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Videogibi: O Mônico

"Mônico": A new boy shows up in the Limoeiro neighborhood and he looks just like Mônica! Mônico?! Who could he be? "Chico Bento at the Mall": Chopingui? Where I live, we don't have that kind of thing! Yikes! I can see I'm going to be in some trouble here in the big city! I don't know why I accepted my cousin's invitation to go on this "train." "How to Cross the Living Room": Mônica took a lovely bath, but forgot her clothes in her room. And to get there, she needs to cross the living room, where the naughty Cebolinha, Cascão, and her (oh, oh) kitten, Reinaldinho, are. How will she do it? "Frank Being a Child": Everyone was a child at some point, or still is. But... what about our friend Frank? Was he ever a child?

Videogibi: O Mônico

NR 1997
A Saga do Guerreiro Alumioso

Aroeiras is a fictional city in the northeastern interior of Brazil where Genésio lives. Old, widowed, retired and childless, he fills his loneliness drinking and dreaming of the nostalgic heroism of cangaceiros (northeastern outlaws) and the love of Rosália. His friend Baltazar, a peasant leader, does not believe in myths of the past. He believes that organized political struggle is the only possible way to change things and he is looking for new ways to fight the powerful.

A Saga do Guerreiro Alumioso

NR 1993
Street Lovers

‘Amores de Rua’ questions the attitude towards sexuality espoused by a society in which sex workers fight for the right to citizenship. The film travels through Vila Mimosa, Praça Mauá and erotic nightclubs frequented by all genders, where performers mouth along to camp hits. The film presents a discussion about sexuality based on testimonies from sex workers, transgender women and representatives of associations including Euridice Coelho (then president of the Association of Prostitutes of Rio de Janeiro) and Gabriela Silva Leite (from the organisation Vida Prostituição, Direitos Civis e Saúde).

Street Lovers

NR 1994