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Clichés et ramasse-miettes

Cinema was originally silent. But was it truly silent? Then sound came along and changed the way we see, understand and create images. A true lesson in philosophical and aesthetic cinema freely conducted by the director, Clichés et ramasse-miettes invites us to rediscover our relationship with sound and our conception of the vraisemblance of sound, through fragments taken from works by Henri-Cartier Bresson, Jean-Luc Godard, philosopher Georges Didi-Huberman and others. An essential film to appreciate Claude Beaugrand's artistic vision.

Clichés et ramasse-miettes

NR 2018
Be My Guest

Tim and Claire have found a cutting-edge (and kinky) solution to their money troubles: a controversial mind-transfer service that allows Tim to rent his body out to paying customers - so they can spend some "quality time" with his girlfriend Claire. But as police begin to crack down on the grey-market tech, Tim pushes for one more payday from a repeat customer, despite a firm "no" from Claire. When Tim goes ahead with the transfer behind her back, he learns he's not the only one keeping secrets. Produced with a grant awarded by BravoFACT

Be My Guest

NR 2018
A Boy’s Life

Originally cast as the second part of a six-part feature Panic Bodies (1998), the original 16mm negatives were rescued courtesy of the Cinematheque Quebecoise, then rescanned, recut, and reimagined. They were shot in 1996, the year the AIDS cocktail arrived. It’s not uncommon during illness to experience one’s body grow as large as the world, here the body is figure and ground, friend and enemy, projection surface fragments, memory machine. I asked the excellent performance artist Ed Johnson if he could come by and perform in this psychodrama of loss and longing.

A Boy’s Life

NR 2018
Waiting for April

Waiting for April is a romantic, epic cop comedy freely inspired by songs and medieval fables collected by storyteller Michel Faubert. Detective Haffigan investigates a mysterious singing bone, a talisman endowed with dangerous powers, and chased after by a coterie of second-rate outlaws. The bone turns out to be in possession of Mithridate, a seductive actor with a gorilla’s right arm. Haffigan expresses romantic interest in the charming comedian, but he rebuffs her, instead setting his sights on Eleonore, a cashier at the Bank of Permanent Fog, who promises to liberate him from the bone’s curse.

Waiting for April

5.0 2018
Deyzangeroo

Many cultures have viewed the lunar eclipse as a powerful reminder of the Day of Judgment. People chant prayers, sing songs and recite poetry, all in an effort to communicate with nature and the cosmic forces in the sky. They ask for forgiveness or understanding, as they yearn for what they fear is lost. “Deyzangeroo” is one such ritual, performed in the Iranian port city of Bushehr, on the shores of the Persian Gulf. The distinctive percussive music, rhythmic chants and tribal dances—an echo of the city’s colonial rule by the British and Portuguese, and the African slaves that followed—are performed with reverence, fear and magic. The ritual is believed to ward off evil spirits and take back the moon. And it works every time…

Deyzangeroo

6.0 2018