ways. For example, by detoxifying chemically contaminated areas with the help of weeds. The concept is called phytoremediation.
Carolina has dreams about a monstrous creature. When she wakes up she feels safer, but the nightmare persists.
Poor No-No! He thought today was going to be just like any other, with a good picnic and a long afternoon nap. But everything is turned upside down because of a sudden gust of wind and a packet of crisps stuck in a huge tree.
The Department for Work and Pensions (DWP) is under more fire than ever in its continued attempts to save money. For 55-year-old Sean, every call means another hoop to jump through to prove his disability.
30 years after the fall of the Romanian dictator Ceausescu in 1989, we get a reconstruction of one of the most violent events during the fall of the communist regimes. The investigation exposes the gray areas of a coup d'état sparked by the ex-communist elites under the guise of a people's revolution. And zooms in on the role of the media in the mock trial and execution of Nicolae Ceausescu and his wife Elena.
A young man is confronted with the abyss of his soul and becomes more and more enslaved by insanity.
The parking-square designed by Maurizio Sacripanti in Forlì has over time garnered quite a few problems with the population of this city in Romagna. This film brings the Roman architect's project back into a perspective open to the unexpected.
A man wanders the streets of Bogotá haunted by a painful memory: the disappearance of his son. Guilt and loss of purpose make him a ruminant.
Over the course of three interrogations, a man discovers a hidden truth to his existence.
Moriya is a small city of Japan surrounded by the immense Tokyo and other important cities, but its humility hides its great beautyness. Chris Jiménez visit the downtown apart from its rivers, sanctuaries, parks and beautiful landscapes.
Bettany Hughes investigates the enduring relationship between warfare and worship, by following the trail of Mars, from Rome and Carthage to the present day.
The Arhuacos are the guardians of the forest and the ice of Colombia highest mountain, the Sierra Nevada Santa Marta. They draw from this unique environment a preserved and singular spirituality. For the first time a director was invited to visit the heartland of the sacred mountain. Hick tells the story of resistance which is a voyage through space and time: from the shores of the Caribbean to the stars that light up the night on the glacier and from the encounter with the first colonizing whites to the return of the warriors following FARC's laying-down of arms.
Made in 48 Hours for the London Sci-Fi 48 Hour Challenge.
A biblical interpretation of airline safety instructions.
Europe, the rule of law and host countries? Look elsewhere denounces what is happening in many European cities by taking the example of Calais. From the expulsion from the "jungle" in October 2016 to the situation there a year later, Arthur shared moments of life with men and women of Sudanese, Afghan, Ethiopian, Eritrean and local descent of Calais. By highlighting the gap between the field and the official speeches, this film shows us the strategy put in place to dissuade the exiles from staying. With original filming methods and his civic gaze, the director has managed to film the state harassment, the media staging, but also the strength and humor of the exiles.