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Otra vuelta

Sebastián Pagani, a young film director, returns to his hometown to film a story of Haroldo Conti. There he expected a ghost from the past: recently, a childhood friend just committed suicide in mysterious circumstances. Pagani gets to know details about his death only multiply the enigmas. Slowly, he begins to become disenchanted with their own project to become more involved in research on the last day of the suicide. But towards the end, both concerns come together in unexpected ways. The Turn is a sad irony about memory and identity

Otra vuelta

6.3 2005
Una de zombis

Aijón and Caspas are two aspiring filmmakers in their 20s despite having a huge lack of resources, ideas and contacts. Inexplicably, a woman named Carla (the source of sexual tension in the film) agrees to help them. However, if Aijón and Caspas want their film to be released, they will have to eliminate the members of a Satanic mafia of psychopath gangsters who call themselves "The Antichrists", which have returned from their graves in order to spread terror into the world and tell horribly lame jokes. -Edgar Cochran-

Una de zombis

5.3 2003
Microscopías

Various objects are observed using a high-resolution electron microscope: some paint pigments from a supposed 19th-century painting, a dollar bill, and a piece of old film celluloid in the process of decomposition. Microscopic observation will reveal the mysteries hidden on the surface of these materials: the infinite number of paintings that can be found in a tiny fragment of paint, the other possible invisible motion pictures that are hidden in each little piece of film.

Microscopías

NR 2003
Camelamos naquerar

Camelamos naquerar (We Want to Speak) is an adaptation of the theatre play of the same name which was born out of a collaboration between Romani poet and university professor José Heredia Maya and Romani flamenco dancer and choreographer Mario Maya; the latter also performs in the piece, along with other artists. The title in Caló, the language used by Gitanos, translates as ‘we want to speak’, a revolutionary message that illustrates the efforts to reclaim a place in Spanish history for the Roma people and denounce the institutional injustice suffered by the community. It takes as its starting point the Pragmatic decrees signed by the Catholic Monarchs at the end of the fifteenth century, which heralded the long persecution of the Roma people, and continues right up to the twentieth-century Francoist laws.

Camelamos naquerar

7.0 1976
César y Zaín

Two young boys, two geographical, cultural, religious and very different: West and East. Spain and India. Madrid and Old Delhi. Christians and Muslims. The boys play chess and have contacted the Internet "where" play games. An ancestral language and half spanking that know no borders. Can boys as different cultural backgrounds to reconcile their definitions of truly universal values ​​in the current troubled situation? The answer inevitably passes through the mutual knowledge and understanding will. A dialogue among civilizations rather than a clash of civilizations, is the look that "Cesar and Zain" brings us closer to Islam.

César y Zaín

7.0 2005