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Once We’re Done With the Easy Options

Ade has suffered from a rare condition known as Blink Arrest Syndrome since she was a child—a disorder that leaves her unable to open her eyes at will, sometimes for five or six hours at a time. Now, at seventeen, she's in the midst of her most intense episode yet: three days without opening her eyes. Told in her own voice, the story follows Ade as she traces her journey from the first diagnosis to the present moment, pausing along the way to reflect on her relationship with Elira. In revisiting these pivotal experiences, she searches for meaning—something that might help her understand her condition and, with any luck, finally open her eyes.

Once We’re Done With the Easy Options

NR 2024
Let It Be Known

40 years after ETA kidnapped her family and the State tortured her father to death, Tamara Muruetagoiena embarks on a tireless quest for truth and justice. Tamara recounts her family tragedy, face to face: the revolutionary tax, the kidnapping by an ETA commando unit for 17 days, the subsequent family breakdown, persecution by the State machinery, political pressure, the trial, her parents' arrest, the torture, murder… But also her path to the truth, recognition, and the use of dialogue as the key tool in resolving conflict.

Let It Be Known

5.0 2024
Enarak

In 1967, in the midst of Franco's dictatorship, a group of seminarians thirsty for freedom founded the group Enarak. They played pop, rock and psychedelia, styles that were foreign to the society of the time, and all of it entirely in Basque. After hundreds of concerts, they mysteriously disappeared in 1971. Fifty years later, the singer's son, Beñat, sets out to find traces of the group, immersing himself in a film labyrinth that mixes ornithology, collage and eccentric research.

Enarak

NR 2024
Closed boxes open boxes

Galician writer Xavier Queipo is getting ready to move back to his homeland after more than 30 years of living in Brussels. He empties his house and puts his memories in boxes the removal company loads onto their truck to take them to Spain. Another Galician man, the filmmaker Hugo Amoedo, who is based in Brussels, too, wonders whether and when he’ll be back in his homeland. In the meantime, he teaches his son to ride a bike, wonders, dreams, struggles to unravel ideas for films, and argues with the clerks of the Brussels post.

Closed boxes open boxes

NR 2024