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Adieu Monsieur Haffmann

Paris, in 1942. The wearing of the yellow star is decreed. On the verge of bankruptcy, Joseph Haffmann, a Jewish jeweler, offers his employee, Pierre Vigneau, to entrust him with his shop if he agrees to hide it until the situation improves for the Jewish community in France. Will Peter take the risk to clandestinely host his "old" boss? And if so, under what condition? Pierre finally accepted. Named six times for Molières, four times awarded, this play by Jean-Philippe Daguerre has been adapted for the cinema with, in the main roles, Daniel Auteuil, Sara Giraudeau and Gilles Lellouche. The film will be released in 2021.

Adieu Monsieur Haffmann

8.0 2018
Flesh Memory

At age 33, Finley Blake lives alone in a remote house in Austin, Texas. Since her divorce, she has been fighting to get back custody of her son, who was removed from her because of the supposedly immoral nature of her work. Finley is a camgirl: she earns her living by performing customized sexual scenes online. Flesh Memory is a document of a few days in her life, which is at once profoundly isolated and populated by virtual presences, a life attuned to screens, to so many distant interfaces connecting her to the outside world. The background to Finley’s performance life is her custody battle for her son.

Flesh Memory

4.6 2018
The Mysteries of the Giants

When a huge meteorite crashed into the earth 66 million years ago and caused the disappearance of the dinosaurs, some of the planet’s tiniest species survived the cataclysm, and—against all odds—eventually became some of the greatest giants to ever roam the earth. From the poles of the planet to the belly of the equator, this documentary sheds new light on four giant animals that are still a great mystery to science today: the Titanoboa snake, the Megalodon shark, the giant rhinoceros and the giant sloth.

The Mysteries of the Giants

NR 2018
Pasteur et Koch : Un duel de géants dans la guerre des microbes

Louis Pasteur and Robert Koch: great scientists, national icons, opponents in the service of research. One is a Frenchman and chemist and is already in the second half of his life. He is honored worldwide with numerous prizes for his discovery of the rabies vaccine. The other was a still unknown German country doctor in his 30s, whose discovery of the tuberculosis bacillus was later awarded the Nobel Prize for Medicine. From 1881, the two were bitter rivals. Their 20-year rivalry resulted in spectacular progress in the fight against deadly epidemics.

Pasteur et Koch : Un duel de géants dans la guerre des microbes

7.9 2018
Backstage Action

This is de facto a film about a film, with the only difference being that the focus is exclusively on the extras. They are filmed while waiting to take their turn, while conversing with others, and thinking about their performances. Although they take their duties very seriously and long to be stars, for the filmmakers, they’re just people that can be coordinated as necessary, nothing more. This film, on the contrary, gives them full consideration, revealing their personalities, what they experience, and what they dream of. The footage comes from many different places where movies are made, involving extras from all different nationalities.

Backstage Action

5.0 2018
Rossini: La Cenerentola

Divested of its traditional attributes – glass slipper and pumpkin carriage – and dominated by a tyrannical stepfather instead of a cruel stepmother, Rossini’s la Cenerentola plays with these most conventional of fairy‑tale characters. Nonetheless Cinderella lives in a closed world devoid of tenderness and under the yoke of the tormentor whom she protects. Deep beneath her goodness smoulders a fire that her encounter with the prince will set free… Guillaume Gallienne subtly highlights the halftones of this dramma giocoso, somewhere between opera buffa and opera seria, and ranging from sombre melancholy to the burlesque.

Rossini: La Cenerentola

NR 2018
Ava Gardner, the Gypsy of Hollywood

At the height of her fame in 1954, actress Ava Gardner transplanted herself from Hollywood to the country of Spain. As she lovingly stated in her autobiography, “I don’t know if it was the climate, the men, or the music, but as soon as I set foot in Spain, I had a crush on this country.” In this documentary by Sergio Mondelo, the filmmaker explores the motivations behind this move and contrasts Gardner’s glitz and glam lifestyle with the hardships faced by the Spainish people under Franco’s rule.

Ava Gardner, the Gypsy of Hollywood

6.9 2018