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King Mitridate has left his empire in the care of his sons Sifare and Farnace while he is away at war. Deceived by a rumour of his father's death, Farnace declares his love to the King's betrothed, Aspasia. She seeks the protection of Sifare. Mitridate returns with Ismene as a bride for Farnace. When he hears of Farnace’s guilt, he determines to kill him. Will the ensuing intrigue of rivalry - in love and in politics - wind its way to a happy end?
What if the thoughts that weigh so heavily on you literally prevented you from moving forward? Ale leaves her life behind and arrives in a new city to study at university. He is followed by a cloud of thoughts that constantly draw comparisons between what he has and what he no longer has, becoming a burden that literally prevents him from moving forward into the comfort of his new stage in life. In his routine of coming and going on the subway, he will eventually sink into reconciliation with those thoughts until they cease to weigh on him. In short, learning to let go.
Gustavo is moving out. After several weeks of delaying the move, he has run out of excuses. The time has come to pluck up his courage and leave the family nest. But when Pilar, his wife, and Sofía, his seven-year-old daughter, come home, he is still there. A sparrow has flown in through the window and he can't get it out. Sofía thinks the little bird is a gift from her dad, and Pilar thinks it's another one of Gustavo's tricks to avoid leaving.
An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.
Bruno is on a school trip. In a moment of distraction, his classmates board the subway car, but he does not. The subway, which for most people is a means of transportation, will be a journey of discovery for Bruno. Imagination or reality?
After fleeing the war in Ukraine, several families rebuild their lives in a village in Seville. Through different conversations and introducing us to their day-to-day, Nuevas raíces shows their process of adaptation, resilience and rooting in a land that, without seeking it, also begins to be home.
In the midst of the coronavirus pandemic, Ximena wakes up feeling very hungry. Once again, her actions repeat themselves as if it were a bad joke. She spends another Groundhog Day, until a small detail changes everything: she has to take an old frying pan to the recycling center.
It tells the inspiring story of Juan Dávila. At the age of 32, he left his steady job as a municipal police officer to devote himself to show business. Thus began a ten-year journey performing in bars, squares, variety halls, and some theaters. A journey in which he started a theater company (Improclan) where he brought together people who, like him, were looking for their niche as comedians.
Mario and Guille, two guys who met through a dating app, go up to Mario's place intending to spend the night together. There, Mario realizes that the person who has entered his home is not who he thought he was.
Sometimes we get hooked on a place, a moment, or a person who’s gone. This film is about coming back, waiting, and asking yourself if you truly want something to happen—or if you're just in love with the memory of it.
Xian and Ikki are an Asian couple with an all-you-can-eat buffet threatened by bankruptcy. Their problems seem to be solved by an improvised plan: killing all their enemies. But... what if they themselves are their own enemies?
The Charter of Brañosera marked a turning point in the history of law in the Early Middle Ages in Spain. It was the starting point for what would become the future Kingdom of Castile.
In the early 20th century, Countess Carmen Díaz de Mendoza Aguado, inspired yet frustrated by Mozart’s Don Giovanni, sets out to write her own version but struggles with doubt, societal pressures, and a haunting inner voice, leading to her play’s failure. Decades later, fragments of her life and work resurface through obituaries and fading memories. In 2024, a modern composer seeks to rediscover and reinvent her lost opera, conversing with the echoes of the past to reclaim the Countess’s silenced voice and vision.
The director films their neighborhood over the course of a day
Serena fights for the rights of others, but not for her own. When her best friend Marina confesses she's in love with her, Serena is forced to face her own fears, her mental health, and the prejudices of those around her.
In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.
Pujol's revelation of hidden wealth in Andorra sparked a corruption scandal, shifting his image from anti-Franco Catalan hero to a tainted patriarch.
Lauri and Christine, a young couple, have a cinephile discussion about "elevated horror" while traveling by road in search of an enigmatic place: the Village of the Smoofis.
An ageing artist in the twilight of his career, Fermín's hand has started to shake. On the brink of financial ruin, he will have to move into the studio he shares with his friend Javier de Juan in an old garage, to which his son Pablo, also a painter, arrives on his return from a long trip to India, intending to stay with him. Their widely differing approaches to art and life will soon spark arguments between the two. Pepa, Pablo's mother and Fermín's ex, makes a suggestion: that they enter a competition to create their own version of El Bosco's The Garden of Earthly Delights, which could solve their financial problems.
EXT. is centred around the experience of someone trying to figure out what it is to be ‘human’. The film is a reference to our experiences as social animals and the often absurd evolution we go through, to adapt to society.
Alex, a shy 17-year-old teenager, struggles with his emotions in an environment dominated by toxic and misogynistic friends. Deeply in love with Lucía, his childhood friend, he faces the constant cruelty of Cubero and his gang.
Inma believes she has been impregnated by the Holy Spirit, just as the Virgin Mary was two thousand years ago. José, her husband, is being released from prison tomorrow after two years behind bars... And he knows nothing about it. Inma needs Carmen, her sister-in-law, to convince José of the miracle.
An author travels on Spanish plains to find the magic music device of his youth, the Jukebox. (Inspired by a book of Peter Handke, Nobel prize 2019)
God Sees It is a journey into the creative universe of Oscar Tusquets, one of the most fascinating figures of the last sixty years as well as one-of-a-kind character of the gauche divine, in whose mind art, irony, and rebellion coexist. The film traces an inimitable career, from his beginnings in Barcelona, quietly rebelling against the backdrop of the dictatorship, and his collaborations with Salvador Dalí, to his interventions in the Palau de la Musica Catalana or the unique Toledo metro station in Naples. If this is not enough, the film is filled with reflections and conversations on art with friends like Miquel Barceló, Albert Serra, Mario Vargas Llosa or Julia de Castro.
A personal portrait of the stages of love: discovery, fullness, fracture, and rebirth.
The inhabitants of a town are interviewed following the commotion that took place last night at the festival: an axe, a woman in a dress, and hairy legs, like those of a man.
A couple enjoys a romantic weekend in a treehouse suspended more than 20 meters above the ground in a forest. At night, she wakes up with a start and sees her partner fall from the cabin, dying instantly.
Samuel returns to his childhood home, hoping to escape reality. He thought the past was gone—but the house remembers.
"Placenta Holocaust" is an underground extreme horror and gore film, made by independent filmmakers from the "trash cinema" subgenre, combined with its explicit, provocative and very bad images like Primarks, FunkoPops and UGGs, with the objective of breaking taboos and provoking the viewer. It will not leave you indifferent and will make you question your own existence.
"Ellas en la ciudad" (Them in the City) focuses on the first settlers of the neighborhoods on the outskirts of Seville. Through their stories, we discover that they have been the backbone of a city that has turned its back on them.
Animated short film based on the drawings of the artist Jesus Mari Lazkano and showing us the transformation of the Mer de Glace glaciar in Chamonix.
A psychologist helps an elderly woman in her final years while investigating the death of her partner.
A retired couple show us a typical day at their business, which they describe as the best brothel in Teruel.
Carlos Carreto, photographer, and María Fernández, painter, join forces to bring forth the exhibition “Océano Negro”. A brief journey not only through their work, but also within themselves. An excuse to talk about water in all its forms and provocations. Rain, clouds, reflections, distortion... everything is water to be shaped with the gaze.
