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El Pabellón 17

The old Pavilion 17 in Rome has reopened its doors. For two years it has been a space for welcoming and assisting refugees and stateless people from all over the world, leaving behind its past as a detention center for women doubtfully diagnosed as “semi-disordered.” The building is now a space of life and liberation. The past and the present coexist in its corridors and rooms, where the passage of time continues to be visible and the light subtly fractures the gloom.

El Pabellón 17

NR 2023
From Where We Stand

Filmmaker Lucy Kaye creates intimate portraits of diverse individuals in three Northern English towns, in this insightful and compassionate documentary. Filmed across Wakefield, Halifax and Middlesbrough, the film brings together stories of loss, migration, friendship, and mutual aid, to convey a strong sense of place and lived experience. Exploring our relationship to the places we live and our sense of belonging, the film challenges stereotypes and gives a vital voice to those not often heard. From Where We Stand is a thoughtfully observed film that feels truly collaborative, and an authentic portrait of Northern England post-Brexit.

From Where We Stand

NR 2023
El cine, 5

After the recent closure of the Carrio well, a symbol of the end of an industry that has marked the character of a town, Barredos faces depopulation and oblivion. However, the testimonies of those who are still alive and the photographic material from the mid-20th century by Corsino García Alonso, a local photographer and grandfather of the author, manage to show that the memory still endures. The stories of its heyday told orally and visually and its characters intertwine and contrast with a current declining, empty post-industrial landscape.

El cine, 5

NR 2023
Amérique, la nouvelle histoire des premiers hommes

From the far north of Canada to the southern tip of Chile, through the southern United States, central Mexico and the Brazilian Mato Grosso, new concordant but still controversial archaeological discoveries have brought a new paradigm to the archaeology of American prehistory: the appearance of the first humans on the continent could date back to nearly 30,000 years before our era, that is to say, about 15,000 years earlier than the commonly accepted and taught thesis. Although there were a few mavericks in the past who disputed the scenario according to which the first ancestors of Americans arrived on foot through the Bering Strait 16,000 years ago, they were long kept out of the scientific community.

Amérique, la nouvelle histoire des premiers hommes

8.3 2023
Elna In Motion

The psychomotor development of a young child followed between the ages of 8 and 18 months serves as a reminder of how this extraordinary potential for human development will very quickly be undermined by the capture of the child's attention via screens, with the aim of making him or her as good a part of consumerist society as possible as quickly as possible. The film is based on a discrepancy between this global phenomenon of child sacrifice, with its devastating effects, which is the work of the mass media, and an 'experimental' cinematographic language that cannot be retrieved by what is known as the 'attention economy'.

Elna In Motion

NR 2023
Chutzpah – Something About Modesty and Shame

In the midst of a personal and work crisis, I begin to film everything obsessively: my parents, grandparents, children, friends and lovers, but also myself and psychotherapy. Some footage is consensual, some is “stolen.” This way my personal-intimate becomes narrative: the recent separation, the pain of my children’s being apart, my parents’ separation, my inadequacy as a mother. But in this autobiographical process of “coming out” I inevitably clash with the privacy of those close to me. The result is a kind of intimate diary that, in becoming public, is perhaps shameless and obscene. But where are the boundaries between what should remain private, offstage, and what can be made public and shared?

Chutzpah – Something About Modesty and Shame

NR 2023
The Caravaggio Mystery

In 2015, a Magdalene in Ecstasy was discovered in the modest collection of an Italian family. Was it the original by Caravaggio, who disappeared after his death in 1610, or one of the many copies made subsequently? After an expert appraisal, Mina Gregori, one of the greatest specialists on the artist, was convinced of the authenticity of the work. On her advice, the owners searched their archives and unearthed three documents: two inventories of paintings, dating from 1842 and 1864, as well as an old paper mentioning a "Madeleine inverted by Caravaggio". Starting from these pieces of evidence, an expert in ancient archives and an Italian art historian then launched into a vast investigation to try to retrace the route of the painting.

The Caravaggio Mystery

8.0 2023