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Johnny the Partisan

After the 8th September 1943 north of Italy is occupied by Germans. Italian army collapsed and the soldiers are escaped to the mountains trying to set up a resistance. Many civilians did the same and Johnny, an English literature student, is among them. Johnny avoids to band together the red partisans (communists) and tries to be part of the azure bands (former regular soldiers). But in both cases he is deluded by the partisan bands and discovers that the partisan war is less poetic and genuine that he thought. At one point anyway the partisans free Alba from Germans. When the city falls again in German hands Johnny escape with Ettore and Pierre. But, one after another, German army and Italian fascists captures the partisans and Johnny will pass the winter alone and isolated. He then finds the way to participate to one of the last attack to occupants, in fact the war will be over two months later.

Johnny the Partisan

6.1 2000
Viper

Viper is the nickname Leone, a blacksmith in a small Sicilian village, gave to his wife, who ran off with another man. The war ends: the fascists disguise themselves first as communists and then as Christian Democrats, and the poor survive by dancing and drinking. Leone's daughter Rosetta becomes pregnant; Leone dies, and the newborn (named Fortunato) is taken from his very young mother, who ends up in an institution. When Rosetta comes of age, she is reunited with her "witch" mother and her son.

Viper

4.3 2000
The Old Man Who Read Love Stories

In El Idilio, a village on the banks of a river in the Amazon rainforest, Antonio Bolívar, known to everyone as "The Old Man," lives a recluse. One day, Antonio begins reading the romance novels that the traveling dentist Rubicondo Loachamin brings him to pass the time. He shares this occupation with a beautiful local girl, a waitress and prostitute, named Josefina, with whom he ends up falling in love. But all does not go smoothly when Antonio is forced to go on a hunting trip.

The Old Man Who Read Love Stories

6.7 2001
Rossini: La Cenerentola

"Irresistible" (Opera News) rising-star mezzo Elina Garanca triumphs as Rossini's Cinderella in this delightful Metropolitan Opera production. "As close to pure joy as you will find in a big-time opera house" (New Yorker), conquering audiences and critics alike, "Garanca has a gorgeous voice that she uses with exceptional skill, melting tenderness; but when the part calls for coloratura fireworks, she unleashes a flawless technique and ringing high notes of impressive power" (Associated Press). Filmed in High Definition Widescreen.

Rossini: La Cenerentola

3.3 2009
The Wedding Director

Franco Elica is a film director casting a remake of a pious melodrama in Rome. He's melancholy, heading south for a break. On a beach, he meets a man who films weddings and is roped into helping film the wedding of the daughter of a severe and imperious prince. The wedding is one of convenience - the prince needs money, the groom is a mama's boy. Elica is attracted to the bride, Boda, and tries to convince her not to marry. No matter how outrageous his behavior, the prince keeps Elica on as the wedding director. As the wedding approaches, what's real blurs with Elica's imagination. Is he mad?

The Wedding Director

6.0 2006
Salvatore. Questa è la vita

Salvatore is a young orphan, living in Sicily with his little sister and his grandmother; after loosing his father in a tragic way he quits school and starts working as a fisherman and a farmer in order to support his little family. The Social Services soon discover the situation and resolve to put Salvatore in an orphanage, parting him from his family. Only a young, idealistic teacher (Enrico Lo Verso) tries to help him, going everyday after school to his house, to teach him the lessons he misses in the morning and to work with him in his greenhouse or on his fishing boat.

Salvatore. Questa è la vita

7.0 2006
Senza Paura

Gian Maria and Marco, two boys from Rome's wealthy neighborhood, decide to rob a bank using a cutter because it isn't detected by the metal detector. They involve Antonio, the son of a tire dealer from the South, and Paola, who they caught pickpocketing a man, in the venture. After the success of the first robbery, which brings in eighty million, the boys get excited and decide to continue. The police have trouble identifying them because with their elegant way of moving they know how to blend in well with the bank customers. Everything goes well, but then Marco invites Manuela to a party after meeting her during a robbery. So Gian Maria, to avoid fatal mistakes, decides to commit an armed robbery.

Senza Paura

7.0 2000
Alexandra's Project

Steve is a man who has it all, a successful career, wonderful children, beautiful home and a loving wife. However, returning to his home after work on his birthday, he finds his house deserted and darkened with almost all the lightbulbs missing, all easy access outside cut off and a videotape waiting for him. Playing that tape, he watches a bizarre and grueling recording in which his wife explains her grievance with him, her reasons for disappearing with the children and her revenge for how he treated her in a way he would never forget.

Alexandra's Project

5.9 2003
The Met — Tosca

Puccini’s musical thriller of lust, murder, and politics is one of the most dramatically riveting operas in the repertoire. Luc Bondy’s production, with sets by Richard Peduzzi and costumes by Academy Award-winning designer Milena Canonero, opened the Met’s 2009–10 season. Karita Mattila stars as the beautiful and dangerously impulsive singer Floria Tosca. Marcelo Álvarez is her lover, the painter Cavaradossi, a political enemy of the powerful chief of police, Scarpia (George Gagnidze), who wants Tosca for himself.

The Met — Tosca

NR 2009
Across the border

Turin 1993. The architect Agnese is called to the home for war veterans where her ailing father lives. The doctor at the home has left his guest, a Bosnian refugee, on night duty with her father. The commanding officer of the veterans home, a colonel, has discovered the undocumented refugee, Reuf, and has had him arrested. Agnese, who would rather not get involved with refugees, becomes better acquainted with Reuf and is drawn into events which eventually take her to Bosnia. On this journey, she begins to recall her childhood directly after WWII. Experiences made during the two wars converge and the wheel of history turns, without failing to leave its mark.

Across the border

7.0 2004
A Prince Called Toto

Totò, the mythical comedian of Italian stage and screen, was the illegitimate child of a noble man in one of Naples's poorest neighborhoods. As a child, he enlisted in the army simply to eat three square meals a day. Later, his dizzying success in show business brought him riches he had never dreamed of, plus stories of love and jealousy, the most important being with 16 year old Diana who eventually became his wife, only to leave him and inspire the Italian classic torch song Malafemmina, meaning bad woman.

A Prince Called Toto

5.0 2007
Secrets of the State

On the first of May 1947, the bandit Salvatore Giuliano conducted a raid to the mountain pass Portella della Ginestra, with a view to capturing Sicily's most prominent communist, Giacomo Licausi. What actually happened was a regular massacre, leaving fourteen people dead and more than thirty wounded. In 1951, about a year after Giulano's violent death, his men are tried in Viterbo. Unconvinced by the official version, Gaspare Pasciotta's lawyer, decides to travel to Sicily and starts investigating the facts.

Secrets of the State

6.9 2003
Puccini: Edgar (Teatro Regio di Torino)

Puccini’s operas are among the most beloved and best-known works in the classical repertoire, but Edgar may be unknown even to aficionados, at least as it is presented here. This original four-act version of Edgar, first performed in 1889, was believed lost for over a century when Puccini’s granddaughter Simonetta discovered the score fully intact in 2008. In addition to the third act’s funeral music, which Arturo Toscanini conducted at Puccini’s funeral in 1924, listeners may recognize the duet from the now-restored fourth act, cut by Puccini in subsequent revisions of the work: it bears more than a passing similarity to the third-act duet in Tosca.

Puccini: Edgar (Teatro Regio di Torino)

NR 2008