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Salt on the Skin

After a computer operator has been through a painful relationship, he is determined to look the other way every time any interesting woman enters his life. He has his other loves - photography and model planes - to challenge him anyway. However, one day a car breaks down in front of his house, and a young mother with her 10-year-old daughter come in looking for assistance. The daughter is endearing and would make a terrific subject for a photo contest. As both the young mother and the computer operator studiously ignore the flicker of romantic sparks, it is only a matter of time before the flame either grows or is extinguished.

Salt on the Skin

3.0 1984
Hiver 54, l'abbé Pierre

Postwar France was slow to recover from the after-effects of the World War Two. The economy was doing poorly, and many people were poor and homeless, sleeping under bridges, etc. The winter of 1953-54 proved particularly difficult for these people, as it was one of the coldest on record. Father Pierre (Lambert Wilson), a parish priest, on seeing the suffering of these people (and their frequent death from the cold), was moved to write the French government seeking help for them. When his letter, which was published in the newspapers, succeeded in rousing overwhelming popular support for helping the homeless, he was able to form a charitable group (still active today) titled "Les Chiffoniers d'Emmaus," or "The Ragpickers of Emmaus" to channel help to them. This biographical film tells the true story of Abbe Pierre's successful efforts in those years.

Hiver 54, l'abbé Pierre

5.6 1989
The Specialists

While being transferred to another prison, two convicts - Stéphane Carella and Paul Brandon - effect a miraculous escape. They are pursued across the Verdon Gorge before arriving at an isolated farmhouse whose owner, Laura, offers them sanctuary. Since the death of her husband, Laura has longed to get her own back on the police and she agrees to help Carella and Brandon in their scheme to rob a casino in Nice. After a shoot out with the casino’s owners, Carella realises that not everything is what it seems. Brandon is not what he appears...

The Specialists

6.6 1985
Mylène Farmer: Ainsi soit je...

Tribute to Walt Disney's animated feature, Bambi. The video was the singer's favourite at the time, and was her sole one in sepia tone. It was broadcast for the first time in the television show Top 50 on Canal+ a few weeks after the single release. The scene of the drowning, shot in the same pond and with almost the same team as that for "Plus grandir", was very difficult to film because the singer was then afraid of the water. Farmer said in an interview that the sobriety of the clip was well suited to this song.

Mylène Farmer: Ainsi soit je...

NR 1988
Scene of the Crime

In the woods, a 13-year-old boy is grabbed by an escaped convict and told to bring money later that day. The boy does as he's told, only to be attacked by the convict's partner. A murder ensues, and through happenstance, the murderer and the boy's mother form an alliance. All this takes place in four days during which the boy has his first communion, his separated parents face each other amidst grandmother's hopes they'll reunite, the grandfather just wants to go fishing, the school's chaplain complains about the boy's behavior, and the convicts' shared girlfriend comes, gun in hand, to help them escape to Tangier. The mother's surprising decisions complete the story.

Scene of the Crime

5.6 1986
Annapurna 88

An international expedition led by French mountaineer Benoit Chamoux reached the summit of Annapurna (8091 m) on Tuesday, May 10, 1988, via its south face, one of the most difficult routes in the Himalayas. The expedition, named "L'Esprit d'Equipe" (The Spirit of Team), financed by the computer company Bull (Chamoux thus secured one of the largest contracts in the history of mountaineering: twenty million francs to carry out his project), aimed to reach six peaks over 8,000 meters, as a full team, within three years: Annapurna, Everest, Manaslu, Cho Oyu, Makalu, and Kangchenjunga. The challenge results: in 1988: Annapurna (8091 m) - 5 out of 6 men reached the summit, 1988: failed on Everest, 200 m below the summit, 1989: Manaslu (8183 m) - 8 out of 8 men reached the summit in 4 teams of 2, 1990: Cho Oyu (8201 m) - 7 out of 7 men reached the summit, 1990: Shisha Pangma (8013 m) - 7 out of 7 men reached the summit.

Annapurna 88

10.0 1988
Of Great Events and Ordinary People

In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in Paris’ eleventh arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ‘60s. Its political content is deliberately left negligible: it’s hard to tell at the end who did actually win the election, let alone why.

Of Great Events and Ordinary People

7.5 1980
Follow My Gaze

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Follow My Gaze

6.2 1986
Sauve-toi, Lola

Lola, a young lawyer, is raising her little boy Bolivar, and sustains his family. Diagnosed with cancer, she decides to fight against this disease as it has always done in life with strength, determination, and above all with humor. In his fight, it is supported by Ferdinand, his fiery lover and naive who is a journalist. In the hospital, treated by Prof. Tobman, deeply human doctor, she met a group of women, all living with the same bad but each following a different social environment. This group will become his new "family".

Sauve-toi, Lola

8.0 1986
The Horse of Pride

In early twentieth-century Brittany, two peasants marry, have a son, and live in traditional Breton ways: three generations under one roof, a division of labor between the sexes, elders' stories at night, politics and religion during their little free time. Times are hard: la Chienne du Monde drives some to suicide; Ankou (death) is close at hand. Pierre is born into this republican family, his lyric childhood interrupted by the outbreak of war and his father's conscription. He learns his catechism and, as a child of a Reds, also reveres school. His grandfather and father often put him on their shoulders, giving him a ride on the horse of pride.

The Horse of Pride

6.1 1980
La Folle Journée ou Le Mariage de Figaro

The Marriage of Figaro, an adaptation of Beaumarchais' play, depicts a veritable social and romantic battle on the day of Figaro and Susanna's wedding, as Count Almaviva attempts to seduce the young woman despite her impending marriage. Throughout this eventful day, servants and masters clash in a game of intrigue, disguises, letters, and misunderstandings, each trying to thwart the other's plans. Figaro, cunning and determined, refuses to be humiliated, while Susanna and the Countess join forces to foil the Count's intentions. Around them gravitate Cherubino, Basilio, Bartolo, Antonio, and Marcellina, who further complicate the plot by adding jealousies, misunderstandings, and unexpected twists. Little by little, the Count's manipulations are exposed, and the women play a decisive role in the denouement.

La Folle Journée ou Le Mariage de Figaro

7.5 1989
Dandin

Claude Brasseur stars in this cinemadaptation of the Moliere play Georges Dandin, ou le mari confondu. Written in 1668, the play has been somewhat dwarfed by such like-vintage Moliere classics as The Imaginary Invalid. Still, it was popular enough in its time to inspire imitation, most notably Betterton's Don Juan and The Amorous Widow. The plot, involving a wealthy man's avoidance of marriage until he is trapped by a crafty widow, is but a peg upon which to hang any number of comic complications and character vignettes. Brasseur's leading lady is the toothsome Zabou.

Dandin

4.8 1988