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Mord auf Rezept

Thriller about an accident victim with amnesia who may have been working as a hitman for his rescuer... After an accident, nurse Noah frees a stranger from his car. He steals the man's wallet, finds a room card inside, and drives to the hotel in the hope of finding more loot, where, to his amazement, he discovers a photo of himself and a gun. Noah feverishly searches for reasons why the man might have been targeting him. The stranger is of little help: since the accident, he can't remember anything.

Mord auf Rezept

5.0 2007
The Grand Prix

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

The Grand Prix

7.0 1944
Putin and Trump · Best of Enemies?

Vladimir Putin and Donald Trump — one the President of the United States, the other the President of Russia. Two men at the pinnacle of global power whose relationship keeps the world on edge. One a former businessman, the other a former KGB agent. Both have been active in politics for years. What drives them? The struggle over a possible ceasefire — or even peace — in Ukraine brought the two together last summer in Anchorage. But the question remains: who wants what? And who is succeeding with what agenda?

Putin and Trump · Best of Enemies?

NR 2026
Hollywood's Second World War

For the USA, World War 2 was an all-out war - to mobilize the masses, the US government launched a huge propaganda campaign and cinema, the medium of the masses, was quite simply their most important weapon. Government authorities monitored the production of feature films and the military itself produced documentaries aimed at rallying the American people to support the troops. This film tells the story of four Hollywood directors of European origin, who returned to the "Old World" during the Second World War to make propaganda documentaries for the US Army at the front: William Wyler from Alsace, Frank Capra from Italy, Anatole Litvak from Ukraine and - in post-war Germany - Billy Wilder from Austria.

Hollywood's Second World War

8.0 2019
Nur eine Handvoll Leben

Thomas and Annette Winterhoff form a modern blended family with their two daughters from their first marriage. The birth of a child together should make their happiness perfect. But then Annette receives the devastating diagnosis: trisomy 18. While Thomas - himself a doctor - does not want to have the child because he does not want to expect his ten-year-old daughter Eva to lose her little sister, Annette feels that the child she wants is right in her body feels. The young family faces a crucial test. Can a short life be worth living? A difficult decision-making process begins.

Nur eine Handvoll Leben

6.7 2016
The Visible and the Invisible

Mary and Marquard are painters and lovers, with a common life. Once Marquard gets a prize of a considerable sum of money, his artistic creativity wanes. While Mary works in a series of paintings, Marquard visits his friend Gregor, a horse breeder and philosopher, sleeps with Angie and visits repeatedly her daughter Lucia. Marquard and Lucia, who have begun a tender and compassionate father-daughter relationship, spend two days in a seaside hotel, deciding not to speak in words. The feelings and communication emerge from a very special way. Mary, who does not know the whereabouts and the reason of the absence of Marquard, realizes it by herself: their love is over. Then, she abruptly interrupts her work so far and starts a new painting entitled "The visible and invisible."

The Visible and the Invisible

5.0 2007
Paris Casino

Catherine Miller's triumph at the Casino de Paris leads fashionable playwright Alexandre Gordi to ask her to create his next play. Flattered, Catherine moves into Gordi's villa near Cannes, escorted by her entire family. Only Jacques Merval, Gordi's secretary, disagrees. This is understandable, as it is he who writes the plays that Gordi, rather tired, simply signs. Jacques is a one-man band in every sense of the word, allying himself with the Casino manager to bring Catherine back to her music-hall successes. Despite a few clouds, and thanks to Gordi's generous intervention, he succeeds. Wasn't his only thought the happiness of the woman he loves?

Paris Casino

6.4 1957
I Often Think of Piroschka

Andreas, a young German student comes to Hungary on an exchange programme. In the Hungarian village he falls in love with the stationmaster's daughter Piroschka and spends much of his time with her. They have an enchanting summer until Andreas gets an invitation to join another young woman at a nearby resort. Piroschka is jealous and follows him there, causing trouble. It takes a long time for Andreas and Piroschka to even talk to each other again. When Andreas has to leave Hungary at the end of his holiday, he is determined to return some day.

I Often Think of Piroschka

7.2 1955
Lang Lang at Carnegie Hall - Concert Great moments in music

At the beginning of the 20th century, the young Chinese pianist divided music lovers: some praised his desire to popularize classical music, while others mocked his “showman” side. In 2003, Lang Lang's recital at Carnegie Hall was his baptism of fire. A star was born... This concert also gave the musician the opportunity to break free from his ambitious father, whom he invited to play on stage with him at the end of the concert.

Lang Lang at Carnegie Hall - Concert Great moments in music

NR 2003
Rosenstrasse

When Ruth's husband dies in New York, in 2000, she imposes strict Jewish mourning, which puzzles her children. A stranger comes to the house - Ruth's cousin - with a picture of Ruth, age 8, in Berlin, with a woman the cousin says helped Ruth escape. Hannah, Ruth's daughter engaged to a gentile, goes to Berlin to find the woman, Lena Fisher, now 90. Posing as a journalist investigating intermarriage, Hannah interviews Lena who tells the story of a week in 1943 when the Jewish husbands of Aryan women were detained in a building on Rosenstrasse. The women gather daily for word of their husbands. The film goes back and forth to tell Ruth and Lena's story. How will it affect Hannah?

Rosenstrasse

6.4 2003