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The Strawberry Tree

Less than a month after Simone Rapisarda Casanova completed shooting in Juan Antonio, a village on Cuba’s North Eastern coast, the place was wiped out by a hurricane. Thus El árbol de las fresas begins with four of the now displaced former inhabitants reminiscing about their home and what they have lost. Eschewing drama and pathos, the opening sets the tone for what is an unusual documentary; the subjects often address the camera directly and even tease the filmmaker. In doing so they disrupt the usual relationship between viewer and subject in a playful way that allows both the viewer and the viewed to share equally in the filmmaking process.

The Strawberry Tree

6.0 2011
Birds of the Okanagan: A Vanishing Legacy

Born and raised in the Okanagan, Dick Cannings is a biologist, birder, and book author. He has written many books on birds and the natural history of British Columbia. Like all naturalists, Dick is concerned about the plight of species at risk, and in this video, we follow him in his search for birds at risk of the Okanagan. 200 birds nest in the Okanagan, which makes it the most diverse place for breeding birds in North America. The Okanagan is also a hot spot for species at risk in Canada. British Columbia is one of only two provinces (the other being Alberta) in Canada that does not have an endangered species law. Yet the province is home to more wild plant and animal species than any other province in Canada and is also one of the last holdouts for many large mammals that once roamed much of North America. Alarmingly, 1,900 species are on the provincial species at risk list.

Birds of the Okanagan: A Vanishing Legacy

NR 2013
Le Pier

What do we know about childhood other than the constructions we make of it? A little girl died inside the day her father left. As an adult, she is still there, frozen, stuck in the sand, ready to dissolve in the storm of her childhood. But is he really gone? Can memory lie to us? A film where characters from the past are transformed into actors in the present. A cinematic essay, based on images that the filmmaker has filmed over the years and family archives dating from the 1940s, all shot in the same place, on the same beach in Old Orchard, Maine, USA.

Le Pier

NR 2014
Just One Drop

Just One Drop takes a no-holds-barred look at the most controversial form of medicine ever invented. Homeopathy treats the entire person, not just the disease. It’s a specific form of medicine that uses minute doses of a highly diluted substance that stimulates the body to cure itself. It is these tiny doses that causes the most controversy. Researchers believe there is a release of energy in water that becomes mysteriously dynamic. Others think it’s purely psychological or worse, a form of deception or quackery. Yet millions claim homeopathy cures even though there is not yet a satisfying scientific explanation. It remains a mystery.

Just One Drop

NR 2017
Drift

Sensitive, powerful, and eminently delicate. Drift is comprised of hundreds of press and amateur images of the sea found on the internet. In this multi-channel video, Blain has filled each screen with careful layers of these images, which lift like sails in the breeze to reveal scenes of fragile, makeshift boats floating on perilous vast waters. Drift alludes to the countless migrants who flee situation of war, poverty and violence, but become lost in the open sea as they drift away from their native country in search of freedom. As a moving collage, the video commemorates these anonymous people, hundred of whom are currently in danger and astray on the immense sea. Drift stands in resistance against the desensitizing effect of overwhelming amounts of media imagery, and refuses to allow the unknown fate of these unprotected women, men and children to fall into oblivion.

Drift

NR 2019
Land of Not Knowing

How can we express the emotional experience of depression and suicide and overcome the stigmas associated with mental health? Sanguedolce’s experimental documentary brings together four artists (including experimental filmmaker Mike Hoolboom), who speak with refreshing honesty about how thoughts of suicide have dominated their personal and creative lives. Shot on 16mm and hand-coloured, the flow of images creates a poetic visual response to the stories presented on the soundtrack and allows space for reflection.

Land of Not Knowing

NR 2016
Love is a Hunter

This animation uses watercolor paintings of child-morphed creatures, poppies and dismembered legs, based on collaged photos from my animation ‘Nothing ever happened’, to produce a commentary on loss. Set to the song ‘Love is a Hunter’ by Rae Spoon reminds us that love can be transformative, but sometimes the intensity of this transformation can be threatening. The surreal imagery reflects a childhood where love is very much defined by one’s ability to hide from violence and pain.

Love is a Hunter

NR 2010
Rien sur les mocassins

Documentary on Atikamekw craftsmanship that switches to documentary on the challenges of transmission within the community, the preservation of traditional indigenous knowledge and especially its protection from the various assaults of the world. There will be no moccasin movie. This is how the director's grandmother, Eden Awashish, decides to respond to the granddaughter project. The film will therefore speak to us about transmission but without revealing secrets that do not belong to us.

Rien sur les mocassins

NR 2016
Fred Pellerin : La tuque en mousse de nombril

The Montreal Symphonic Orchestra (MSO) and Kent Nagano share the stage with Fred Pellerin, a colorful character whose imagination seduces as much as it surprises. He tells Christmas in his own way, through his stories featuring the protagonists of the small village of Saint-Élie-de-Caxton. An unprecedented encounter of the symphonic world and the universe of this artist of words. Concert recorded on December 16 and 17, 2011 at the Maison symphonique de Montréal.

Fred Pellerin : La tuque en mousse de nombril

NR 2011
THUYA

Filmed in Victoriaville, the film uses images from various sources to paint a cynical portrait of the violent boredom that reigns in rural areas. Quiet sequences of people sharing joints by the river are followed by a lone car speeding along wooded roads, as if seeking speed on the brink of accident. Thuya abandons technical mastery in favor of intimate and spontaneous filming, composing a raw self-documentation of daily stagnation. Filmed mainly in a single day of improvisation, based on chance encounters and found footage.

THUYA

NR 2019