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Maja could hardly be happier. She loves her husband Konrad and their two children more than anything and things are also going well professionally, having recently taken up a promising position as a molecular biologist in a renowned clinic after completing her doctorate. But one day, a motorcycle accident involving her husband has serious consequences. After a minor operation on his leg went without a hitch, Konrad's condition deteriorates rapidly a little later. It soon transpires that he has been infected with dangerous germs in hospital. As the hospital treating him is Maja's new workplace, her boss Professor Adler, who would prefer to sweep the matter under the carpet, is not at all happy for her to investigate on her own. And she soon discovers some shocking facts.

The concentrated analytic-ideological critical power of Wolfgang M. Schmitt.

The film shows life on Austrian farms in an unvarnished and unemotional way. As diverse as the farmers shown are, from organic farmers to conventional agricultural engineers, their message is unanimous: things cannot go on like this. Something is wrong. It shows how economic policy and society are increasingly capitulating to industry. The pictures are not rosy, but there are moments of hope.

When Mishal is compelled to travel to Berlin to prove his marriage to the scholarship student Nora at the cultural attaché’s office, his relentless curiosity drives him to explore the bustling Western city. But his presence quickly stirs suspicion and chaos when he realizes that finding the Qibla in Berlin is a puzzle, with each person praying in a different direction. As Mishal hops from one adventure to the next in search of the “right” direction, his journey spirals into a series of comedic encounters that spark curiosity and questions wherever he goes.

A group of young people dreams of a better life, so they kidnap a businessman's daughter and demand a ransom. However, something goes wrong during the handover.

Portrait documentary about people in various life situations who have written themselves the letter they always wanted to receive.

The graduation ceremony of their son Max is no longer a big excitement for Sabine and Bernd Schröder - after all, they have already successfully brought two older sons through high school. Nonetheless, when the youngest offspring moves out, a new chapter in life begins: They finally have plenty of time for each other and common dreams. At least that's the beautiful theory. Sabine and Bernd have to face the truth: unnoticed by the hustle and bustle of the family, they have drifted apart. Where the offspring once provided common ground, there is suddenly a yawning emptiness. The fact that other couples feel the same way after their children have moved out gives little consolation. And while Bernd continues to bury his head in the sand and hopes for the success of the "sit out" principle, Sabine gets serious. She gives Bernd an ultimatum. Because one thing is clear to them: just continuing like this is out of the question.

Alexandra Kluge, one of the defining actresses of New German Cinema, died on June 11, 2017, in Berlin. Hanna Laura Klar gives a voice to her famous brother Alexander Kluge, her son Andro Steinborn, and numerous friends and colleagues, revealing the two lives of an extraordinary woman and friend. As Dr. Karen Steinborn, she was just as charismatic as she was as the actress Alexandra Kluge in her brother’s films.

Several cases of labour exploitation concerning migrant workers from Eastern European countries have become publicly known. The film portrays the life of three migrant workers: a construction worker from Bulgaria who lives on the streets of Frankfurt collecting bottles for a living; a woman from Romania who shares a hotel room with her daughters, everyday she goes out to find work; and a retiree from Bulgaria who drives a truck and has been on the road for four months to support his family back home. Their daily lives are determined by bleak monotony and social isolation, and yet they have not abandoned their hope for a better life.

Eight people gather at a homestead in the middle of nowhere to celebrate a feast together. It is the family members and closest confidants of Anton, who fled from his life a few years ago, broke off all contacts and now unexpectedly invited to his 30th birthday. In joyful anticipation of the prodigal son, those left behind try the spirits of the past.

Katja emigrated from East Berlin to Bavaria. There she has found the love of her life. Now she invites her mother Rita to take a look at her future husband. During her journey from Berlin to Bavaria, Rita picks up the stranded actor Hotte.

The two teenagers Melek and Fabio couldn't be any more different. But they have one thing in common that brings them together: Both want to get away from home. Fabio because he is gay and Melek because her Turkish parents limit her dreams. Together they learn to face their problems. A film about understanding, being gay and migration.

Full of anticipation, the young and ambitious Commissioner Carsten Lanner (Florian Lukas) is moving from Berlin Cloppenburg in Lower Saxony for a further education. However, he did not expect the outspoken chutzpah of the Berliners and, above all, the rude nature of his colleagues, who in no way received him with open arms. And so he slips more accidentally than wanted shortly after his arrival in Berlin in his first case.

The documentary drama offers a fresh and surprising take on the story of Bruce Reynolds, Ronnie Biggs, and the rest of the gang.

An afternoon on a large film set somewhere in rural France, A runner takes up position...

Documentary about the city of Pattaya in Thailand, which is visited by thousands of Germans every year. Not only the weather attracts men to the coastal city...

Inherently political, the three films that constitute Muster (Rushes) (2012) visually link to one another, with each roughly half-hour narrative (79 minutes combined for the single-channel version) taking place at a former Benedictine monastery outside of Kassel, Germany. This monastery functioned as a concentration camp during the Nazi era, a reformatory for girls in the 1970s, and later a psychiatric clinic.

An unprofessional set, the crew's questionable work ethic, the intrusive neighbor, and his assistant's cousin make it difficult for a director to finish filming. As he increasingly loses his temper amid the chaos, the film seems to develop its own ending.

When Lisa applies for a job everything seems to be turning out pretty well. Until the boss, Marie, starts asking strange questions and the job interview turns out to be a little different than expected.

Strong-willed development aid worker Karla Friemann comes to Afghanistan in order to build a water supply well. The villagers treat her with reserve and the well is being sabotaged by strangers repeatedly. When Karla finds out who really is in charge of the attacks she must realize that her western notion of what is good for people is being evaluated totally different in another culture. A story about willing yet failing to help.

We have exclusive insights into the work of Germany’s most successful customs office and its confiscation of drugs and goods. We follow customs officers and their targeted operations.

A documentary about Berlin's former airport Tempelhof. A film about Departures and Arrivals. And about those Berliners who come here to escape from their daily lives and those refugees who came here to finally arrive somewhere.

Gräfenhausen near Pforzheim, on the morning of April 29, 1997: Harry Wörz is awaited by a large police force as he leaves his apartment and is immediately arrested. He is said to have visited the policewoman Silke, with whom he is still married but no longer lives together, the night before and choked her so hard with a scarf that she suffered serious injuries.

Violence, sex, and buttocks: a brief history of controversial pop music videos. With its explosion in popularity in the 1980s, the music video became an expression of a desire for emancipation, and producers were quick to recognize its commercial potential. MTV became the vehicle for this music video culture—and relayed its scandals. From Michael Jackson's "Thriller" to Madonna's "Justify My Love" and N.W.A's "Fuck The Police," right up to the recent escapades of Rihanna, Nicki Minaj, and Rammstein... : peppered with more or less subtle references to sex or violence, music videos have borne witness to the gradual shifting of the boundaries of good taste. Through a kaleidoscope of the most controversial videos, we look back at the strokes of genius and brilliance of three decades of music.

The shy late twenties Torsten tile lives with his mother in a bleak Berlin slab. In the guise of his alter ego "Lux - Warrior of Light" he tries to make the world a little bit better. He distributes food to the homeless and helps out on his forays through the city wherever he can. A film crew accompanies him to make a documentary about the social engagement of the self-appointed real-life superhero. Jan, the director, is still looking for a donor. The resourceful producer Brandt shows interest, but on condition that he sees something spectacular.

An alien from the planet Antoria lands on Earth and is promptly assaulted by the porn producer Gerhard Hornbacher, who steals his "form changer". Hornbacher sees this as a way to make money and founds the spiritual TV channel "Teleportal", where he offers people the opportunity to flee to Antoria to escape the impending destruction of the Earth, for a price of course.

In her former life, Eva Bernhardt was called Evelyn Frank and was a notorious brothel owner in Berlin. But then she decided to testify as a key witness against her husband and his business partner and was accepted into a witness protection program. With a new identity, she now lives as Eva in the Bavarian mountains and starts all over again. She settles into her new surroundings surprisingly quickly and soon makes friends. The two witness protection officers Ines Meder and Holger Nolting observe Eva skeptically and with a watchful eye. Ines in particular has some doubts about Eva's sincerity when she is introduced to her as her daughter. When Eva then wraps the manager of a restaurant around her finger, Ines is certain that Eva is playing a false game...

36-year-old Birgit desires nothing more than an intact family. Since she lives with her husband Andreas, the common child Philip and Sarah, her daughter from a previous, failed relationship in solid economic conditions in a terraced house, she feels very close to her ideal. Through Sarah's puberty, the family is put to the test. But Birgit believes that luckily only the formal confirmation of the adoption of Sarah by Andreas is missing.

Year 2032. Ten-year old Luise and her mother Anna live in Germany, a totalitarian state. When a school theatre play, with Luise involved, turns into a brutal propaganda campaign, Anna recognizes the need to protect her daughter. But it might be too late.

A year ago, her beloved Nico was run over by a truck. The shock of death caused sommelier Anne to lose her sense of smell and taste. Now she receives a letter from Holland: the annual rent for the eggs she fertilized twelve years ago is due! A baby as a legacy - and a new start, not only Anne thinks, but also her colleague Conny. Only Hilde, an ex-policeman with two sons, thinks motherhood at almost 50 is a crazy idea. Despite her reservations, she takes them to the fertility clinic in Amsterdam.

A known serial killer has escaped from police custody and is on a bloody rampage

Parsifal in Bayreuth, directed by Stefan Herheim and conducted by Daniele Gatti.

Mia lives in an isolated quiet area where she is taking care of her grandfather. The minute stiff sales girl Lilli and Ben, the ingenuous male nurse, walk into her life, Mia falls in love. With both of them. Suddenly Mia's magical world starts spinning and she starts her own tragic-comical journey trying to find out who she is.

Audio-visual notes on the encounter with 93 year old painter Tatjana, who is losing her eyesight. Gestures gently observed through the tips of her hair interfere with thoughts about the sense of time and a dreamlike reality. Moving images follow the painter's alignment relying more than ever on her experienced hand and imagination and exploring sensory perception beyond seeing.

A well-placed site manager and father slips into a midlife crisis and recalls promptly to a former lover. Satirical comedy that finds compelling cinematic narrative technique for the feeling of comprehensive alienation and emotional state of emergency worded precisely in images that make over room poetics, dramaturgy and color perspectivization experience the world of heroes transparent. The fact that the terseness is sometimes applied a little thick, weight to a minimum.

NORDSTRAND tells the story of two brothers, Marten and Volker, who meet in their parents' now empty house on the coast. Older brother Marten would like to pick up together their mother from prison where she has been since the death of their violent father years ago. But Volker seems only to have come in order to sell the house. He apparently can't forgive neither his mother nor his older brother for the fact they didn't protect him from the abuse committed by the head of the family.

Oil, gold and fire are the treasures inside the proud giant mountains. For the little mountain it's impossible to keep up with that. He's just in possession of this tiny, strange and useless SOME THING.

Crying children, changing diapers, baby food - everything around Jan seems to revolve around having children. Not only is his best friend Theo a new father, but his sister-in-law Marion's children also keep the successful engineer on his toes. So it's all the better that Jan's marriage to Hanna is a child-free zone. Until now - because Hanna's family plans are becoming more and more concrete... When she brings up her desire to have children one evening, a heated argument develops that ends in a compromise: To test whether the couple is even ready to take responsibility for a child, they first want to look after a dog for a few weeks. If that goes well, they can start thinking about having a baby. A short time later, bulldog Lucky moves in with them and causes a huge stir in the couple's lives...

State guests, international nobility, stars - Hella Wiegand loves her work as a housekeeper in the elegant grand hotel in Hamburg. Appreciated by her colleagues and superiors and popular with the maids under her supervision, she has a promising career ahead of her. Then Hella accidentally witnesses a sexual assault by her boss Jakob Braunstein on the chambermaid Shirin. She wants to support Shirin and convinces her to defend herself. But Braunstein manages to turn the tables. Hella suddenly finds herself in the pillory and Braunstein shamelessly exploits his position of power...

A small one-street village in the open landscape of East Germany, marked by the political changes of the past decade and long forgotten by the rest of society. FAR END OF THE MILKY WAY is a trip to the periphery of society. Wealth and jobs are scarce around here, but people want to stay regardless. With stubbornness and a sense of humor, they make the best of their situation. FAR END OF THE MILKY WAY is a film about work and love, your garden as your pub, ashes in the snow and slaughtering pigs

Young 19-year-old Hajo wrestles with caring for his 6-month-old son and finding both work and his role of being a father.

There are about 140 landscapes painted by Claude Monet in Pourville during 4 long stays between 1882 and 1897. The coastline has hardly changed since then. Enriched by the historic dimension Wyborny presents a panorama of this coast by superimposing Monets paintings with the present reality of the location.

Standup by Nico Semsrott