Tired of his life, a boat man gets hit in the eye by a bullet, blinding him by a young lady. They soon fall in love each other, but this is not liked by the older lady as she wants young to marry another man.
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Tired of his life, a boat man gets hit in the eye by a bullet, blinding him by a young lady. They soon fall in love each other, but this is not liked by the older lady as she wants young to marry another man.
The story follows two friends, Mohan and Bhola, who stumble upon a mysterious garden house called "Mayakanan." The house is owned by Dr. Naresh Ray, a wealthy scientist with a dark secret. When Ray sets his sights on Shanta, Mohan's fiancée, he resorts to sinister tactics to win her over.
A classic love story focusing on the emotional trials and obstacles faced by the two individuals in their journey toward finding true love.
An impoverished father faces challenges and disappointments when he decides to educate his only child.
A LOST Bengali Film directed by Satyen Bose.
A hagiography of the legendary Tamil saint poetess of the Sangam period.
Bhupen is an excellent student who works as a private tutor to support his education and family. He begins to teach Sandhya who is a rich man's granddaughter. She ends up falling for him and that ruins his career, even though he did not feel the same for her. He later gets married to Kalyani but he and Sandhya still share a bond for the sake of her property.
A beggar girl Nili lives by singing and begging in the streets and how her life changes after meeting with Kumar.
A 1957 Bengali Drama Film directed by Santosh Gangopadhyay.
Venkatesam decides to get his nine-year-old daughter married to a rich old man, Lubdhavadhanlu, for large sums of money. However, Karataka Sastry decides to teach a lesson to them.
A 1952 drama directed by Ram Kamlani, starring Nasir Khan and Nutan.
The story starts with the special birthday celebration of a girl. Vasudevan (Sivaji Ganesan) narrates the story which goes back 14 years behind. Karunakaran (S. V. Subbaiah) and Vasudevan (Master Baji) are brothers whose parents had died. They are very much loving and close to each other but Vasudevan longs for mother's love.
Against a backdrop of social conservatism, a pure-hearted woman's life becomes a sacrifice to others' rigid traditions and deceitful plots, as she struggles to prove that true integrity—like a Lotus Flower—can bloom untouched even in the deepest mud.
The film is a romantic story about a wealthy Brahmo woman and a poor but intelligent Hindu man. It explores their growing love despite societal obstacles. Sarat Chandra Chattopadhyay, combines humor with serious themes and social commentary, creating a timeless story that respects women.
Usha, a well-educated girl, is married to Kumar by her drunkard father. Being illiterate, Kumar gets jealous of Usha's education and her frank nature. He abuses her and she leaves their home and begins to battle for women's right. She gives birth to a son and starts to work in a factory, where male workers start to dominate her.
A King (Badshah) betrays the gypsy woman he loves to marry a Princess, triggering a chain of events that leads the King's hunchback slave to seek revenge and ring the bell of justice.
Kabhi Andhera Kabhi Ujala is a 1958 Hindi film starring Kishore Kumar and Nutan.
When her husband is on his deathbed, Shantamma plots to seize his property. However, her stepson, Mohan, returns and poses a hurdle in her plans.
Eldest brother brings up the orphaned brother single handed along with his (later) second wife's child-widow cousin. When they grow up and marry, the new wives break the family, will it rejoin? At what cost?
At the command of tyrannical Kampanna Dora, Chief Jayanth raids many villages in the region to loot them of their food, livestock, and wealth. When a village girl Shanta slaps him, his whole perspective on life changes.
The film was based on the legend of King Harishchandra, recounted in the Ramayana and the Mahabharata. Starring Thikkurissy Sukumaran Nair, Miss Kumari, Master Hari, G. K. Pillai, Jose Prakash and T. S. Muthiah in major roles, it features cinematography by N. S. Mani and music by Brother Lakshmanan.
To escape an arranged marriage, a dreamer flees to Bombay, only to become obsessed with a lifelike statue of a beautiful woman that magically comes alive, leading everyone—including the law—to believe he has gone completely mad.
Story revolving around the friendship between a prince and the son of the Prime Minister. Their friendship is tested over many trials and tribulations as they fight all kinds of negative forces.
Lakshmi is a child orphaned by the death of her parents lives in the house of her uncle. Her aunt (Suryakantam) loves her daughter Kathyayani (Janaki) and neglects and harass Lakshmi. Hence she goes to her grandfather's house. Her grandfather also dies, forcing her to go back to the uncle's house. Once the marriage proposal for Kathyayani turns towards Lakshmi. Taking the blame of her aunt, she left home and reaches Tirupathi to commit suicide.
The Mukherjee family's daughter, Maya, is engaged to Nanda but notices his growing attraction to Shukla. Maya convinces Shukla to help, and Shukla successfully reunites Maya and Nanda. However, Maya's mother dislikes Shukla. Shukla then falls in love with Maya's brother, Dilip, but faces opposition from Dilip's mother. Despite challenges, Shukla's love and sacrifice ultimately win over the family, uniting them.
An overview of the principles and directives of India's post-independence constitution.
Martial Dances of Malabar (1958) is a short documentary directed by Paul Zils, focusing on the traditional martial arts of the Malabar region in India. The film showcases the intricate movements and techniques of these martial dances, highlighting their cultural significance and the discipline involved.
A narration of the journey of a young aspiring writer. Sandhya Rani and Uttam Kumar won critical favor for their performance in the film.
An honest but unemployed young man, Yogen, falls for the wealthy, independent Sadhana after a chance encounter, but his desperate circumstances lead to a crime tried by Sadhana's own father, the prosecutor, creating a profound social and legal barrier to their love.
Nabakumar, a young gentleman from Saptagram, got lost in a forest while returning from pilgrimage in Gangasagar. He met a Tantric sage who trapped him, intending to make him a sacrifice to goddess Kali; but was later freed secretly by Kapalkundala. The priest urged Nabakumar to take Kapalkundala away from her wicked foster-father and also showed Nabakumar his way to Saptagram. Now re-christened as Mrinmoyee. The sage, on the other hand, got annoyed at Kapalkundala’s betrayal and began to plot his revenge. In the meantime, Nabakumar met Padmabati, his first wife, who was converted to Islam by his father, making Nabakumar to desert her. Padmabati, now renamed as Motibibi, expressed her love for Nabakumar, but he refused her. Later the sage came to Saptagram and met Motibibi. The sage wanted to kill Kapalkundala, but Motibibi wanted to separate her from Nabkumar only.
The life of Basava, a philosopher and social reformer from Karnataka who lived in the 12th century A.D.
Bombay Police are baffled by a series of crimes - all at the hands of arch-criminal "Black Cat" who leaves his calling card at every scene of the crime. The Commissioner assigns this matter to this best plainclothes agent, Rajan. Rajan's investigations lead him to suspect Professor Gupta, who is also the brother of his girlfriend, Nita. Rajan decides to use Nita's love for him, and spies on Gupta. When Nita finds out, she is enraged at Rajan, and blames the police who she feels are covering-up their inefficiency by making a scape-goat of an innocent man. Rajan fails to prove that Gupta is somehow involved with "Black Cat", and the Commissioner gives him a deadline. If Rajan does not apprehend Black Cat within that deadline, he may be suspended or even dismissed from the police force. With no clues whatsoever as to the whereabouts of Black Cat and it's gang, Rajan has the challenge of his life, which he may not be able to fulfill.
Intelligent revenge story by two friends on greedy money lender.
M. Sadiq’s drama about a professional hunter who aims to locate a beautiful young girl. Starring Johnny Walker, Shyama, Jeevan, Veena and Dhumal. In Hindi with English subtitles.
Once upon a time in a kingdom, a young man named Prathap decides to teach a lesson to the army chief Prachanda who oppresses the people in the kingdom.
Fourth Odia film in release and the first Odia film with an English title. First Odia film in Social / Drama genre.
Hari Bhakta is a 1956 Kannada-language film directed by T. V. Singh Thakur. The film stars Rajkumar and Pandari Bai. It had Mynavathi, Narasimharaju, G. V. Iyer, H. R. Shastry playing supporting roles.[1] The movie is based on the life of Pundarika
Panduranga Mahatyam is a 1957 Telugu film directed by Kamalakara Kameswara Rao and starring N. T. Rama Rao playing the role of Pundarika. The Lyrics written by Samudrala Ramanujacharya are excellent. The songs of Ghantasala Venkateswara Rao particularly Jaya Krishna Mukunda Murari and Amma Ani Pilichina are ever remembered as the best film songs expresses the human feelings of devotion and sorrow.
Mohar starring Geeta Bali and Shammi Kapoor in the lead role
Seshachalam and his wife Nancharamma secretly swap their infant son with their rich brother-in-law's new born son. Unaware of this Dewan Bahadur raises him as his own son. One son grows up to be a police and other a thief.
In this Bollywood classic tearjerker, a romance for the ages blooms between the puppeteer Shivraj and the young admirer Pushpa after Shivraj loses the use of his hands and his livelihood. But love turns to resentment when Pushpa begins paying the bills with money made through her budding stage career. Will fierce pride keep them apart, or will Pushpa's faithful agent find a way to bring them together again?
Arjun is a very lonely person. He doesn't know what life is. Every day for him is a struggle. So, he becomes a criminal. Jail is a safe custody for him because food is always available in jail. So, he tries to return to the place, but all his efforts are gone in vain, then he travels to a place and meets a father. He is the principal of a missionary residential school. In that place, Arjun meets Miss Chatterjee, a teacher. At first, she doesn't like him, but shortly after she starts to realize Arjun's quality. Arjun is also a very good singer, but again for his bad reputation police catch him and send him to jail. In court some students support him and thus all the misunderstandings are solved and the truth prevails.
The charming Mr. Sampat weaves his way into theatrical company with his moneymaking schemes, only to cause the everyone involved to go bankrupt, including Malini, the young actress who has fallen in love with him.
Historical drama set during the time of Emperor Akbar
The story of a relationship between a wealthy widow and a frivolous young girl.
When Prachandudu kills Chandirani's mother and imprisons her father who is a king, she decides to eliminate him to avenge her mother's death and to save the people of the kingdom too.
A 1958 Hindi film directed by G. P. Sippy and starring Nutan, Ashok Kumar and Johnny Walker.
In post-partition Bengal, a clash of cultures between neighbors ignites a turbulent yet tender tale of rivalry, love, and unexpected alliances.
Chandran and Balan are showered love and affection by their father and stepmother. But Chandran does not realise the value of this and grows into a bad boy.
Ganesha, the mischievous son of Lord Shiva and Goddess Parvati, battles evil forces and protects the world despite being young.
A trend-setting Kannada hit, loosely based on William Shakespeare's The Taming Of The Shrew
New Life of a Displaced Person (1957) is a short documentary directed by Paul Zils, focusing on the experiences of displaced individuals in India. The film offers an intimate portrayal of their daily lives, challenges, and the resilience they demonstrate in adapting to new environments. Through observational cinematography, Zils captures the human aspects of displacement, highlighting themes of survival, community, and the quest for stability. The documentary provides valuable insights into the socio-economic conditions of displaced persons in mid-20th-century India.
Gul Sanobar is an emotional, romantic, adventure-fantasy thriller crafted by Aspi Irani. The story follows Prince Badar, a kind-hearted young man who falls in love with a princess and wishes to marry her. However, his father sets him a daunting challenge: he must retrieve a magical stone from a mysterious island. During his quest, Badar encounters Sanobar, a beautiful girl imprisoned by tribal captors. He rescues her and successfully retrieves the magical stone, but these actions set off a chain of unforeseen consequences.
When one of the quarry workers dies, the management asks the workers to continue, saying people die every day. This incites the workers, and, led by one of them, they approach the owner, whose daughter is not sympathetic to their arguments.