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A trio of World War 2 vets band together to search for a lost Nazi fortune.

Montage of water related subjects.

Diploma film by John Abraham

Edelstein plays down his actors' facial expressions and impetuous gestures, orchestrating every body motion into the rhythm of the film. Changes in his characters' positions directly express the progress of the plot and establish a system of relations between his characters which you see unfold before you eyes.

A car talks to a young boy to teach him safety rules to remember as a pedestrian.

A Film Produced By Richard Compton.

The Inglewood Police Department's 1960s video, "LSD: Trip or Trap?" is a classic of the genre. Alex sez, "It's a story of two friends who enjoy flying model planes, except that one becomes an 'acidhead' so he can be 'groovy' with the other acidheads. The other does research into LSD and decides it's a 'bummer'."

Part of the Dirt Trilogy

Kelly and Eddie, two fugitives who have committed robbery and murder, take refuge in a house inhabited by four women, all lesbians who have rather “special” sexual preferences. Kelly, an ex-convict, caresses Joy, one of the women, with his pistol–to her obvious pleasure–and then abuses her; he beats Mitzi, another roommate, who has sadomasochistic fantasies of being held captive by two men, when she hands him a whip; but Kelly is rebuffed by Toni, the leader of the group, when he tries to force “Baby Doll,” Toni’s current favorite, into doing a sex act. Toni, maintaining that Baby Doll prefers women, demonstrates female cunnilingus. Angry, Kelly ties Toni to the bed and abuses her. Finally, the women attempt to escape. They bash in Eddie’s head and shoot and seriously wound Kelly. Toni is accidentally killed in a struggle with Joy, who interferes when Toni announces that she will emasculate Kelly with the gun.

In November 1966, Mr. Owens completed his first film Autre fois j'ai aimé une femme ("Once I Loved a Woman"), which in its short existence, has had special screenings both at the school of the Institute and Morton Hall, the Second City Film Center, and the Filmmakers' Cinematheque of New York. Upon viewing Autre fois, Gregory J. Markopoulos wrote "[Edward Owens] may well be one of the few for whom 'amateur' and 'professional' need have no significance whatsoever: true to his own native talents, with grim determination uncanny, whether the mind in the arts is for or against beauty or its opposite twin, chaos." —John F. Steward-Butkovich, Brotman & Sherman Theatres

A low rent detective, his stripper girlfriend, a runaway wife (who's joined a whorehouse) and a rapist / obscene phone caller / serial killer all factor into this piece of Los Angeles sleaze.

The Pink Panther has problems waking up in the morning and buys a cuckoo clock, but it causes more problems.

A poetic montage of the 'sculpture garden house' of 67 year old hermit-builder Clarence Schmidt of Woodstock, New York, appraised as 'a really great work of folk art' by curators Lawrence Alloway and Henry Geldzahler. The film includes some of the only footage taken of Clarence living within the seven-story mountain interior of his creation, which was tragically gutted by fire in the winter of 1967-68. A homage to Clarence and his more than forty years of devotion to the transmutation of cast-off objects into an environment or beauty and love.

An advertising executive and some friends go on an all-night pub crawl and lament about life, love, society, and existence in general.

The Pink Panther is forced by a criminal to deliver a package to the Slobvanian Embassy, but must first get past the guard dog.

Tom and Jerry are sleeping outside during the day when a yellow bird wearing a red helmet lands on Tom, waking him up. Although the bird brushes Tom's torso off and reacts politely like "pardon me", Tom goes after the bird, catches it, and proceeds to beat it up.

Introduces Polaroids marketing campaign for the year 1964, including TV commercials. Produced for dealers.

Another Cowboy-Justice-Hero. One-shot, not part of a series.

This art experiment by Andy Warhol captures the simple act of a man eating mushrooms. This one-man show starring Robert Indiana presents the actor slowly eating some mushrooms, having an enjoyable time not only with the food but also with a friendly cat that from time to time comes to see what the man is doing.

A rare surviving record of 1960s drag performance at Camden’s Black Cap pub. Drag queens Shane and Laurie Lee perform and discuss their craft in this home-made documentary by US-born filmmaker Richard Benner.

This is a collection of films recorded by Mal Evans in the 1960s

In 1961, philosopher Roland Barthes collaborated with filmmaker Hubert Aquin to produce a film, for Canadian television, intended to reveal the poetics of sport and spectatorship. The question 'what is sport' is answered by Barthes' eloquently scripted commentary. The recurring theme of purging violence from society into the spectacle of sport runs through the film.

Captain Scabbard orders Beetle and Sergeant Snorkle to go out and enjoy themselves on R&R. Beetle is excited, but Sarge can't stand to leave his precious army camp! The pair get themselves into trouble even in the civilian world; they soon find themselves permanently confined to Camp Swampy on K.P.

Two duelling birds get the urge to change their plumage. A blue jay wants to be decked out in the green of cedar, and a loon dons the burnished red of oak leaves, but neither bird foresees the consequences of vanity.

The Pink Panther battles with a hungry mouse raiding his refrigerator, who throws a late-night party with a crowd of other mice.

Directed by Geoffrey Jones.

hong kong film

hong kong film

A group of juvenile delinquents working in a shipyard try to clear themselves of a false accusation.

A delightful short film shot in reverse in which the main protagonist enjoys a day on the town.

A detective searching for the heiress to a large fortune trails her to various nudist camps around the world.

Obscure sex comedy

For "Trilogy," filmmaker Marzano grouped together three of his 1960-61 short films Changeover (1960), Return (1961) and Lovelost (1961) into a single 18-minute film, which he described: "In miniature, depicting three moments, perhaps in one day."

Cowboys defends peasants that are stripped of their land by an evil landowner.

The Ghost of Monk's Island Part Six Captured

When three year old Willy wanders away from home he falls among thieves. They are forced to kidnap him. The police ask Dickie, his elder brother and his friend, Johnny to help in the search. Johnny's friends all join in and meet with varied adventures. The children find Willy in a disused warehouse but cannot rescue him. Three more are caught by the gang who lock them in with the now unconscious gang leader and escape with the jewels. The police, alerted by the children, capture the gang, recover the jewels and finally rescue the children, including Willy

A woman gives up the love and protection of her churlish older brother, Buster, when she begins having a romantic affair with another woman. Buster finds out and begins a secret affair with the same woman just to spite his sister.

Comical crises in the household of a newlywed couple.

Shooting in 1966 without script, story, or any narrative preconception, Nelson and Wiley created a masterwork of ‘60s independent cinema. The Great Blondino follows an anachronistically attired young fellow as he navigates a beguiling, sometimes troubling world with a curiosity that opens us wide to the filmmakers’ inspired, freeform vision. In many ways, the wonder of Blondino may echo the excitement of invention and exploration that Nelson and Wiley experienced in the making of the film. Utterly exuberant and freed from rote cinematic restriction, it embodies an artistic rigor and direction that also prevents it from ever seeming too unhinged. An incredible feat of tightrope walking. —Mark Toscano. Preserved by the Academy Film Archive in 2009.

Girls Beware is a trilogy of tragedies brought about by teenage girls' attempts at independent behavior. Covers do's and don'ts in the babysitting situation. Develops the problem of the 'PICK UP' and the girls who go with boys that are too old.

Alan Watts illustrates in this elegant meditation on Buddhism the nature of reality using the paradigm of flowing water. It is one of his best. "The waters before and the waters after, now and forever flowing, follow each other." Watts conveys the essence of Buddhism by focusing on how to develop greater flexibility and sensitivity to the beauty that surrounds us. His inspired narration, enhanced by beautiful photography and a musical score by Iasos, ensures that his message will last.

During his year in Mexico, Conner hosted psychedelic guru Timothy Leary, who he had met on an earlier visit to New York. Conner and Leary occupied themselves with mushroom hunts in the Mexican countryside. It’s not clear whether their hunts were successful. But Conner’s staccato home-movies of their walks – combined with movies of previous mushroom hunts in San Francisco – became his film Looking for Mushrooms. The film rushes through the rustic landscape of rural Mexico, flitting past houses and through a crumbling graveyard. Not to be confused with Conner's re-edited 1996 version of Looking for Mushroom.

a Terrytoons Cartoon

A smile gradually fades into a neutral facial expression.

Norman Mailer’s first feature filmmaking effort stars the director and his two longtime collaborators Buzz Farbar and Mickey Knox as a trio of gangsters holed up in a ramshackle New York apartment, drinking, braying, and fighting.

Riffing on Freud, Civilization and Its Discontents is “about a cleansing energy applied to a fallen world. But this time the mode is self-mocking satire. A poet of lye and laughing gas, Morrissey has concocted a new genre: slapstick neorealism.” (Donald Lyons)

A man attempts to convince his wife she is going mad so he can continue having an affair.

Reels from 1966 - 1969 compiled from loose footage and fragments shortly after Brooks's death by Jonas Mekas and Carolyn Brooks.

A woman falls in love with an American soldier who doesn't want to go to Vietnam.

During its 1969 showings at the Elgin Theater, No President was preceded by the color short filmed according to Smith’s direction by photographer Don Snyder (who also shot slides during the same session). Smith appeared as his red-wigged, plastic-jawed, alter ego Rose Courtyard, seated in a wheelchair amid the detritus of the Plaster Foundation. The film was accompanied by two rounds of Kate Smith singing “God Bless America”. Dressed in a red satin gown, clutching a bouquet of dead roses, Rose is finally moved to stand up and salute. The film was found in a can labeled “Song for Rent”, title of a 1971 mixed media production in which Smith appeared. (J. Hoberman)

Barney Google trying to make a big singing star out of Snuffy. Snuffy sings as his machine would chop wood. Barney Google tried to get a recording contract for Snuffy and the machine (hopefuly a gimmick), but the machine turned out uncontrollable.

Impresario helps SadCat defeat his brothers in a golf tournament.

Jose goes to a restaurant and is told by the waiter that an all-you-can-eat buffet is $5. Jose only has a penny which he uses to get three peanuts from a candy machine. A bird comes by and eats them all.

Discovered in summer of 1985, of a set of “haiku-imagistic films” I did before coming to my characteristic style, as in Ray Gun Virus; I thought I’d destroyed all these pre-pure films, in about 1969-1970, the time of my separation from my first marriage. The film concerns my marriage, which lasted seven years; it was shot during its first year, when I was a painting student at the University of Denver. It is full of apprehensions, in a montage style which counterposes “opposites”: sexuality and religion; seasonal opposites; hopefulness undercut by fears of eventual separation (the image of a statue of two women, arm in arm, reading a book). I find it visually and kinetically interesting, after all these years. (Paul Sharits) —Canyon Cinema

Two professional assassins take over the home of two women and their "houseguest" in order to assassinate a visiting foreign dignitary.

This is a work of Nobuhiko Obayashi when he was around 30 years old. This semi-documentary from the perspective of a young designer visiting Japan from Northern Europe tells the story of the filmmaker Nobuhiko Obayashi and his friends who the young designer encounters in Japan.

Eight performers, suspended from ropes, move to a score of randomized encounter. Schneemann writes that this "kinetic theatre" work was "conceived as an aerial event with ropes rigged across the canal at San Marco... finally realized at St. Mark's Church in the Bowery, then later rigged in a grove of trees. The illuminated aqueous planes of Venice motivated the performers on layers of ropes which enclosed and surrounded the audience seated below." One of two video documents of this early and influential performance, this version features original film footage by Elaine Summers.