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Ramparts of Clay

In a village on the edge of the Sahara, Rima, a 19-year-old orphan, dreams of learning, of discovering, of living free while the men of the salt mine go on strike. The authorities react by sending the army, Rima decides to help the strikers by trapping the soldiers. Co-produced with the Office des Actualités Algériens and shot in the region of Téhouda, 50 kilometers from Biskra, this Franco-Algerian film is fully part of the cinematographic heritage of both shores of the Mediterranean. Bertuccelli adopts the technique of cinema verite, with non-professional actors from the village itself, giving the film a striking documentary texture and a rare force of authenticity. Carried by the moving interpretation of Leila Shenna in the role of Rima, the actor Krikèche and lulled by the music of Taos Amrouche, the film questions female emancipation, social resistance and the relationship with the territory.

Ramparts of Clay

7.1 1970
Romance of a Horsethief

Since time immemorial, the simple-minded boisterous people of Malava, a small Polish town near the border of imperial Russia, have lived on horse-stealing, horse-trading and horse-smuggling. Life changes abruptly when a Russian garrison, commanded by Captain Stoloff, occupies the town and, in the name of the Czar, requisitions all the horses for the Russian-Japanese War. With no more horses to steal, Kifke cannot afford to marry Estusha and all the young men in the village are likely to be incorporated into the Russian army. This state of affairs cannot continue and Zavill will take care of things.

Romance of a Horsethief

4.0 1971
Let's Get Those English Girls

When their little cheat fails, Alain and Jean-Pierre fail their final high-school exams in English. Their parents deny them the planned vacation to the Côte d’Azur and send them instead to Ramscale in England, to improve their English. However, many other parents had the same idea, so they meet more of their own than English folks and end up more at beach parties than in class. Only with the girls do they seem to have no luck, although they desperately try...

Let's Get Those English Girls

5.5 1976
Madame Rosa

Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.

Madame Rosa

6.8 1977
I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

I, Pierre Rivière, Having Slaughtered My Mother, My Sister and My Brother…

6.5 1976
Other People's Money

Henri Rainier has everything a man could want. A glamorous wife, two beautiful daughters and a well-paid job with a large bank. Then, one day, his entire world collapses. In the wake of a high-profile financial scandal, he is summoned into his director's office and accused of negligence. Rainier has no choice but to resign, but he soon realises that he has been made a scapegoat. He begins his own investigation in an attempt to clear his name and discover who is responsible for the enormous hole in the bank's finances. It soon becomes apparent that he is up against a very powerful and dangerous opponent.

Other People's Money

5.8 1978
Daughter of Dracula

Luisa is called to the bed of her dying mother Edith at Karlstein Castle. Before she dies, she tells Luisa that the Karlsteins are a family of vampires and that her ancestor, the original Count Karlstein, lies buried in the crypt. Afterwards, Luisa goes and finds the count's coffin and discovers that he is undead. As she takes Karine, her cousin as her lover, a police inspector, Ptuschko investigates a series of killings around the town, dismissing the locals who insist these are being caused by vampires.

Daughter of Dracula

4.1 1972
Blue Country

Brigitte Fossey stars as a repressed young nurse who hopes that moving from the city to the country will open up new vistas in her life (thereby reversing the usual country-to-city route of most movie heroines!) She meets and falls in love with bachelor Jacques Serre, likewise a free spirit. Though Fossey and Serre are attracted to one another, both value their freedom too much to make a firm commitment. As they draw closer, the twosome compare their own lifestyles with those of the colorful country folk all around them.

Blue Country

5.8 1977
The Carpathian Castle

In 1898, strange things happen in a castle not far from the small village of Werst in the Carpathian mountains of Transylvania. Twenty years earlier, the castle had been abandoned due to some nefarious dealings there but a shepherd sees smoke coming out of the chimney, which stirs up the village with whispers Chort (a demon) is now occupying the place. Count Franz de Télek, a visitor to the area, becomes intrigued by all this turmoil and decides to investigate. Made for French television and based on the 1892 Jules Verne novel of the same name.

The Carpathian Castle

6.0 1976
Moments

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

Moments

5.4 1979
Cinématon

Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.

Cinématon

4.9 1978
Mont-Dragon

Because he has seduced Germaine de Boismenil, Georges Dormont is thrown out of the army by the colonel and husband of the beautiful. After the death of the Count of Boismenil, Dormont arrived at the castle of the widow with the firm intention of taking revenge. From the outset, he seduces Pierrette, the servant, revives the heart of Germaine, having gotten an appointment with the widow, he makes her naked, humiliates and leaves her. Witness of the scene, Martha, the proud orphan, throws herself into the arms of Gaston, faithful order of the colonel, to avenge her mother. George soon flouted their feelings. He then forces Germaine to reveal his attachment to Pierrette and causes a beautiful scandal.

Mont-Dragon

4.2 1970