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The Last Straw

This hilarious Canadian comedy frankly and with surprising taste, chronicles the travails of Alex, the 'Most Potent Man in the World." Alex earns this title while visiting a sperm bank. There it is discovered that he has a sperm motility rate of 99.5. What that means is that women he comes in contact with, directly or through artificial insemination, stand a terrific chance of becoming pregnant. Alex is naturally proud of his gift, but unfortunately, because he is only average looking, few of the sperm bank patrons are enticed to have his babies. In order to let them known what they are missing, he hires himself a manager and appears on a radio talk show. The ploy works and he suddenly finds himself surround by women desperate to get pregnant one way or another.

The Last Straw

4.3 1987
Glenn Gould: a Portrait

Glenn Gould: A Portrait is a biography of pianist and "explorer of sounds" Glenn Gould. The 105-minute program -- a montage of interviews, photographs, recording sessions, and concerts -- depicts the life and times of this late musician. Highlights of the film include pictures and scenes from Gould's life in Canada, as well as interviews with Geoffrey Payzant, broadcaster Margaret Pacsu, musician John Peter Lee Roberts, and music critic Paul Hume. Gould's personal views on animals (especially his affinity for skunks), his psychiatry, pacifism, and solitude are reflected on by family and friends.

Glenn Gould: a Portrait

9.0 1985
The Music of the Spheres

Set in the not-too-distant future, when the existing world economy has collapsed, and the new city-states are controlled by computers, many of which require a kind of telepathic linkage with a human counterpart. When the most important of these computers exhibits strange patterns during a crucial operation, its counterpart, a top scientist named Melody, begins having psychic experiences. For a low-budget film, a surprisingly deep exploration of emotions vs. logic and the elusive search for truth.

The Music of the Spheres

5.9 1984
The Alley Cat

Florent Boissonneault and his young wife Elise always had one dream: own a restaurant. When they meet a strange old man, Egon Ratablavasky, their dream become reality, but only to quick turn into a nightmare when they sadly discover they had been tricked by him, and lost everything. But their dream is not dead, and a strong desire of avenging soon bring them back in business, with the help of an homeless kid, a french cook and a friendly journalist. But the old man still had trick on for them his bag...

The Alley Cat

5.1 1985
All That Bach

Filmed in Canada during the Bach 300 Festival the film demonstrates the stunning universality of Bach's music from a graceful cantata duet to a rousing fugue performed by a tap dance ensemble. It is a celebration of the music of J S Bach as it is played, danced, sung, jazzed, computed, tapped, electrified and busked by a wide range of internationally renowned artists. Among the performers highlighted in this spectacular homage are jazz pianist Keith Jarrett, Christopher Hogwood and the Academy of Ancient Music, contralto Maureen Forrester, cellist Anner Bylsma, the Canadian Bass and the National Tap Dance Company.

All That Bach

8.0 1985
Confused [The Videotape]

A visual/aural non-linear narrative. A layering of ideas, facts, opinions, prejudices, fears, and styles. The story is based upon the innuendoes and interrelationships of four main characters – Gary, Gina, Jeanette and Paul. Distinct video forms are used to build the narrative and to handle the complex range of information and technical styles. The video’s intent is to develop a broader understanding and tolerance by its viewers towards a new sexual attitude.

Confused [The Videotape]

NR 1984
Just a Game

In a strangely aloof and uninvolved story of incest, director Brigitte Sauriol takes a certain distance in her treatment of a couple with two daughters on a summer vacation in Quebec. Scenes with the father and older daughter soon reveal that an incestuous relationship has been going on for a long time, without the mother's knowledge. The older daughter tries to run away at one point and talk to a friend about her plight, but that does not turn out successfully. She begins to suspect her father is starting to violate her sister as well. When the mother accidentally catches her husband with the younger daughter, she reacts with anger, but after her husband promises to reform, she calms down and eventually takes his side against her daughters.

Just a Game

7.5 1983
Le temps de la Manic

Documentary filmed at the end of the Manic-Outardes hydroelectric projects on the North Shore of the St. Lawrence (1978) to pay tribute to the men and women who participated, for 20 years, in the first collective project in modern Quebec. Le Temps de la Manic allows us to follow live the moving end of this era in the company of Jean-Noël Laprise nicknamed “the Switch”, Andrée Laprise (Grenier) his partner, their 4 children Carole, Serge, Yvan and Hélène, by Édouard Hovington and Véronique Hovington, by Camille Brisson, Léo Boisclair, Denis Ouellet, Gérard Debigaré and Fernande Buissière. Everyone has experienced the time of the Manic adventure from the inside. The Prime Minister, Mr. René Lévesque, also appears in the film.

Le temps de la Manic

NR 1980
The Censor

In claymation, the Ontario Censor Board meets to consider an animated short, which begins simply enough, but soon scandalizes the Board with the sexual activities of its two characters: a man and woman meet on a street corner, go to a bedroom, and soon are swinging on a chandelier. A dog joins them somehow, although by now, we see only the Board and its shocked response. The film finished, they must determine their rating: out come darts and a dart board. What rating will the film receive? Will the morals of the people of Ontario be protected?

The Censor

7.0 1980
Presents

The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a 'real' unreal set, the slapstick satire of structural film begins. It is not the camera that moves, but the whole set, in this first of three material 'investigations' of camera movement. In the second, the camera literally invades the set; a plexiglass sheet in front of the dolly crushes everything in its sight as it zooms through space. Finally, this monster of formalism pushes through the wall of the set and the film cuts to a series of rapidly edited shots as the camera zigzags over lines of force and moving fields of vision in an approximation of the eye in nature. Snow pushes us into acceptance of present moments of vision, but the single drum beat that coincides with each edit in this elegaic section announces each moment of life's irreversible disappearance.

Presents

6.6 1981