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At dawn, a mother wakes up her son to leave her house flooded by the overflowing of the El Limón river.

In this new installment of the series “Superficies”, an anti-fascist demonstration held in Santiago de Compostela on November 20th, 2007, in homage to the 16-year-old Carlos Palomino, assassinated in Madrid a few days before by a neo-Nazi is projected on roots with live sound.

Pablo, after five years of the death of his wife, returns to the hotel of his family in Puelo with the objective to close that painful wound. During this trip, he reconnects with people from his childhood and also meets Ana, the new hotel manager, who becomes his spiritual guide to reconcile Pablo with nature, which was the cause of his wife’s passing.

It’s 1955. Rosa a skillful seamstress becomes the only witness of a murder. In a time of political tension in Argentina, the crime’s investigation will trigger the final resolution of the conflict and sealed Rosa’s destiny for good. A typical crime film with the exception that the detective is a housewife.

After stopping contraceptives, Candela (28) is faced with a crisis in her relationship with her boyfriend Ferran (27). This will cause Candela to begin a rethinking of her tastes and her own sexuality, putting her emotional stability at risk.

The feline and weary body of a young girl is surrounded by Christian symbols. Crosses, Sulpician images, miniature altars lose their religious meaning to become merely decorative items. Mixed with plastic toys and photographs, they compose secular still lives. A church service is observed surreptitiously through a ground-floor window, like some strange custom, only to be interrupted by the sound of a moped backfiring, inviting the girl to take flight. This religious setting, often filmed in countershot to the beautiful faces of three teenagers, then gives way to wide shots of the luxuriant nature they are bathed in. Their nimble, young bodies find a perfect refuge in the comfortable branches of a mango tree. But at this age, the thirst for thrills cannot be restricted to a familiar setting. The trio hits the road. Without bothering with narrative dross, Heliconia offers a sensual road-trip and gorgeous tableaux vivants that do justice to film as a medium.

During lockdown, Telmo Esnal recovered a long-forgotten project: 'UR', a tale by Pablo Azkue taking a deep look at the conscience and the sea. 'Urtzen' is a special cinematic essay, a curious collage which, recycling and reusing dialogues, images and music, reflects on existence.

The Dreams of Others is the story of the last six decades of architecture and interior design in Spain. The documentary is a critical reflection on the role of architecture in our society, on the evolution of the architect’s figure and a look at what architecture is and where it is going.

Made to promote their song "Kelly", in this sketch parody of the "Talk Shows", Martin Garabal interviews Dillom, Muerejoven and Kaktov.

Documentary that follows the people of Circo Foxs.

Ricard Camarena bases his cuisine on Valencia’s local vegetable production. His constant search for harmony between flavours has seduced the critics and crossed borders. Alongside Mari Carmen Bañuls, the brain behind the management of their restaurants, the two form an indissoluble team which have overcome great adversity to achieve success, vouched for by two Michelin stars and the recent National Gastronomy Prize. The couple are enjoying their most balanced moment. Balanced? The Covid-19 outbreak has thrown them up against a hitherto unheard-of challenge: to reopen their restaurants with the uncertainty of the “new normal”. Heedless of the pandemic, the vegetable garden continues its natural growth cycle and offers the chef a new horizon of flavours.

Rolo, a sailor tired of life on the high seas, loses his boat in a port town. That same night Leo disappears, a man he had met in a bar. Rolo must find him to get rid of Loyola, a policeman who accuses him of complicity in a robbery.

Guillem Agulló y Salvador was killed by a stab in the heart by a group of neo-Nazis on April 11, 1993. Destroyed, his parents, Guillermo and Carmen, will fight so that the death of their son is not manipulated, and is not considered the fruit of of a simple gang fight. The way, full of obstacles, threats and a dirty media war, will be about to destroy the family, who must learn to mourn the death of a child while fighting for his memory, which little by little becomes the symbol of a cause they would never have thought to lead.

A school boy who excels in math but loves art; a fetishistic businessman; and a compulsive car cleaner whose hobby is to write plays, are attracted, as a siren song, to a large house made into a cultural center. There, a woman, who seems to be a fortune-teller, urges them to look for a centennial tree planted over an ancient indigenous ceremonials site.

Faced with the global crisis due to the COVID-19 pandemic, the head of a family trusts in the curative and preventive properties of the Palo Amargo tea, but his believes end up reverberating within the family dynamic.

Ricardo Soulé, 67 years old, Argentine musician from the mythical band Vox Dei who released "La Biblia" in the 70s, a conceptual work in the key of progressive rock, achieving immediate recognition. At present, Soulé records an album with his new band, goes on tour invited by a very convincing band, practices the training of falcons, plays the violin every day. Still, 4 of her 5 children live in Europe and their place in the world is still debated.

All the rooms of Hostal España, a modest and centrally located establishment in the city of León, are occupied by elderly people, many of them coming from the abandoned rural environment. In its rooms, corridors and dining room, the seasons go by without pause for a community that has been invited to record their daily life and thus participate in the creation of a film that shows another possible way of life in the so-called third age.

Marleni hates her job as a live-in home help at Mr Ramón’s home. Her life changes when she receives a message from an unknown number and she decides to create a fake identity, looking for a way to escape.

With the Colombian government making little effort to come up with concrete proposals to tackle the healthcare crisis triggered by Covid-19 and the Colombian parliament passing utterly incomprehensible bills on the issue, Jorge Caballero Ramos decided to take matters into his own hands by using AI to create a new, fictional member of the Colombian Senate: Dora Sena. Dora's mission is to spark debate in the middle of a pandemic. But can an AI machine really write effective parliamentary bills for dystopian situations?

Through the creation of a family portrait, a mentally imbalanced young artist connects with her dead mother to exact revenge on her ghoulish father and abusive grandfather.

Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.

The Leguizamon family works every day on the edge of Route 9 selling turtles and cactuses in order to survive in the mount of Santiago del Estero.

On the outskirts of Buenos Aires, there is a neighborhood built around two cemeteries. Amidst virgins and pagan offerings, the elders recite memories and forget ghosts. Children invent their childhoods with graves and hammocks. Oblivion is a territory where these creatures glide, feeling the passage of time, even though they are no longer part of it. Fears wander among the shadows of the disappeared; there is silence where voices should have been, and the everyday becomes ritual.

The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.

In the middle of the Atacama Desert is the last saltpetre settlement still inhabited. Known as Maria Elena, its inhabitants are reluctant to leave it behind, clinging to their memory and to their dead.

A metaphysical reflection on God, death, and how the figure of the artist differs from a creationist god.

January 19, 2018. Santa Teresita, Buenos Aires. A mosaic (intimate and observational) about the typical workers of the coast. Each of their stories will be articulated throughout a working day: morning, afternoon and night, portraying the color and joy of a seasonal day.

Pol and Lucas are having a vacation in Galicia. They dance, they scream, they discover themselves, they argue...In the end, the words that weren't said are the heaviest ones. In that silence, the storm begins.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

A journalist runs a radio station on her own.

A father takes his son fishing at La ciénaga dam in northern Argentina. When a mysterious creature emerges from the depths, their lives will be in danger.

5.24 seconds passed and a caramelized peanut changed the life of Nicole Quintero and her son Mani. It’s been six years since her son’s petrification, and with Nicole’s imminent aging, it’s time for her to make an important decision about their future.

For more than forty years, Argentinean sportsman Guillermo Vilas, a tennis legend, has tirelessly demanded that the official rankings (1973-78) be revised in order to finally be recognized as the best player in the world. Eduardo Puppo, a sports journalist, making Vilas' demand his own, fought for more than ten years against a powerful sports corporation to prove that Vilas was indeed unfairly displaced from the top of world tennis.

They are scarred, overweight, pregnant, shaved, or tattooed. In the locker room, Joana studies the physical conditions of other women and later of herself in the mirror. Can your own body be modulated? Your gender? Your femininity? “Break Free” is written on her shirt - time for emancipation.

A mysterious girl has a really strange first date in his own apartment.

A group of actors in Madrid are cast in a theatre show conceived as a dance marathon and as an unscripted competition. ‘Malditos’ follows their drifting between success, failure, fame and self-realization, interweaving non-fiction interventions and staged representations, constantly blurring the boundaries between fiction and reality.

Perrone asks the young people he always shoots to be the cameramen on his movie; on that record he will organize the fragments of life snatched from time and add diverse sound layers.

After composing the theme that gives its name to her second solo album, “Madre baile”, Vivi Pozzebón becomes interested in the ethno-musical origins of the cuarteto and the figure of Leonor Marzano, who knew how to mix the tarantella and the paso doble on her piano to give rise to the characteristic rhythm of Córdoba: the cuartero. From here comes this record about the origin of the cuarteto from the 1940s to the present.

Sara has fallen in love with Iván, a man who is invisible to Sara. Ivan does not reciprocate. Sara becomes obsessed with him instead of taking care of herself.

Juan and Luciano find out some girls are staying in the neighboring house and decide to spy on them. The girls play hide and seek and start changing. When they realize they are being watched, they will try to capture the boys.

In a post-apocalyptic Spain different tribes survive, struggling to take control of the only existing sustenance: a red wine of negligible quality. (A sequel to Made in Spain, 2016.)