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Positano

Positano is an island of the Amalfi Coast that Neptune would have, according to legend, created for the love of a nymph. Perched on the rocks of the island, the house of Frédéric Pardo and Tina Aumont became in 1968 a meeting place for the underground community. Pierre Clémenti stays there for a while and makes images of dazzling sensuality. Beyond Pierre Clémenti's intimate love of these faces and bodies often naked in this Mediterranean landscape, the film reveals the moving beauty of a utopia where living together could still be achieved in a territory of sharing and permanent creation. Flow of perceptions of consciousness, visual impressions, physical impregnations, the work of Pierre Clémenti is an ode to sensuality and "life-cinema".

Positano

5.0 1969
Frederic Rzewski eats spaghetti at Carlone Via della Luce 55

The composer Frederic Rzewski ordered a film from Gerd Conradt for his piece “Selfportrait”. The film was supposed to be shown while he was playing his piece of music, he didn't want to be seen. The film shows Frederic Rzewski sitting down at the table in the Trattoria Carlone in the Trastevere district of Rome from a bird's eye view. He orders wine, salad and a portion of spaghetti. We watch as he eats, pays, gets up and walks out of the picture. All in one setting.

Frederic Rzewski eats spaghetti at Carlone Via della Luce 55

NR 1967
Fire of Love

Maroîs, the fairground bon vivant, spends most of his time around a bottle of wine, in the company of his friend Michaux, with whom he was once a sailor. He neglects his wife Monique, a pretty girl much younger than himself. Suffering from this indifference, she seeks imperfect and fleeting consolation, first from Michel, their friend's son, then from Jean-Louis, a young mechanic who has helped out with Maroîs' truck and won his trusting friendship. Michel, jealous, tells the showman of his misfortune. He leaves to kill his wife's lover. The latter, wishing to separate the antagonists, seriously burns herself by knocking over an autogenous welding block, which explodes. Taken to hospital, she asks for and receives her husband's forgiveness.

Fire of Love

3.3 1967
Jean Cocteau Addresses the Year 2000

In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead.

Jean Cocteau Addresses the Year 2000

6.4 1962
Musik ist Trumpf

The young musician Ralph Osterwalder, born in Bern in 1922, is tired of working in a big band. He dreams of a small, flexible ensemble. In 1944, he founded his own combo in a hotel room. In 1949, fierce disputes arose. The newly founded Hazy Osterwald Sextet, featuring Sunny Lang, Dennis Armitage, Curti Prina, Werner Dies, and Johnny Ward, soon made international music history. Fast-paced, catchy music, interspersed with humorous show interludes, became the band's unmistakable trademark.

Musik ist Trumpf

5.0 1961
La bellezza di Ippolita

Luca, a petrol dealer, marries a magazine dancer, Ippolita, a girl who likes to be courted by the many passing motorists. One day, the woman discovers that her husband has betrayed her with Adriana. Ippolita decides her revenge: she assures Luke that she will keep her duties as a wife only when she too has allowed herself similar distractions. Through a series of animated events, the two resume married life: but Luca will not be able to know if Ippolita was really unfaithful to him.

La bellezza di Ippolita

6.0 1962
First Taste of Love

Lucien, a modest engineering student, discovers that his steady girl friend Mireille is using him to cover up her dates with Mario, an older man. Lucien wanders about the streets of Paris and meets Joëlle, a sophisticated teenager who supports herself with a job in a sleazy nightclub. It is late when they meet, and Joëlle invites Lucien into the club and demonstrates her stripping act to her one-man audience. A feeling of rapport develops as they go from place to place seeking entertainment; in the morning the two discover they have fallen in love. Mireille learns of the romance and, on a bet, plots with Philippe and other friends to break up the affair. Neither Lucien nor Joëlle, however, succumbs to the propositions of Mireille and Philippe. Later at a nightclub, Mario gives the appearance of seducing Joëlle. Enraged, Lucien rushes at him and they fight. Lucien is reunited with Joëlle--he has learned of the complexities of love, and she has acquired from him a sense of stability.

First Taste of Love

8.0 1961
La Cousine Bette

Élisabeth Fischer, a farmer's daughter and cousin of Adeline Fischer, now Baroness Hulot d'Ervy, has been furiously jealous of the latter since their early childhood. After arriving in Paris as a passementerie worker, she set out to harm the Hulot d'Ervy family by any means necessary. She pushed the Baron into debauchery and tried to destroy the relationship between his niece Hortense Hulot and Wenceslas Steinbock. But her schemes bring her no satisfaction, and she dies of rage.

La Cousine Bette

6.7 1964
Trio

The lives of three young people in their teens are linked through their experiences in this drama from director Gian Franco Mingozzi. A girl wins a pop singing contest and begins a successful career, at the same time taking on various lovers, discarding them at whim with no regard to their feelings. A curious teenage boy spies on the lonely bachelor who lives across the street and observes that he always has a handful of bills, so the boy decides to rob him. When the boy can't go through with the crime, he seeks out the bachelor to teach him something about life that the teen feels he is missing.

Trio

10.0 1967
Diamonds Are Brittle

Bernard Noblet is a modest bank clerk with a passion for billiards. His fiancée Juliette, a schoolteacher, dreams of one day living the high life, and his best friend Roger, a little-known inventor, is equally despairing. After careful consideration, a solution emerges: a cleverly organized hold-up will enable them to live in luxury for the rest of their lives. Bernard soon makes the acquaintance of Bettina and her mother, Madame Ralton, professionals in the "heist" business.

Diamonds Are Brittle

4.8 1965
Dialogue with Che

In 1967, José Rodriguez Soltero made “Dialogue with Che” (1968), starring Venezuelan artist, actor, producer and dancer Rolando Peña as Che. Warhol superstar Taylor Mead is also featured, in the role of a CIA agent. “The film was partly underwritten by Andy Warhol, who gave a check to cover lab fees. "Dialogue..." was seldom shown in the States - it is entirely in Spanish - but had some life in the European screens. It had a modest run at the Cinémathèque Française, where it was championed by Marie Meerson and Henri Langlois, and played at the Berlin Film Festival in 1969. Historically, it has been shown with two prints projected side by side, the second screen starting with a 3-minute delay. --Film-Makers Coop

Dialogue with Che

5.0 1968